John Conteh-Morgan – författare
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6 produkter
6 produkter
Häftad, Engelska, 2004
309 kr
Skickas inom 10-15 vardagar
African Drama and Performance is a collection of innovative and wide-ranging essays that bring conceptually fresh perspectives, from both renowned and emerging voices, to the study of drama, theatre, and performance in Africa. Topics range from studies of major dramatic authors and formal literary dramas to improvisational theatre and popular video films. South Africa's Truth and Reconciliation Commissions are analyzed as a kind of social performance, and aspects of African performance in the diaspora are also considered. This dynamic volume underscores theatre's role in postcolonial society and politics and reexamines performance as a form of high art and everyday social ritual.Contributors are Akin Adesokan, Daniel Avorgbedor, Karin Barber, Nicholas Brown, Catherine Cole, John Conteh-Morgan, Johannes Fabian, Joachim Fiebach, Marie-José Hourantier, Loren Kruger, Pius Ngandu Nkashama, Isidore Okpewho, Tejumola Olaniyan, Ato Quayson, Sandra L. Richards, Wole Soyinka, Dominic Thomas, and Bob W. White.
Häftad, Engelska, 2010
305 kr
Skickas inom 5-8 vardagar
John Conteh-Morgan explores the multiple ways in which African and Caribbean theatres have combined aesthetic, ceremonial, experimental, and avant-garde practices in order to achieve sharp critiques of the nationalist and postnationalist state and to elucidate the concerns of the francophone world. More recent changes have introduced a transnational dimension, replacing concerns with national and ethnic solidarity in favor of irony and self-reflexivity. New Francophone African and Caribbean Theatres places these theatres at the heart of contemporary debates on global cultural and political practices and offers a more finely tuned understanding of performance in diverse diasporic networks.
Inbunden, Engelska, 2010
882 kr
Skickas inom 5-8 vardagar
John Conteh-Morgan explores the multiple ways in which African and Caribbean theatres have combined aesthetic, ceremonial, experimental, and avant-garde practices in order to achieve sharp critiques of the nationalist and postnationalist state and to elucidate the concerns of the francophone world. More recent changes have introduced a transnational dimension, replacing concerns with national and ethnic solidarity in favor of irony and self-reflexivity. New Francophone African and Caribbean Theatres places these theatres at the heart of contemporary debates on global cultural and political practices and offers a more finely tuned understanding of performance in diverse diasporic networks.
Häftad, Engelska, 2006
529 kr
Skickas inom 7-10 vardagar
This study is entirely devoted to African literary drama in French, a major component of African theatre. Beginning with a detailed analysis of its relationship to a variety of pre-colonial, but sometimes still contemporary traditions of performance which constitute part of its roots, Conteh-Morgan examines this drama both in its literary and theatrical dimensions. He discusses its development, themes and techniques and considers its attempts, since the 1980s, to move away from the predominantly text-based drama of first generation playwrights to a more performance-oriented one. The book is divided into two sections: part one offers a theoretical and historical background and part two analyses key individual plays central to the repertoire, including two from the Caribbean. All quotations from play texts are translated into English.
Inbunden, Engelska, 1994
1 277 kr
Skickas inom 7-10 vardagar
This study is entirely devoted to African literary drama in French, a major component of African theatre. Beginning with a detailed analysis of its relationship to a variety of pre-colonial, but sometimes still contemporary traditions of performance which constitute part of its roots, Conteh-Morgan examines this drama both in its literary and theatrical dimensions. He discusses its development, themes and techniques and considers its attempts, since the 1980s, to move away from the predominantly text-based drama of first generation playwrights to a more performance-oriented one. The book is divided into two sections: part one offers a theoretical and historical background and part two analyses key individual plays central to the repertoire, including two from the Caribbean. All quotations from play texts are translated into English.
Del 8 - Francopolyphonies
"The Original Explosion That Created Worlds"
Essays on Werewere Liking’s Art and Writings
Häftad, Engelska, 2010
2 023 kr
Skickas inom 5-8 vardagar
“The Original Explosion That Created Worlds” is the first book entirely devoted to the Cameroonian Werewere Liking, one of the most important writers and innovative artists of post-colonial Africa. The book includes a wide-ranging collection of essays by some of Liking’s finest critics addressing her life and work, from her earlier fiction and social criticism to her later experimental drama, which has been produced on stages around the world. Several essays also look at Liking’s culture-based entrepreneurial work, in which she has attempted to establish a new economic support for African artistic expression.Liking’s excellent but little-known poetry and art criticism, her iconoclastic novels and essays are all the subject of close critical attention in particular studies. There is also consideration of the challenges that her original language and fictional forms present to a literary translator. Liking’s work has provoked an extensive commentary, in the popular press as well as in scholarly journals and her critical reception both inside and outside of Africa is carefully examined. The final important inclusions are two plays by Liking published here for the first time in English translations–Liquid Heroes and This Africa of ours...“The Original Explosion That Created Worlds”: Essays on Werewere Liking’s Art and Writings may serve as an introduction to the work of one of Africa’s most important contemporary artists and one of the most astute commentators on the position of Africa in the new century. To those already familiar with Liking’s novels, poetry, plays, criticism or other cultural work it offers an expanded and deepened understanding of her working contexts and the amazing reach of her cultural expression. The book is of necessary interest to all readers, students, and scholars of postcolonial African literatures, of translation studies, and of gender issues.