John D. Jump – författare

The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer''s work, enabling student and researcher to read the material themselves.

The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer''s work, enabling student and researcher to read the material themselves.

First published in 1972. John D. Jump, a leading authority on Byron and the Romantic period, here gives an account of Byron’s literary achievement in relation to the age of revolutions in which he lived and in relation to his own character and personal circumstances. Professor Jump focuses upon the major poems and also discusses Byron’s prose, principally his letters and journals. In doing so he covers all of the important aspects of Byron’s work.

First published in 1972. John D. Jump, a leading authority on Byron and the Romantic period, here gives an account of Byron’s literary achievement in relation to the age of revolutions in which he lived and in relation to his own character and personal circumstances. Professor Jump focuses upon the major poems and also discusses Byron’s prose, principally his letters and journals. In doing so he covers all of the important aspects of Byron’s work.

First published in 1974, this book provides a helpful overview to the ode. After introducing the reader to classical odes, it goes on to trace the development of two major types: the Pindaric ode and the Horatian ode. The book concludes with a study of odes from the nineteenth and twentieth-centuries.

This book will be of particular interest to those studying poetry, verse form and literature more generally.

First published in 1974, this book provides a helpful overview to the ode. After introducing the reader to classical odes, it goes on to trace the development of two major types: the Pindaric ode and the Horatian ode. The book concludes with a study of odes from the nineteenth and twentieth-centuries.

This book will be of particular interest to those studying poetry, verse form and literature more generally.

First published in 1972, this book provides a helpful introduction to burlesque literature, a term used by critics from the seventh-century onwards to describe work in which an incongruity between serious subject-matter and style is used to provoke laughter. It examines the four main types of burlesque writing: Travesty, Hudibrastic, Parody and the Mock-Poem, as well as dramatic burlesques.