John Docker - Böcker

The Historiography of Genocide is an indispensable guide to the development of the emerging discipline of genocide studies and the only available assessment of the historical literature pertaining to genocides.

This book presents a rethinking of the world legacy of Mahatma Gandhi in this era of unspeakable global violence. Through interdisciplinary research, key Gandhian concepts are revisited by tracing their genealogies in multiple histories of world contact and by foregrounding their relevance to contemporary struggles to regain the ‘humane’ in the midst of global conflict. The relevance of Gandhian notions of ahimsa and satyagraha is assessed in the context of contemporary events, when religious fundamentalisms of various kinds are competing with the arrogance and unilateralism of imperial capital to reduce the world to a state of international lawlessness. Covering a wide and comprehensive range of topics such as Gandhi’s vegetarianism and medical practice, his successes and failures as a litigator in South Africa, his experiments with communal living and his concepts of non-violence and satyagraha. The book combines historical, philosophical, and textual readings of different aspects of the leader’s life and works. Rethinking Gandhi in a New World Order will be of interest to students and academics interested in peace and conflict studies, South Asian history, world history, postcolonial studies, and studies on Gandhi.

In this provocative and timely book, John Docker takes his readers on an intellectual adventure. The journey includes an introductory guided tour of the history of modernism, consideration of the development of postmodernism, explanation of the difference between structuralism and poststructuralism and discussion of the debates and conflicts around each. Along the way readers will visit the architecture of Le Corbusier, take a ride on the Sydney monorail, watch Prisoner (Cell Block H) on TV, come into contact with Derrida, read some crime fiction and enter into the world of carnival. The book engages, in a stimulating and illuminating way, with some of the most important academic debates of our time. It combines polemical force with intellectual rigour, reclaiming popular culture from the forces opposed to it. John Docker's personal style and accessible prose will introduce postmodernism to many interested general readers and students intimidated by other dense, theoretical tracts. The breadth and intelligence of his cultural history will make the book essential reading for scholars, in a range of disciplines, around the world.

Genocide is commonly understood to be a terrible aberration in human behaviour, performed by evil, murderous regimes such as the Nazis and dictators like Suharto and Pinochet. John Docker argues that the roots of genocide go far deeper into human nature than most people realise.Genocide features widely in the Bible, the literature of ancient Greece and Rome, and debates about the Enlightenment. These texts are studied in depth to trace the origins of violence through time and across civilisations. Developing the groundbreaking work of Raphaël Lemkin, who invented the term 'genocide', Docker guides us from the dawn of agricultural society, through classical civilisation to the present, showing that violence between groups has been integral to all periods of history.This revealing book will be of great interest to those wishing to understand the roots of genocide and why it persists in the modern age.

This book is an exercise in ethical criticism. It draws on and works with ideas and suggestions from two of its notable exponents, Wayne C. Booth and Martha C. Nussbaum, who propose that we regard cultural texts as "friends" with whom we can enjoy productive conversations that address contemporary challenges and developments, such as coercive control in gender relations, imperial and colonial thinking, and the centuries-long history of slavery. Throughout, attention is drawn to female agency in figures from Joan of Arc, Lady Mary Wortley Montagu, and Rebecca in Sir Walter Scott's Ivanhoe through to Princess Diana. The book begins by looking closely at The Thousand and One Nights in terms of its wayward narratology, its displays of female power, and its significance for arguments over the relationship between the Enlightenment and the conceptual underpinnings of the Holocaust. Montesquieu in Persian Letters and Voltaire in Zadig destabilise any certainty that the Enlightenment was straightforward or easily definable. After evoking a slavery thread in chapters on Jane Austen's Persuasion and Mansfield Park, Patricia Rozema's film Mansfield Park, and Jamaica Kincaid's Annie John, the book concludes with a radical re-reading of Middlemarch.

This book presents a rethinking of the world legacy of Mahatma Gandhi in this era of unspeakable global violence. Through interdisciplinary research, key Gandhian concepts are revisited by tracing their genealogies in multiple histories of world contact and by foregrounding their relevance to contemporary struggles to regain the ‘humane’ in the midst of global conflict. The relevance of Gandhian notions of ahimsa and satyagraha is assessed in the context of contemporary events, when religious fundamentalisms of various kinds are competing with the arrogance and unilateralism of imperial capital to reduce the world to a state of international lawlessness. Covering a wide and comprehensive range of topics such as Gandhi’s vegetarianism and medical practice, his successes and failures as a litigator in South Africa, his experiments with communal living and his concepts of non-violence and satyagraha. The book combines historical, philosophical, and textual readings of different aspects of the leader’s life and works. Rethinking Gandhi in a New World Order will be of interest to students and academics interested in peace and conflict studies, South Asian history, world history, postcolonial studies, and studies on Gandhi.

The Historiography of Genocide is an indispensable guide to the development of the emerging discipline of genocide studies and the only available assessment of the historical literature pertaining to genocides.

An original and insightful examination of the ways in which history is - and might be - written. It traces history's divided nature, beginning with its founding figures, Herodotus and Thucydides, right up to the key figures of historical reflection, such as Nietzsche, Walter Benjamin, Hannah Arendt, and Hayden White. It also explores the challenges posed by postmodernism, and the literary conventions of historical writing.