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3 produkter
2 337 kr
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- The Papin sisters -- two maids who shocked France by savagely butchering their mistress and her daughter. - Violette Nozieres -- arrested for poisoning her mother and father. The serial murderer Eugen Weidmann -- the last man to be publicly guillotined in France.These sordid tales, widely disseminated by the French press in articles known as the faits divers, have inflamed the imaginations of French writers and intellectuals from Zola and de Beauvoir to Barthes, Foucault and Lacan. They are the basis for some of the most enduring characters in French fiction -- Julian Sorel, Emma Bovary and Therese Desqueyroux -- and continue to enthrall readers on a daily basis.This fascinating book is the only systematic study of the creative relationship between French writers and intellectuals and the fait divers. In addition to finding inspiration in these items, many French novelists and intellectuals have been moved to comment on the psychological, social and judicial issues to which they habitually give rise.The study of this phenomenon underscores the powerful hold the sensational has exerted on the nation's psyche and shows how the more lurid aspects of popular culture have fired the imaginations not only of the masses but of the intelligentsia as well.
520 kr
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Winner of some of France's most prestigious literary prizes, Patrick Modiano is considered one of the most fascinating French novelists alive today. This is the first English literary critique of this best-selling French author, whose works are found increasingly in translation throughout the world and who is attracting considerable critical attention outside France.In this lucid study, Alan Morris explores Modiano's fifteen major novels. He also traces Modiano's development as a writer and the tragedies which have influenced his works: the death of his younger brother, the neglect of his father and the horrors of the German occupation. Morris delves into Modiano's themes of time, memory, identity and the past, clearly demonstrating this intriguing writer's key place in French writing today.
629 kr
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Oriana Fallaci (b. 1930) is an awkward presence on Italian bookshelves, in world journalism and among feminists. This book, the first literary study of Fallaci, examines the implications of the storms and silences that she keeps rousing. A fully emancipated and successful woman in the man's world of political journalism, she has antagonised many feminists by her championship of motherhood and her idolization of heroic manhood. In journalism, her critics have felt that she has outraged the conventions of interviewing and reporting. As a novelist, she shatters the invisible diaphragm of literariness and is accused of betraying, or simply failing, literature. This book focuses on Fallaci's direct engagement as a writer with major political and social issues such as women's liberation, Vietnam, Islamic fundamentalism and the space programme. A distinctive and controversial feature of her writing is the way in which she blurs the interface between reportage and fiction in an attempt to obliterate the gap that separates the word from the world.