John E. Richardson – författare

-www.HoldtheFrontPage.co.uk

'At long last, the undergraduate journalism A-Z. This is an excellent and much needed resource which should be on the list of every undergraduate journalism and media student' -Tim Rodgers, Kingston College

The SAGE Key Concepts series provide students with accessible and authoritative knowledge of the essential topics in a variety of disciplines. Cross-referenced throughout, the format encourages critical evaluation through understanding.

Written by experienced and respected academics, the books are indispensable study aids and guides to comprehension.

Key Concepts in Journalism offers:

- a systematic and accessible introduction to the terms, processes and effects of journalism

- a combination of practical considerations with theoretical issues

- further reading suggestions

The authors bring an enormous range of experience in newspaper and broadcast journalism, at national and regional level, as well as their teaching expertise.

This book will be essential reading for students in journalism, and an invaluable reference tool for their professional careers.

-www.HoldtheFrontPage.co.uk

'At long last, the undergraduate journalism A-Z. This is an excellent and much needed resource which should be on the list of every undergraduate journalism and media student' -Tim Rodgers, Kingston College

The SAGE Key Concepts series provide students with accessible and authoritative knowledge of the essential topics in a variety of disciplines. Cross-referenced throughout, the format encourages critical evaluation through understanding.

Written by experienced and respected academics, the books are indispensable study aids and guides to comprehension.

Key Concepts in Journalism offers:

- a systematic and accessible introduction to the terms, processes and effects of journalism

- a combination of practical considerations with theoretical issues

- further reading suggestions

The authors bring an enormous range of experience in newspaper and broadcast journalism, at national and regional level, as well as their teaching expertise.

This book will be essential reading for students in journalism, and an invaluable reference tool for their professional careers.

This book critically examines the ways that collective pasts are commemorated and contested in a wide variety of national locations, media and genres.

Collective remembering is a dynamic process, through which narratives about the past, about ‘us’ and ‘them’ as well as beliefs, values and affective conditions contained in these stories, are produced and reproduced. This facilitates room for not only the creation of unity but also the potential for contestation and conflict, given that different interpretations of the past are often vehicles for opposing political interests. This book reflects the geographical breadth and empirical depth of the field of collective remembering. Foregrounding the idea that collective remembering always entails contestation, individual chapters explore the field of remembrance and its various genres – including murals, memorials, museums, newspaper reports, speeches, textbooks, tourist tours and the work of community activists – in countries as diverse as Australia, Germany, Hungary, Israel, Italy, Portugal, South Africa, the UK and the USA.

This volume will be of interest to advanced students and researchers in Critical Discourse Studies, Memory Studies, Rhetoric and Communications. The chapters in this book were originally published in Critical Discourse Studies.

This book critically examines the ways that collective pasts are commemorated and contested in a wide variety of national locations, media and genres.

Collective remembering is a dynamic process, through which narratives about the past, about ‘us’ and ‘them’ as well as beliefs, values and affective conditions contained in these stories, are produced and reproduced. This facilitates room for not only the creation of unity but also the potential for contestation and conflict, given that different interpretations of the past are often vehicles for opposing political interests. This book reflects the geographical breadth and empirical depth of the field of collective remembering. Foregrounding the idea that collective remembering always entails contestation, individual chapters explore the field of remembrance and its various genres – including murals, memorials, museums, newspaper reports, speeches, textbooks, tourist tours and the work of community activists – in countries as diverse as Australia, Germany, Hungary, Israel, Italy, Portugal, South Africa, the UK and the USA.

This volume will be of interest to advanced students and researchers in Critical Discourse Studies, Memory Studies, Rhetoric and Communications. The chapters in this book were originally published in Critical Discourse Studies.

This book focuses primarily on continuities and discontinuities of fascist politics as manifested in discourses of post-war European countries. Many traumatic pasts in Europe are linked to the experience of fascist and national-socialist regimes in the 20th century and to related colonial and imperialist expansionist politics. And yet we are again confronted with the emergence, rise and success of extreme right wing political movements, across Europe and beyond, which frequently draw on fascist and national-socialist ideologies, themes, idioms, arguments and lexical items. Post-war taboos have forced such parties, politicians and their electorate to frequently code their exclusionary fascist rhetoric.

This collection shows that an interdisciplinary critical approach to fascist text and talk—subsuming all instances of meaning-making (oral, visual, written, sounds, etc.) and genres such as policy documents, speeches, school books, media reporting, posters, songs, logos and other symbols—is necessary to deconstruct exclusionary meanings and to confront their inegalitarian political projects.

This book focuses primarily on continuities and discontinuities of fascist politics as manifested in discourses of post-war European countries. Many traumatic pasts in Europe are linked to the experience of fascist and national-socialist regimes in the 20th century and to related colonial and imperialist expansionist politics. And yet we are again confronted with the emergence, rise and success of extreme right wing political movements, across Europe and beyond, which frequently draw on fascist and national-socialist ideologies, themes, idioms, arguments and lexical items. Post-war taboos have forced such parties, politicians and their electorate to frequently code their exclusionary fascist rhetoric.

This collection shows that an interdisciplinary critical approach to fascist text and talk—subsuming all instances of meaning-making (oral, visual, written, sounds, etc.) and genres such as policy documents, speeches, school books, media reporting, posters, songs, logos and other symbols—is necessary to deconstruct exclusionary meanings and to confront their inegalitarian political projects.

In Post-War Britain cultural interventions were a feature of fascist parties and movements, just as they were in Europe. This book makes a new major contribution to existing scholarship which begins to discuss British fascism as a cultural phenomenon. A collection of essays from leading academics, this book uncovers how a cultural struggle lay at the heart of the hegemonic projects of all varieties of British fascism. Such a cultural struggle is enacted and reflected in the text and talk, music and literature of British fascism.

Where other published works have examined the cultural visions of British fascism during the inter-war period, this book is the first to dedicate itself to detailed critical analysis of the post-war cultural landscapes of British fascism. Through discussions of cultural phenomena such as folk music, fashion and neo-nazi fiction, among others, Cultures of Post-War British Fascism builds a picture of Post-War Britain which emphasises the importance of understanding these politics with reference to their corresponding cultural output.

This book is essential reading for undergraduates and postgraduates studying far right politics and British history.

In Post-War Britain cultural interventions were a feature of fascist parties and movements, just as they were in Europe. This book makes a new major contribution to existing scholarship which begins to discuss British fascism as a cultural phenomenon. A collection of essays from leading academics, this book uncovers how a cultural struggle lay at the heart of the hegemonic projects of all varieties of British fascism. Such a cultural struggle is enacted and reflected in the text and talk, music and literature of British fascism.

Where other published works have examined the cultural visions of British fascism during the inter-war period, this book is the first to dedicate itself to detailed critical analysis of the post-war cultural landscapes of British fascism. Through discussions of cultural phenomena such as folk music, fashion and neo-nazi fiction, among others, Cultures of Post-War British Fascism builds a picture of Post-War Britain which emphasises the importance of understanding these politics with reference to their corresponding cultural output.

This book is essential reading for undergraduates and postgraduates studying far right politics and British history.

The continual growth in the significance of mass-mediated communication makes it essential that we are able to reflect upon and critically appreciate the semiotic processes that are involved in their impact upon social and cultural life. This edited collection showcases a range of diverse approaches to the analysis of various forms of mediated communications, including varying degrees of attention to their associated textual, discursive and social practices. Individual contributions are devoted to exploring, in analytical depth, multiple dimensions of each of the following media: newspaper articles, magazines (both historical advertising and contemporary editorial discourse), television (both situation comedy and "reality" TV programmes), books (covers and content in two genres), political leaflets, and a flight simulation computer game. The collection will be an important resource for scholars and students within disciplines including communication studies, sociology, media studies, cultural studies, discourse studies, and journalism studies. This book was published as a special issue of Social Semiotics.

The continual growth in the significance of mass-mediated communication makes it essential that we are able to reflect upon and critically appreciate the semiotic processes that are involved in their impact upon social and cultural life. This edited collection showcases a range of diverse approaches to the analysis of various forms of mediated communications, including varying degrees of attention to their associated textual, discursive and social practices. Individual contributions are devoted to exploring, in analytical depth, multiple dimensions of each of the following media: newspaper articles, magazines (both historical advertising and contemporary editorial discourse), television (both situation comedy and "reality" TV programmes), books (covers and content in two genres), political leaflets, and a flight simulation computer game. The collection will be an important resource for scholars and students within disciplines including communication studies, sociology, media studies, cultural studies, discourse studies, and journalism studies. This book was published as a special issue of Social Semiotics.

-www.HoldtheFrontPage.co.uk

′At long last, the undergraduate journalism A-Z. This is an excellent and much needed resource which should be on the list of every undergraduate journalism and media student′ -Tim Rodgers, Kingston College

The SAGE Key Concepts series provide students with accessible and authoritative knowledge of the essential topics in a variety of disciplines. Cross-referenced throughout, the format encourages critical evaluation through understanding.

Written by experienced and respected academics, the books are indispensable study aids and guides to comprehension.

Key Concepts in Journalism offers:

- a systematic and accessible introduction to the terms, processes and effects of journalism

- a combination of practical considerations with theoretical issues

- further reading suggestions

The authors bring an enormous range of experience in newspaper and broadcast journalism, at national and regional level, as well as their teaching expertise.

This book will be essential reading for students in journalism, and an invaluable reference tool for their professional careers.