John E. Seery – författare

Extols the virtue of small liberal arts colleges and the liberal arts tradition.A rallying cry on behalf of a distinctly American institution of higher learning-the small liberal arts college-America Goes to College combines broad-based scholarship with personal narrative and reflection. In a highly entertaining manner, John E. Seery showcases the precarious successes of a well-rounded liberal arts college education, while at the same time signaling some of the dangers that loom on the horizon. Seery contends that the liberal arts are best pursued within the face-to-face interactive setting, characteristic of the small college classroom, as opposed to the large university lecture hall. Moreover and more provocatively, he identifies political theorists as the proper custodians and practitioners of the liberal arts tradition as it unfolds today. It is the unfettered freedom of the small liberal arts college, where vision and practice can actually coincide, that makes it the embodiment of the advantages of the American higher education system-a national treasure deserving of support.

Despite an abundance of violence occurring in political contexts, no liberal political theorist since Thomas Hobbes has talked directly and coherently about death. John E. Seery does. He contends that liberalism desperately needs a theoretical framework in which to discuss pressing matters of human mortality. Among the contemporary political issues that cry out for theoretical articulation, Seery suggests, are abortion politics, ethnic cleansing, suicide assistance, national reparations, environmental degradation, and capital punishment. Seery offers a new conception of social contract theory as a framework for confronting death issues. He urges us to look to an older tradition of descent into an underworld, wherein classic theorists consulted poetically with the dead and acquired from them political insight and direction.In this lively book, Seery excavates the infernal tradition by rereading the politics of death in Platonism, early Christianity, and contemporary feminism. Building on those traditions, he proposes a new, constructive image of death that can serve democratic theory productively. Reconsidered from the "land of the shades," social contractarian theory is sufficiently altered that, for example, a pro-life Christian and a pro-choice secularist might be able to strike common ground upon which to discuss abortion politics.

Despite an abundance of violence occurring in political contexts, no liberal political theorist since Thomas Hobbes has talked directly and coherently about death. John E. Seery does. He contends that liberalism desperately needs a theoretical framework in which to discuss pressing matters of human mortality. Among the contemporary political issues that cry out for theoretical articulation, Seery suggests, are abortion politics, ethnic cleansing, suicide assistance, national reparations, environmental degradation, and capital punishment. Seery offers a new conception of social contract theory as a framework for confronting death issues. He urges us to look to an older tradition of descent into an underworld, wherein classic theorists consulted poetically with the dead and acquired from them political insight and direction.In this lively book, Seery excavates the infernal tradition by rereading the politics of death in Platonism, early Christianity, and contemporary feminism. Building on those traditions, he proposes a new, constructive image of death that can serve democratic theory productively. Reconsidered from the "land of the shades," social contractarian theory is sufficiently altered that, for example, a pro-life Christian and a pro-choice secularist might be able to strike common ground upon which to discuss abortion politics.

The works of Walt Whitman have been described as masculine, feminine, postcolonial, homoerotic, urban, organic, unique, and democratic, yet arguments about the extent to which Whitman could or should be considered a political poet have yet to be fully confronted. Some scholars disregard Whitman's understanding of democracy, insisting on separating his personal works from his political works. A Political Companion to Walt Whitman is the first full-length exploration of Whitman's works through the lens of political theory. Editor John E. Seery and a collection of prominent theorists and philosophers uncover the political awareness of Whitman's poetry and prose, analyzing his faith in the potential of individuals, his call for a revolution in literature and political culture, and his belief in the possibility of combining heroic individualism with democratic justice. A Political Companion to Walt Whitman reaches beyond literature into political theory, revealing the ideology behind Whitman's call for the emergence of American poets of democracy.

“Wonderful . . . a timely invitation to political and social theorists to take seriously this imaginative man who solicited us to think and sing democracy.” —Bonnie Honig, author of Emergency PoliticsThe works of Walt Whitman have been described as masculine, feminine, postcolonial, homoerotic, urban, organic, unique, and democratic, yet arguments about the extent to which Whitman could or should be considered a political poet have yet to be fully confronted. Some scholars disregard Whitman’s understanding of democracy, insisting on separating his personal works from his political works.A Political Companion to Walt Whitman is the first full-length exploration of Whitman’s works through the lens of political theory. Editor John E. Seery and a collection of prominent theorists and philosophers uncover the political awareness of Whitman’s poetry and prose, analyzing his faith in the potential of individuals, his call for a revolution in literature and political culture, and his belief in the possibility of combining heroic individualism with democratic justice. A Political Companion to Walt Whitman reaches beyond literature into political theory, revealing the ideology behind Whitman’s call for the emergence of American poets of democracy.“Exceptionally rich and intellectually exciting.” —Choice

“Wonderful . . . a timely invitation to political and social theorists to take seriously this imaginative man who solicited us to think and sing democracy.” —Bonnie Honig, author of Emergency PoliticsThe works of Walt Whitman have been described as masculine, feminine, postcolonial, homoerotic, urban, organic, unique, and democratic, yet arguments about the extent to which Whitman could or should be considered a political poet have yet to be fully confronted. Some scholars disregard Whitman’s understanding of democracy, insisting on separating his personal works from his political works.A Political Companion to Walt Whitman is the first full-length exploration of Whitman’s works through the lens of political theory. Editor John E. Seery and a collection of prominent theorists and philosophers uncover the political awareness of Whitman’s poetry and prose, analyzing his faith in the potential of individuals, his call for a revolution in literature and political culture, and his belief in the possibility of combining heroic individualism with democratic justice. A Political Companion to Walt Whitman reaches beyond literature into political theory, revealing the ideology behind Whitman’s call for the emergence of American poets of democracy.“Exceptionally rich and intellectually exciting.” —Choice

The works of Walt Whitman have been described as masculine, feminine, postcolonial, homoerotic, urban, organic, unique, and democratic, yet arguments about the extent to which Whitman could or should be considered a political poet have yet to be fully confronted. Some scholars disregard Whitman's understanding of democracy, insisting on separating his personal works from his political works. A Political Companion to Walt Whitman is the first full-length exploration of Whitman's works through the lens of political theory. Editor John E. Seery and a collection of prominent theorists and philosophers uncover the political awareness of Whitman's poetry and prose, analyzing his faith in the potential of individuals, his call for a revolution in literature and political culture, and his belief in the possibility of combining heroic individualism with democratic justice. A Political Companion to Walt Whitman reaches beyond literature into political theory, revealing the ideology behind Whitman's call for the emergence of American poets of democracy.

Small college professors from across the United States explain why liberal arts institutions remain the gold standard for higher education.The fevered controversy over America's educational future isn't simply academic; those who have proposed sweeping reforms include government officials, politicians, foundation officers, think-tank researchers, journalists, media pundits, and university administrators. Drowned out in that noisy debate are the voices of those who actually teach the liberal arts exclusively to undergraduates in our nation's small liberal arts colleges, or SLACs. The Best Kind of College attempts to rectify that glaring oversight. As an insiders' "guide" to the liberal arts in its truest form the volume brings together thirty award-winning professors from across the country to convey in various ways some of the virtues, the electricity, and, overall, the importance of the small-seminar, face-to-face approach to education, as typically featured in SLACs. Before we in the United States abandon or compromise our commitment to the liberal arts-oddly enough, precisely at a time when our global competitors are discovering, emulating, and founding American-style SLACs and new liberal arts programs-we need a wake-up call, namely to the fact that the nation's SLACs provide a time-tested model of educational integrity and success.

Extols the virtue of small liberal arts colleges and the liberal arts tradition.A rallying cry on behalf of a distinctly American institution of higher learning-the small liberal arts college-America Goes to College combines broad-based scholarship with personal narrative and reflection. In a highly entertaining manner, John E. Seery showcases the precarious successes of a well-rounded liberal arts college education, while at the same time signaling some of the dangers that loom on the horizon. Seery contends that the liberal arts are best pursued within the face-to-face interactive setting, characteristic of the small college classroom, as opposed to the large university lecture hall. Moreover and more provocatively, he identifies political theorists as the proper custodians and practitioners of the liberal arts tradition as it unfolds today. It is the unfettered freedom of the small liberal arts college, where vision and practice can actually coincide, that makes it the embodiment of the advantages of the American higher education system-a national treasure deserving of support.