John G. Fitch – författare

Seneca was a man of many facets: statesman, dramatist, philosopher, prose stylist. His life was marked by extremes of fortune - extremes that are reflected in much of his writing, and in the vicissitudes of his reputation in later centuries. This volume brings together some outstanding essays written about him over the past four decades, and illustrates the diversity of approaches by which modern critics have attempted to understand this multifaceted figure. Just as Seneca's writings often reflect his times, so current critical approaches often reflect issues in contemporary thought and society. Several of the essays have been revised by their authors for this volume, and two of them are translated for the first time. A new introduction places the articles within the context of recent academic thought and criticism. All Latin has been translated.

Seneca was a man of many facets: statesman, dramatist, philosopher, prose stylist. His life was marked by extremes of fortune - extremes that are reflected in much of his writing, and in the vicissitudes of his reputation in later centuries. This volume brings together some outstanding essays written about him over the past four decades, and illustrates the diversity of approaches by which modern critics have attempted to understand this multifaceted figure. Just as Seneca's writings often reflect his times, so current critical approaches often reflect issues in contemporary thought and society. Several of the essays have been revised by their authors for this volume, and two of them are translated for the first time. A new introduction places the articles within the context of recent academic thought and criticism. All Latin has been translated.

Spectacular verse drama.Seneca is a figure of first importance in both Roman politics and literature: a leading adviser to Nero who attempted to restrain the emperor’s megalomania; a prolific moral philosopher; and the author of verse tragedies that strongly influenced Shakespeare and other Renaissance dramatists.Seneca’s plays depict intense passions and interactions in rhetoric that is equally strong. Their perspective is much bleaker than that adopted in his prose writings. His plots are based on mythical episodes, in keeping with classical tradition. But the political realities of imperial Rome are also reflected in an obsessive concern with power and dominion over others. The Octavia is our sole surviving example of a Roman historical play; set at Nero’s court, it was probably written by an admirer of Seneca as statesman and dramatist.John G. Fitch has thoroughly revised his two-volume edition of Seneca’s Tragedies to take account of the textual and interpretive scholarship that has appeared since its initial publication. His translation conveys the force of Seneca’s dramatic language and the lyric quality of his choral odes.

Spectacular verse drama.Seneca is a figure of first importance in both Roman politics and literature: a leading adviser to Nero who attempted to restrain the emperor’s megalomania; a prolific moral philosopher; and the author of verse tragedies that strongly influenced Shakespeare and other Renaissance dramatists.Seneca’s plays depict intense passions and interactions in rhetoric that is equally strong. Their perspective is much bleaker than that adopted in his prose writings. His plots are based on mythical episodes, in keeping with classical tradition. But the political realities of imperial Rome are also reflected in an obsessive concern with power and dominion over others. The Octavia is our sole surviving example of a Roman historical play; set at Nero’s court, it was probably written by an admirer of Seneca as statesman and dramatist.John G. Fitch has thoroughly revised his two-volume edition of Seneca’s Tragedies to take account of the textual and interpretive scholarship that has appeared since its initial publication. His translation conveys the force of Seneca’s dramatic language and the lyric quality of his choral odes.