John Givens – författare
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6 produkter
Image of Christ in Russian Literature.
Dostoevsky, Tolstoy, Bulgakov, Pasternak
Av John Givens
Inbunden, 2021
560 kr
Lägg i varukorg
Vladimir Nabokov complained about the number of Dostoevsky's characters "sinning their way to Jesus." In truth, Christ is an elusive figure not only in Dostoevsky's novels, but in Russian literature as a whole. The rise of the historical critical method of biblical criticism in the nineteenth …
Image of Christ in Russian Literature
Dostoevsky, Tolstoy, Bulgakov, Pasternak
Av John Givens
Inbunden, 2018
1887 kr
Lägg i varukorg
Vladimir Nabokov complained about the number of Dostoevsky's characters "sinning their way to Jesus." In truth, Christ is an elusive figure not only in Dostoevsky's novels, but in Russian literature as a whole. The rise of the historical critical method of biblical criticism in the nineteenth …
Image of Christ in Russian Literature
Dostoevsky, Tolstoy, Bulgakov, Pasternak
Av John Givens
Häftad, 2021
478 kr
Lägg i varukorg
Vladimir Nabokov complained about the number of Dostoevsky's characters "sinning their way to Jesus." In truth, Christ is an elusive figure not only in Dostoevsky's novels, but in Russian literature as a whole. The rise of the historical critical method of biblical criticism in the nineteenth …
The Image of Christ in Russian Literature.
Dostoevsky, Tolstoy, Bulgakov, Pasternak
Av John Givens
E-bok, 2021
2987 kr
Lägg i varukorg
Vladimir Nabokov complained about the number of Dostoevsky''s characters "sinning their way to Jesus." In truth, Christ is an elusive figure not only in Dostoevsky''s novels, but in Russian literature as a whole. The rise of the historical critical method of biblical criticism in the nineteenth …
Prodigal Son
Vasilii Shuksin in Soviet Russian Culture
Av John Givens
Inbunden, 2000
955 kr
Tillfälligt slut
A prolific director, actor and writer, Vasilii Shukshin (1929-74) reached more Soviets in more media than perhaps any other artist in the post-Stalinist USSR. This study of Shukshin and his work is therefore a portrait of the culture of Soviet Russia after Stalin.
