John Gross – författare

John Gross was the son of a Jewish doctor who practised in Mile End at the time of WW2. His parents were the children of immigrants, steeped in the language and traditions of a European past, yet outside the home he grew up in a very English world of schools and books. Looking back on his childhood he reflects on this double inheritance. The richness of Yiddish words, the rituals of religion set against the daily life of the East End, where gangsters were heroes and patients turned up on the doorstep at all hours. Yet in the background lies the shadow of anti-Semitism and the Holocaust. A Double Thread is a marvellously vivid picture of a lost London and a vanished culture but it is also the story of an imaginative boy discovering his own path, through books andfilms and school - away from the East End into the new freedoms of a literary life.

An unrivalled collection of literary gossip and intimate sidelights on the lives of the authors.The dictionary defines an anecdote as ''a short account of an entertaining or interesting incident'', and the anecdotes in this collection more than live up to that description. Many of them are funny, often explosively so. Others are touching, outrageous, sinister, inspiring, or downright weird. They show writers in the English-speaking world from Chaucer to the present acting both unpredictably, and deeply in character. The range is wide - this is a book which finds room for Milton and Margaret Atwood, George Eliot and P. G. Wodehouse, Chinua Achebe and Ian Fleming, Brendan Behan and Wittgenstein. It is also a book in which you can find out which great historian''s face was once mistaken for a baby''s bottom, which film star left a haunting account of Virginia Woolf not long before her death, and what Agatha Christie really thought of Hercule Poirot - a book not just for lovers of literature, but for anyone with a taste for the curiosities of human nature.

An unrivalled collection of literary gossip and intimate sidelights on the lives of the authors.The dictionary defines an anecdote as ''a short account of an entertaining or interesting incident'', and the anecdotes in this collection more than live up to that description. Many of them are funny, often explosively so. Others are touching, outrageous, sinister, inspiring, or downright weird. They show writers in the English-speaking world from Chaucer to the present acting both unpredictably, and deeply in character. The range is wide - this is a book which finds room for Milton and Margaret Atwood, George Eliot and P. G. Wodehouse, Chinua Achebe and Ian Fleming, Brendan Behan and Wittgenstein. It is also a book in which you can find out which great historian''s face was once mistaken for a baby''s bottom, which film star left a haunting account of Virginia Woolf not long before her death, and what Agatha Christie really thought of Hercule Poirot - a book not just for lovers of literature, but for anyone with a taste for the curiosities of human nature.

This anthology demonstrates to the full just how rewarding an art form the aphorism can be, and just how brilliantly the aphorist can illuminate the hidden truth, or lay bare the ironies of existence.Specific sections including 'Religion', 'Money & Rank', 'Men, Women, Marriage' and 'Politics', cover the whole range of aphoristic literature. This book brings together the most diverse figures-the classic aphorists, like La Rochefoucauld; the philosophers, from the Greeks to Samuel Johnson to Virginia Woolf-as well as statesmen, scientists, boulevardiers, Olympians, and gadflies. John Gross draws on their wisdom and wit to produce an anthology that will be referred to time and time again.

An unrivalled collection of literary gossip and intimate sidelights on the lives of the authors.The dictionary defines an anecdote as 'a short account of an entertaining or interesting incident', and the anecdotes in this collection more than live up to that description. Many of them are funny, often explosively so. Others are touching, outrageous, sinister, inspiring, or downright weird. They show writers in the English-speaking world from Chaucer to the present acting both unpredictably, and deeply in character. The range is wide - this is a book which finds room for Milton and Margaret Atwood, George Eliot and P. G. Wodehouse, Chinua Achebe and Ian Fleming, Brendan Behan and Wittgenstein. It is also a book in which you can find out which great historian's face was once mistaken for a baby's bottom, which film star left a haunting account of Virginia Woolf not long before her death, and what Agatha Christie really thought of Hercule Poirot - a book not just for lovers of literature, but for anyone with a taste for the curiosities of human nature.

Parodies come in all shapes and sizes. There are broad parodies and subtle parodies, ingenious imitations and knockabout spoofs, scornful lampoons and affectionate pastiches. All these varieties, and many others, are represented in this stunning new anthology, which provides an unparalleled introduction to the parodist's art. The classics of the genre are all here, from Lewis Carroll to Max Beerbohm; but so are scores of lesser known but scarcely less gifted figures, and brilliant contemporaries such as Craig Brown and Wendy Cope.At every stage there are surprises. Chaucer celebrates Miss Joan Hunter Dunn, Proust visits Chelsea, Yeats re-writes 'Old King Cole', Harry Potter encounters Mick Jagger, a modernized Sermon on the Mount rubs shoulders with an obituary of Sherlock Holmes. The collection provides a hilarious running commentary on literary history, but it also looks beyond literature in the narrow sense to take in such things as advertisements, legal rituals, political warfare, and a scientific hoax.

The essay is one of the richest of literary forms. Its most obvious characteristics are freedom, informality, and the personal touch - though it can also find room for poetry, satire, fantasy, and sustained argument. All these qualities, and many others, are on display in The Oxford Book of Essays. The most wide-ranging collection of its kind to appear for many years, it includes 140 essays by 120 writers: classics, curiosities, meditations, diversions, old favourites, recent examples that deserve to be better known. A particularly welcome feature is the amount of space allotted to American essayists, from Benjamin Franklin to John Updike and beyond. This is an anthology that opens with wise words about the nature of truth, and closes with a consideration of the novels of Judith Krantz. Some of the other topics discussed in its pages are anger, pleasure, Gandhi, Beau Brummell, wasps, party-going, gangsters, plumbers, Beethoven, potato crisps, the importance of being the right size, and the demolition of Westminster Abbey. It contains some of the most eloquent writing in English, and some of the most entertaining.

From Chaucer to Vikram Seth and Victoria Wood; from Byron to John Updike; from Augustan satire to advertising jingles; from G. K. Chesterton to Wendy Cope - this superb anthology is notable above all for its breadth. It is truly international in scope, bringing together poets from far beyond the British Isles. Drawing on many different types of verse, from epigrams to street ballads, from clerihew to music-hall lyrics, from the double-dactyl of the calypso, it offers an exceptionally wide range of comic pleasures. The poems in this collection are by turns subtle, down-to-earth, macabre, ingenious, acerbic, ribald, and cheerful; written to amuse, they call forth laughter and delight in equal measure. The established classics of comic verse, writers such as Tom Hood, W. S. Gilbert, and Ogden Nash, are represented in force, but many unfamiliar or unexpected names are also included. This collection undoubtedly contains matter of great historical interest, but the emphasis throughout is firmly on enjoyment.

Parodies come in all shapes and sizes. There are broad parodies and subtle parodies, ingenious imitations and knockabout spoofs, scornful lampoons and affectionate pastiches. All these varieties, and many others, are represented in this stunning new anthology, which provides an unparalleled introduction to the parodist's art. The classics of the genre are all here, from Lewis Carroll to Max Beerbohm; but so are scores of lesser known but scarcely less gifted figures, and brilliant contemporaries such as Craig Brown and Wendy Cope.At every stage there are surprises. Chaucer celebrates Miss Joan Hunter Dunn, Proust visits Chelsea, Yeats re-writes 'Old King Cole', Harry Potter encounters Mick Jagger, a modernized Sermon on the Mount rubs shoulders with an obituary of Sherlock Holmes. The collection provides a hilarious running commentary on literary history, but it also looks beyond literature in the narrow sense to take in such things as advertisements, legal rituals, political warfare, and a scientific hoax.

The essays in this volume examine questions such as Dickens’ symbolism, his political attitudes, his psychological tensions and his artistry. They are also concerned with aspects of Dickens which have been neglected in recent years, such as his handling of plot, his heroes and heroines, his journalism, his religious view and his philistinism.

The essays in this volume examine questions such as Dickens’ symbolism, his political attitudes, his psychological tensions and his artistry. They are also concerned with aspects of Dickens which have been neglected in recent years, such as his handling of plot, his heroes and heroines, his journalism, his religious view and his philistinism.

No writer has served as such a powerful source of inspiration for other writers as Shakespeare. No writer has attracted such widespread and varied comment. This unique anthology draws on the vast literature that plays little part in formal Shakespeare criticism and scholarship, but that shows with immediacy and passion the enormous impact Shakespeare has had on our cultural life. Novelists, poets, and playwrights are all represented. So are philosophers, historians, composers, film-makers, politicians. Shakespearean characters and motifs are shown fuelling the genius of Goethe and Dostoevsky, Aldous Huxley and Emily Dickinson, John Updike and Duke Ellington, Nabokov and Proust. Shakespeare the man fires the imagination of Kipling and Joyce, Borges and Anthony Burgess. Herman Melville writes a poem about Falstaff. D. H. Lawrence anatomizes Hamlet. R. K. Narayan describes a Shakespeare lesson in an Indian classroom. John Osborne adapts Coriolanus. Ionescu reworks Macbeth. The choice of critical responses is equally wide-ranging. Jean-Paul Sartre proves an unexpectedly expert commentator on King Lear.Alfred Dreyfus and Nelson Mandela console themselves with Shakespeare during their imprisonment. And curiosities abound - parodies, burlesques, strange echoes and eccentricities. Throughout the book we can see Shakespeare changing lives, opening up fresh horizons and reaching out to 'the great globe itself'.