John Hajdu Heyer – författare

This volume of essays on Jean-Baptiste Lully and his musical legacy honours the distinguished French baroque scholar James R. Anthony. Jean-Baptiste Lully, court composer to Louis XIV, served as the principal architect of what would become known as the French style of music in the baroque era. The style he created strongly influenced the great musical figures in England (Purcell and Handel) and Germany (Bach and Telemann), but Lully's music itself has received little attention. Recently, through the efforts of scholars and musicians concerned with the performance practices of Lully's time, Lully's own music has begun to come alive in performance and recording. These essays, all by important baroque specialists, cover significant aspects of Lully's life and works and the French tradition he influenced. They constitute the first post-war collection of studies centred on Lully and form a fitting tribute to Professor Anthony whose own French baroque music provided a stimulus for the work of an emerging generation of scholars.

The historical importance of composer Jean-Baptiste Lully has long been recognised. Regarded as the founder of French opera, as the embodiment of Baroque musical style and a key figure in the development of court ballet, his work enjoys popularity and scholarly interest. This volume presents the best research on Lully's life, his work and his influence. Eleven essays by American and European scholars address a wide range of topics including Lully's genealogy, the Tragédie Lyrique, Lully's Palais Royal theatre, the collaboration with Molière, the transmission of Lully's work away from the Ile-de-France, and an unexplored link with Marcel Proust. Illustrated with musical examples and photographs, the volume also contains surprising archival discoveries about the composer's early life in Tuscany and new information about his manuscript sources. It will interest all those involved in the music of Lully and his time, whether musicologists, historians, performers or listeners.

Louis XIV and his court at Versailles had a profound influence on music in France and throughout Europe. In 1660 Louis visited Aix-en-Provence, a trip that resulted in political and cultural transformations throughout the region. Soon thereafter Aix became an important center of sacred music composition, eventually rivaling Paris for the quality of the composers it produced. John Hajdu Heyer documents the young king's visit and examines how he and his court deployed sacred music to enhance the royal image and secure the loyalty of the populace. Exploring the circle of composers at Aix, Heyer provides the most up-to-date and complete biographies in English of nine key figures, including Guillaume Poitevin, André Campra, Jean Gilles, François Estienne, and Antoine Blanchard. The book goes on to reveal how the history of political power in the region was reflected through church music, and how musicians were affected by contemporary events.

The historical importance of composer Jean-Baptiste Lully has long been recognised. Regarded as the founder of French opera, as the embodiment of Baroque musical style and a key figure in the development of court ballet, his work enjoys popularity and scholarly interest. This volume presents the best research on Lully's life, his work and his influence. Eleven essays by American and European scholars address a wide range of topics including Lully's genealogy, the Tragédie Lyrique, Lully's Palais Royal theatre, the collaboration with Molière, the transmission of Lully's work away from the Ile-de-France, and an unexplored link with Marcel Proust. Illustrated with musical examples and photographs, the volume also contains surprising archival discoveries about the composer's early life in Tuscany and new information about his manuscript sources. It will interest all those involved in the music of Lully and his time, whether musicologists, historians, performers or listeners.