John Hinks – författare

The book trade historically tended to operate in a spirit of co-operation as well as competition. Networks between printers, publishers, booksellers and related trades existed at local, regional, national and international levels and were a vital part of the business of books for several centuries. This collection of essays examines many aspects of the history of book-trade networks, in response to the recent ‘spatial turn’ in history and other disciplines. Contributors come from various backgrounds including history, sociology, business studies and English literature.The essays in Part One introduce the relevance to book-trade history of network theory and techniques, while Part Two is a series of case studies ranging chronologically from the Middle Ages to the twentieth century. Topics include the movement of early medieval manuscript books, the publication of Shakespeare, the distribution of seventeenth-century political pamphlets in Utrecht and Exeter, book-trade networks before 1750 in the English East Midlands, the itinerant book trade in northern France in the late eighteenth century, how an Australian newspaper helped to create the Scottish public sphere, the networks of the Belgian publisher Murquardt, and transatlantic radical book-trade networks in the early twentieth century.

The Technology of Building Defects has been developed to provide a unique stand alone review of the subject. Defects are considered as part of the whole building rather than in isolation.

This collection profiles understudied figures in the book and print trades of the eighteenth century. With an explicit focus on intervening in the critical history of the trades, this volume profiles seven women and three men, emphasising the broad range of material, cultural, and ideological work these people undertook. It offers a biographical introduction to each figure, placing them in their social, professional, and institutional settings. The collection considers varied print trade roles including that of the printer, publisher, business-owner, and bookseller, as well as several specific trade networks and numerous textual forms. The biographies draw on extensive new archival research, with details of key sources for further study on each figure. Chronologically organised, this Element offers a primer both on individual figures and on the tribulations and innovations of the print trade in the century of national and print expansion.

The Technology of Building Defects has been developed to provide a unique review of the subject. Defects are considered as part of the whole building rather than in isolation. General educational objectives are set out which offer the reader the opportunity of self-assessment. Each section is generously illustrated with photographs and diagrams, forming an accessible self contained review covering the following: objectives; core information; exercises; revision notes; further reading. Taken together these sections build up to offer the reader an understanding of a range of technical topics concerned with building defects. This core text can be used for direct lecture material, seminar and tutorial information, assignment work and revision notes. It is a convenient one stop resource which dispenses with the need to consult a mass of different information sources.

Women in Print is a collection of essays in two related volumes which considers the diversity of roles occupied by women in the design, authorship, production, distribution and consumption of printed material from the fifteenth century onwards.　The contributions included in Women in Print 2 cover the whole of the «letterpress era» in Europe from the early fifteenth century to the mid-twentieth century. The essays address three themes: the role of women in the production of print; in its distribution; in addition to some neglected areas of women’s consumption of print.To a greater extent the participation of women in the production and distribution of print has been written by the men who dominated the trade. Women in Print 2 explores the often-overlooked contribution to the business aspects of the printing and publishing industries, particularly female involvement in roles that were customarily seen as male preserves. This collection of essays brings together insights from multiple perspectives, seeking to recover the unheard voices and hitherto unnoticed activities of the many women who participated in the production, distribution and consumption of the printed word and image.