John Jeffries Martin - Böcker

An award-winning historian’s revisionary account of the early modern world, showing how apocalyptic ideas stimulated political, religious, and intellectual transformations  “A masterful synthesis of the prognostications of faith, knowledge, and politics on a global stage. Martin’s book illuminates one of the enduring themes that shaped the medieval and early modern world.”—Paula E. Findlen, Stanford University  In this revelatory immersion into the apocalyptic, messianic, and millenarian ideas and movements that created the modern world, John Jeffries Martin performs a kind of empathic time travel, entering into the psyche, spirituality, and temporalities of a cast of historical actors in profound moments of discovery. He argues that religious faith—Christian, Jewish, and Muslim—did not oppose but rather fostered the making of a modern scientific spirit, buoyed along by a providential view of history and nature, and a deep conviction in the coming End of the World.  Through thoughtful attention to the primary sources, Martin re‑reads the Renaissance, excavating a religious foundation at the core of even the most radical empirical thinking. Familiar icons like Ibn Khaldūn, Columbus, Isaac Luria, and Francis Bacon emerge startlingly fresh and newly gleaned, agents of a history formerly untold and of a modern world made in the image of its imminent end.

Including the most recent scholarship on the history of the Renaissance, this book examines politics, society, identity, gender, religion and science, and focuses on not only Italian developments in this crucial period of change, but also on aspects in Germany, France and England.With contributions from the most highly regarded scholars in the field, the book studies humanists, artists and people and explores how how these people and places helped shape modernity.From the history of the body, to the new ways of thinking about the relation of culture to power, students of the Renaissance will find this an essential addition to their reading lists.

Including the most recent scholarship on the history of the Renaissance, this book examines politics, society, identity, gender, religion and science, and focuses on not only Italian developments in this crucial period of change, but also on aspects in Germany, France and England.With contributions from the most highly regarded scholars in the field, the book studies humanists, artists and people and explores how how these people and places helped shape modernity.From the history of the body, to the new ways of thinking about the relation of culture to power, students of the Renaissance will find this an essential addition to their reading lists.

With an interdisciplinary approach that encompasses the history of ideas, political history, cultural history and art history, this volume, in the successful Routledge Worlds series, offers a sweeping survey of Europe in the Renaissance, from the late thirteenth to early seventeenth centuries, and shows how the Renaissance laid key foundations for many aspects of the modern world.Collating thirty-four essays from the field's leading scholars, John Jeffries Martin shows that this period of rapid and complex change resulted from a convergence of a new set of social, economic and technological forces alongside a cluster of interrelated practices including painting, sculpture, humanism and science, in which the elites engaged.Unique in its balance of emphasis on elite and popular culture, on humanism and society, and on women as well as men, The Renaissance World grapples with issues as diverse as Renaissance patronage and the development of the slave trade.Beginning with a section on the antecedents of the Renaissance world, and ending with its lasting influence, this book is an invaluable read, which students and scholars of history and the Renaissance will dip into again and again.

With an interdisciplinary approach that encompasses the history of ideas, political history, cultural history and art history, this volume, in the successful Routledge Worlds series, offers a sweeping survey of Europe in the Renaissance, from the late thirteenth to early seventeenth centuries, and shows how the Renaissance laid key foundations for many aspects of the modern world.Collating thirty-four essays from the field's leading scholars, John Jeffries Martin shows that this period of rapid and complex change resulted from a convergence of a new set of social, economic and technological forces alongside a cluster of interrelated practices including painting, sculpture, humanism and science, in which the elites engaged.Unique in its balance of emphasis on elite and popular culture, on humanism and society, and on women as well as men, The Renaissance World grapples with issues as diverse as Renaissance patronage and the development of the slave trade.Beginning with a section on the antecedents of the Renaissance world, and ending with its lasting influence, this book is an invaluable read, which students and scholars of history and the Renaissance will dip into again and again.

Venice Reconsidered offers a dynamic portrait of Venice from the establishment of the Republic at the end of the thirteenth century to its fall to Napoleon in 1797. In contrast to earlier efforts to categorize Venice's politics as strictly republican and its society as rigidly tripartite and hierarchical, the scholars in this volume present a more fluid and complex interpretation of Venetian culture. Drawing on a variety of disciplines-history, art history, and musicology-these essays present innovative variants of the myth of Venice-that nearly inexhaustible repertoire of stories Venetians told about themselves.

Renaissance Venice is generally portrayed as a city of harmony and consensus. This book offers a sharply different view by highlighting the history of religious dissent in this early modern city. Drawing on sixteenth-century records from archives of the Roman Inquisition, John Jeffries Martin reconstructs the social and cultural worlds of the Venetian heretics-those men and women who articulated their hopes for religious and political reform. Among them were Evangelists, Protestants, Anabaptists, Antitrinitarians, and Millenarians, whose ideologies ranged from moderate to radical. The protagonists included men and women from all social classes; but artisans, above all those in the elite crafts, proved especially likely to give their support to the new reform ideas. Martin's analysis, which explores the interconnections of religious beliefs and social experience, offers new perspectives on the Italian Reformation and demonstrates widespread persistent popular support for this reform of church and society well after the establishment of the Roman Inquisition in the 1540s.