John Lane – författare

The Woods Stretched for Miles gathers essays about southern landscape and nature from nineteen writers with geographic or ancestral ties to the region. This remarkable group encompasses not only such well-known names as Wendell Berry and Rick Bass but also distinctive new voices, including Christopher Camuto, Susan Cerulean, and Eddy L. Harris.From the savannas of south Florida through the hardwood uplands of Mississippi to the coastal rivers of the Carolinas and the high mountains of North Carolina and Tennessee, the range in geography covered is equally broad. With insight and eloquence, these diverse talents take up similar themes: environmental restoration, the interplay between individual and community, the definition of wildness in an area transformed by human activity, and the meaning of our reactions to the natural world.Readers will treasure the passionate and intelligent honorings of land and nature offered by this rich anthology. With the publication of The Woods Stretched for Miles, southern voices establish their abiding place in the ever-popular nature writing genre.

Before the novel and the film Deliverance appeared in the early 1970s, any outsiders one met along the Chattooga River were likely serious canoeists or anglers. In later years, untold numbers and kinds of people have felt the draw of the river’s torrents, which pour down the Appalachians along the Georgia-South Carolina border. Because of Deliverance the Chattooga looms enigmatically in our shared imagination, as iconic as Twain’s Mississippi—or maybe Conrad’s Congo.This is John Lane’s search for the real Chattooga—for the truths that reside somewhere in the river’s rapids, along its shores, or in its travelers’ hearts. Lane balances the dark, indifferent mythical river of Deliverance against the Chattooga known to locals and to the outdoors enthusiasts who first mastered its treacherous vortices and hydraulics. Starting at its headwaters, Lane leads us down the river and through its complex history to its current status as a National Wild and Scenic River. Along the way he stops for talks with conservation activists, seventh-generation residents, locals who played parts in the movie, day visitors, and others. Lane weaves into each encounter an abundance of details drawn from his perceptive readings and viewings of Deliverance and his wide-ranging knowledge of the Chattooga watershed. At the end of his run, Lane leaves us still fully possessed by the Chattooga’s mystery, yet better informed about its place in his world and ours.

After many years of limited commitments to people or places, writer and naturalist John Lane married in his late forties and settled down in his hometown of Spartanburg, in the South Carolina piedmont. He, his wife, and two stepsons built a sustainable home in the woods near Lawson’s Fork Creek. Soon after settling in, Lane pinpointed his location on a topographical map. Centering an old, chipped saucer over his home, he traced a circle one mile in radius and set out to explore the area.What follows from that simple act is a chronicle of Lane’s deepening knowledge of the place where he’ll likely finish out his life. An accomplished hiker and paddler, Lane discovers, within a mile of his home, a variety of coexistent landscapes—ancient and modern, natural and manmade. There is, of course, the creek with its granite shoals, floodplain, and surrounding woods. The circle also encompasses an eight-thousand-year-old cache of Native American artifacts, graves of a dozen British soldiers killed in 1780, an eighteenth-century ironworks site, remnants of two cotton plantations, a hundred-year-old country club, a sewer plant, and a smattering of mid- to late twentieth-century subdivisions.Lane’s explorations intensify his bonds to family, friends, and colleagues as they sharpen his sense of place. By looking more deeply at what lies close to home, both the ordinary and the remarkable, Lane shows us how whole new worlds can open up.

Three months after a family vacation in Costa Rica ends in tragedy when two fellow rafters die on the flooded Rio Reventazón, John Lane sets out with friends from his own backyard in upcountry South Carolina to calm his nerves and to paddle to the sea.Like Huck Finn, Lane sees a river journey as a portal to change, but unlike Twain’s character, Lane isn’t escaping. He’s getting intimate with the river that flows right past his home in the Spartanburg suburbs. Lane’s three­hundred-mile float trip takes him down the Broad River and into Lake Marion before continuing down the Santee River. Along the way Lane recounts local history and spars with streamside literary presences such as Mind of the South author W. J. Cash; Henry Savage, author of the Rivers of America Series volume on the Santee; novelist and Pulitzer Prize–winner Julia Peterkin; early explorer John Lawson; and poet and outdoor writer Archibald Rutledge. Lane ponders the sites of old cotton mills; abandoned locks, canals, and bridges; ghost towns fallen into decay a century before; Indian mounds; American Revolutionary and Civil War battle sites; nuclear power plants; and boat landings. Along the way he encounters a cast of characters Twain himself would envy—perplexed fishermen, catfish clean­ers, river rats, and a trio of drug-addled drifters on a lonely boat dock a day’s paddle from the sea.By the time Lane and his companions finally approach the ocean about forty miles north of Charleston they have to fight the tide and set a furious pace. Through it all, paddle stroke by paddle stroke, Lane is reminded why life and rivers have always been wedded together.

One night, poet and environmental writer John Lane tuned in to a sound from behind his house that he had never heard before: the nearby eerie and captivating howls of coyotes. Since this was Spartanburg, South Carolina, and not Missoula, Montana, Lane set out to discover all he could about his new and unexpected neighbors.Coyote Settles the South is the story of his journey through the Southeast, as he visits coyote territories: swamps, nature preserves, old farm fields, suburbs, a tannery, and even city streets. On his travels he meets, interrogates, and observes those who interact with the animals—trappers, wildlife researchers, hunters, rattled pet owners, and even one devoted coyote hugger. Along the way, he encounters sensible, yet sometimes perplexing, insight concerning the migration into the Southeast of the American coyote, an animal that, in the end, surprises him with its intelligence, resilience, and amazing adaptability.

The Woods Stretched for Miles gathers essays about southern landscape and nature from nineteen writers with geographic or ancestral ties to the region. This remarkable group encompasses not only such well-known names as Wendell Berry and Rick Bass but also distinctive new voices, including Christopher Camuto, Susan Cerulean, and Eddy L. Harris.From the savannas of south Florida through the hardwood uplands of Mississippi to the coastal rivers of the Carolinas and the high mountains of North Carolina and Tennessee, the range in geography covered is equally broad. With insight and eloquence, these diverse talents take up similar themes: environmental restoration, the interplay between individual and community, the definition of wildness in an area transformed by human activity, and the meaning of our reactions to the natural world.Readers will treasure the passionate and intelligent honorings of land and nature offered by this rich anthology. With the publication of The Woods Stretched for Miles, southern voices establish their abiding place in the ever-popular nature writing genre.

After reading J. A. Baker’s fifty-year-old British nature classic The Peregrine, John Lane found himself an ocean away, stalking resident red-shouldered hawks in his neighborhood in Spartanburg, South Carolina. What he observed was very different from what Baker deduced from a decade of chronicling the lives of those brooding migratory raptors. Baker imagined a species on the brink of extinction because of the use of agricultural chemicals on European farms. A half century later in America, Lane found the red-shouldered hawks to be a stable Anthropocene species adapted to life along the waterways of a suburban nation.Lane watched the hawks for a full year and along the way made a pledge to himself: Anytime he heard or saw the noisy, nonmigratory hawks in his neighborhood, he would drop whatever he was doing and follow them on foot, on bike, or in his truck. The almanac that results from this discipline considers many questions any practiced amateur naturalist would ask, such as where and when will the hawks nest, what do they eat, what are their greatest threats, and what exactly are they communicating through those constant multinoted cries? Lane’s year following the hawks also led him to try to answer what would become the most complex question of all: why his heart, like Baker’s, goes out so fully to wild things.

One night, poet and environmental writer John Lane tuned in to a sound from behind his house that he had never heard before: the nearby eerie and captivating howls of coyotes. Since this was Spartanburg, South Carolina, and not Missoula, Montana, Lane set out to discover all he could about his new and unexpected neighbors.Coyote Settles the South is the story of his journey through the Southeast, as he visits coyote territories: swamps, nature preserves, old farm fields, suburbs, a tannery, and even city streets. On his travels he meets, interrogates, and observes those who interact with the animals—trappers, wildlife researchers, hunters, rattled pet owners, and even one devoted coyote hugger. Along the way, he encounters sensible, yet sometimes perplexing, insight concerning the migration into the Southeast of the American coyote, an animal that, in the end, surprises him with its intelligence, resilience, and amazing adaptability.

While scouting sites for geology field trips, poet and naturalist John Lane encountered deep gullies created between the Civil War and the 1930s contributed to by his mother’s tenant farming family and their rural neighbors in Piedmont South Carolina. This brush with the poor farming practices of the past leads Lane into an exploration of his own family’s complicated history and of the larger environmental forces that have shaped the region where he chooses to live. With his sister as guide, Lane descends into the gully of his own childhood to uncover memories of a loving but alcoholic mother and a suicidal father. Back and forth, the narrative progresses from depictions of the land—particularly the overgrown and neglected places that hold stories and mysteries of the region—to Lane’s ever-deepening search.He wonders how he, a college professor and husband settled into middle-class life, has emerged from the chaos of his family’s past. Along the way, we meet heroic Depression-era geologists, fascinating colleagues, and troubled ancestors. Lane’s extraordinary ability to weave personal history together with explorations of the natural world will remind readers of the works of Loren Eiseley and Terry Tempest Williams.