John Lennard – författare

The Poetry Handbook is a lucid and entertaining guide to the poet''s craft, and an invaluable introduction to practical criticism for students. Chapters on each element of poetry, from metre to gender, offer a wide-ranging general account, and end by looking at two or three poems from a small group (including works by Donne, Elizabeth Bishop, Geoffrey Hill, and Nobel Laureate Derek Walcott), to build up sustained analytical readings.Thorough and compact, with notes and quotations supplemented by detailed reference to the Norton Anthology of Poetry and a companion website with texts, links, and further discussion, The Poetry Handbook is indispensable for all school and undergraduate students of English. A final chapter addresses examinations of all kinds, and sample essays by undergraduates are posted on the website. Critical and scholarly terms are italicised and clearly explained, both in the text and in acomplete glossary; the volume also includes suggestions for further reading.The first edition, widely praised by teachers and students, showed how the pleasures of poetry are heightened by rigorous understanding and made that understanding readily available. This second edition — revised, expanded, updated, and supported by a new companion website - confirm The Poetry Handbook as the best guide to poetry available in English.

The Poetry Handbook is a lucid and entertaining guide to the poet''s craft, and an invaluable introduction to practical criticism for students. Chapters on each element of poetry, from metre to gender, offer a wide-ranging general account, and end by looking at two or three poems from a small group (including works by Donne, Elizabeth Bishop, Geoffrey Hill, and Nobel Laureate Derek Walcott), to build up sustained analytical readings.Thorough and compact, with notes and quotations supplemented by detailed reference to the Norton Anthology of Poetry and a companion website with texts, links, and further discussion, The Poetry Handbook is indispensable for all school and undergraduate students of English. A final chapter addresses examinations of all kinds, and sample essays by undergraduates are posted on the website. Critical and scholarly terms are italicised and clearly explained, both in the text and in acomplete glossary; the volume also includes suggestions for further reading.The first edition, widely praised by teachers and students, showed how the pleasures of poetry are heightened by rigorous understanding and made that understanding readily available. This second edition — revised, expanded, updated, and supported by a new companion website - confirm The Poetry Handbook as the best guide to poetry available in English.

Dr Johnson disapproved of parentheses and wouldn't use them; and for three centuries grammarians have argued that they are subordinate, additional, unnecessary, irrelevant, and damaging to the clarity of argument. But for Marlowe, Marvell, Swift, Coleridge, Byron, Browning, Eliot, Geoffrey Hill, and Derek Walcott (to name only poets) parentheses have been emphatic, original, necessary, relevant, and essential to the clarity of argument. They also intensify satire. Dr Lennard offers both a new history of the poetic use of lunulae (the marks of parenthesis) from their first appearance in England in 1494 to the present day, and detailed case-studies of individual poets who exploited lunulae. In combination the historical development of use and the individual's practice in a given period reveal the impact on literary composition of technological, philosophical, and political pressures, and the importance for the reader of regarding punctuation as a resource.

This book is a compact guide to reading plays, and to the art and techniques of drama. Ranging from classical Greece to modern Drama and performance, but with particular emphasis on the playwrights (including Shakespeare) who are most widely taught and performed, the Handbook covers the whole range of literary, aesthetic, and political questions attending drama, from theatre designs and acting styles to audience composition and editing printed texts. Looking closely at both text and performance, successive sections give clear and detailed information about the conventions of playtexts, the histories of genre, performance spaces, and theatre personnel, as well as current theatre practices. Each chapter also provides an appropriate technical and critical vocabulary, conveniently gathered in a full, indexed glossary. A final section, dealing with drama essays and exams, includes sample student essays, and the bibliography includes targeted further reading as well as extensive guides to playwrights in print and plays on film. Lucid, practical, and thorough, this book is an invaluable resource for anyone who reads plays.

The Poetry Handbook is a lucid and entertaining guide to the poet's craft, and an invaluable introduction to practical criticism for students. Chapters on each element of poetry, from metre to gender, offer a wide-ranging general account, and end by looking at two or three poems from a small group (including works by Donne, Elizabeth Bishop, Geoffrey Hill, and Nobel Laureate Derek Walcott), to build up sustained analytical readings.Thorough and compact, with notes and quotations supplemented by detailed reference to the Norton Anthology of Poetry and a companion website with texts, links, and further discussion, The Poetry Handbook is indispensable for all school and undergraduate students of English. A final chapter addresses examinations of all kinds, and sample essays by undergraduates are posted on the website. Critical and scholarly terms are italicised and clearly explained, both in the text and in a complete glossary; the volume also includes suggestions for further reading.The first edition, widely praised by teachers and students, showed how the pleasures of poetry are heightened by rigorous understanding and made that understanding readily available. This second edition -- revised, expanded, updated, and supported by a new companion website - confirm The Poetry Handbook as the best guide to poetry available in English.

The most extensive history of punctuation in English literature available, this three-volume set examines the production, context, and impact of punctuation in nearly 100 major authors and texts from the Medieval period to the present. Essays address the complexity, nuance, and significance of punctuation in works of poetry, drama, and prose, using diplomatic quotation to demonstrate punctuation's essential part in literary writing, production, reading, and reception. Topics covered include scribal and textual transmission and genesis ; manuscript and print ; pedagogy ; standardization ; house style ; conventions ; editorial intervention ; reading experiences ; and elocutionary, syntactical, deictic, and spatial punctuation. A general introduction discusses theories and practices of punctuation, while three volume-introductions address the age of manuscript, impact of printing, and subsequent pressures of mechanization, industrialization, and digitization. This History demonstrates that punctuation, far from "accidental," is a crucial element of hermeneutics, deeply impacting literary practice, meaning, and interpretation.

The most extensive history of punctuation in English literature available, this three-volume set examines the production, context, and impact of punctuation in nearly 100 major authors and texts from the Medieval period to the present. Essays address the complexity, nuance, and significance of punctuation in works of poetry, drama, and prose, using diplomatic quotation to demonstrate punctuation's essential part in literary writing, production, reading, and reception. Topics covered include scribal and textual transmission and genesis ; manuscript and print ; pedagogy ; standardization ; house style ; conventions ; editorial intervention ; reading experiences ; and elocutionary, syntactical, deictic, and spatial punctuation. A general introduction discusses theories and practices of punctuation, while three volume-introductions address the age of manuscript, impact of printing, and subsequent pressures of mechanization, industrialization, and digitization. This History demonstrates that punctuation, far from "accidental," is a crucial element of hermeneutics, deeply impacting literary practice, meaning, and interpretation.

The most extensive history of punctuation in English literature available, this three-volume set examines the production, context, and impact of punctuation in nearly 100 major authors and texts from the Medieval period to the present. Essays address the complexity, nuance, and significance of punctuation in works of poetry, drama, and prose, using diplomatic quotation to demonstrate punctuation's essential part in literary writing, production, reading, and reception. Topics covered include scribal and textual transmission and genesis; manuscript and print; pedagogy; standardization; house style; conventions; editorial intervention; reading experiences; and elocutionary, syntactical, deictic, and spatial punctuation. A general introduction discusses theories and practices of punctuation, while three volume-introductions address the age of manuscript, impact of printing, and subsequent pressures of mechanization, industrialization, and digitization. This History demonstrates that punctuation, far from 'accidental,' is a crucial element of hermeneutics, deeply impacting literary practice, meaning, and interpretation.