John Lennox – författare

Kan vetenskapen förklara allt? Vi tycks i dag inte längre ha något behov av tro och religion eftersom vetenskapen har visat hur världen fungerar. Vetenskap och religion går helt enkelt inte ihop.

Men är det verkligen så? På sitt typiskt godmodiga sätt skingrar John Lennox den vanliga missuppfattningen att vetenskap och kristen tro är bittra fiender. Båda behövs för att förstå vad livet handlar om.

John Lennox är professor emeritus i matematik vid Oxforduniversitetet och tidigare docent i matematik och vetenskapsfilosofi vid Green Templeton College i Oxford. Han har publicerat över 70 artiklar i vetenskapliga tidskrifter och skrivit ett flertal böcker och monografier. På svenska har tidigare utkommit Guds dödgrävare: Har vetenskapen begravt Gud?

“Deep, rich, and nourishing.”—Os GuinnessThe life of Joseph detailed in the book of Genesis is a story of love, hate, slavery, power, and forgiveness. Although written thousands of years ago, it has a timeless quality that still probes the depths of the human experience.In this thoughtful and devotional book, scholar John Lennox emphasizes the major themes present in Joseph’s story—such as suffering, temptation, forgiveness, faith, and God’s sovereignty—and applies them to readers at a personal level. This detailed look at Joseph’s life in its broader context will invite us into a deeper trust of God in the face of suffering and hardship. Analyzes the story of Joseph and applies themes such as sovereignty, suffering, faith, forgiveness, temptation, work, and power to readers at a personal levelWritten by a highly respected Christian scholarIncludes a discussion guide for group study

Over a period of forty years, from 1947 to 1986, Margaret Laurence and Adele Wiseman wrote to each other constantly. The topics they wrote about were as wide-ranging as their interests and experiences, and their correspondence encompassed many of the varied events of their lives. Laurence's letters - of which far more are extant than Wisman's - reveal much about the impact of her years in Africa, motherhood, her anxieties and insecurities, and her developement as a writer. Wiseman, whose literary success came early in her career, provided a sympathetic ear and constant encouragement to Laurence.The editors' selection has been directed by an interest in these women as friends and writers. Their experiences in the publishing world offer an engaging perspective on literary apprenticeship, rejection, and success. The letters reveal the important roles both women played in the buoyant cultural nationalism of the 1960s and 1970s. This valuable collection of previously unpublished primary material will be essential to scholars working on Canadian literature and of great interest to the general reading. The introduction contextualizes the correspondence and the annotations to the letters help to clarify the text. The Laurence-Wiseman letters offer a fascinating glimpse into the lives and friendship of two remarkable women whose personal correspondence was written with verve, compassion, and wit.

In the four decades between 1920 and 1960, William Deacon, Canada's first full-time literary journalist, devoted his career to the twin goals of fostering a Canadian readership for Canadian writers and creating a sense of community among those writers. His reviews in Saturday Night, The Mail and Empire, and Globe and Mail were the most widely read literary commentary of his day. His vast correspondence with a wide range of writers, politicians, historians, cultural nationalists and a select number of eccentrics created a forty-year dialogue in which is ideas about writing, publishing culture, and politics were shared, formulated, and debated with a formidable array of personal and literary friends, among them E.J. Pratt, Laura Goodman Salverson, Duncan Campbell Scott, A.R.M. Lower, J.S. Woodsworth, Thomas Raddall, Hugh MacLennan, and Mazo de la Roche. The exchanges trade the ebullient cultural nationalism of the 1920s and Deacon's enthusiastic immersion in that climate, the hardships and readjustments of the 1930s, the consolidation and new discoveries of the 1940s, and the rounding-off of his career in the 1950s. A few exchanges from the 1960s reveal his continuing interest in the issues of the day and his support of young writers. Whether he was corresponding with Emily Murphy or Peter Newman, with Grey Owl or Gabrielle Roy, his goal was the same -- to encourage, celebrate, and support the literary and culture vitality of Canada. His correspondents responded with intimacy, candour, and warmth, expressing their concerns and rejoicing in their successes. Their combined voices within the Deacon correspondence still create an immediate sense of the unfolding of Canadian cultural history across four important decades.

William Arthur Deacon was an intellectual patron and prophet in Canadian writing. For forty years, as literary editor of Saturday Night (1922-8), The Mail and Empire (1928-36), and The Globe and Mail (1936-60) he contributed vast amounts of time and energy to building a readership and a sympathetic climate for Canadian writers and writing. His correspondence put him in touch, as no other reviewer before him, with virtually every English- and French-Canadian author of his time. Based on his correspondence, books, and review columns, the biography views Deacon’s life in terms of this involvement and in the context of the cultural and political forces of his time. Deacon’s early years as a lawyer, his self-imposed literary apprenticeship, and his break with the law as a profession concurred with the sense of mission and destiny that were part of his Methodist family background and his personal theosophical beliefs. Coming to Toronto in 1922, he quickly established himself as the country’s premier literary reviewer and poured his energies into that role. In that decade he also published Pens and Pirates, Poteen, The Four Jameses, and the appreciative monograph Peter McArthur. Deacon’s dismissal from Saturday Night and the Depression years tempered his zeal and broadened his awareness beyond literary horizons, although they were still the focus of his energies. His nationalism and pacifism were articulated in My Vision of Canada (1933). He also found himself more aware of the importance of literary community as he became deeply involved in the survival of Canadian writers and publishers. Deacon’s years with the Canadian Author’s Association, first as member, then as Toronto branch president, and finally as national president, witnessed the establishment of the Canadian Writers’ Foundation, the Governor-General’s Awards, the Standard Writers’ Contract, and the recognition by the federal government of special tax arrangements for Canadian writers.The list of those who enjoyed Deacon’s friendship and support reads like a who’s who of Canadian literature, and his associations with French-Canadian writers after the Second World War broadened the cultural awareness of his readers.His service to both reader and writer and to the culture on which both depend was without parallel – as this volume vividly reveals.