John Lewis-Stempel - Böcker

_________________'BRITAIN'S FINEST LIVING NATURE WRITER' - THE TIMESWINNER OF THE THWAITES WAINWRIGHT PRIZE 2015What really goes on in the long grass?Meadowland gives an unique and intimate account of an English meadow’s life from January to December, together with its biography. In exquisite prose, John Lewis-Stempel records the passage of the seasons from cowslips in spring to the hay-cutting of summer and grazing in autumn, and includes the biographies of the animals that inhabit the grass and the soil beneath: the badger clan, the fox family, the rabbit warren,the skylark brood and the curlew pair, among others. Their births, lives, and deaths are stories that thread through the book from first page to last.

A practical guide to finding and preparing food from hedgerows, parks, fields, woods, rivers and seashore. Aimed at the beginner, it also has a wealth of tips for the enthusiast, and, unlike other books on wild food, covers foraging in the urban environment as well as the countryside. The book shows the reader 'Where, How and When' to find the best edible berries, leaves, flowers, mushrooms, seaweed, shellfish and snails, with clear and full instructions on what is safe to eat. Foraging covers the 100 wild foods that are good to eat, fun to find, easy to identify - and will make a healthy difference to your diet and your bank balance. The book is organised by environment so when taking a walk, gardening, or having a day out you know how to gather a hedgerow harvest, a field feast, a seaside salad. Each entry features one species, and fully explains its looks, exactly where in the habitat it will be found, when it is ripe to eat, its alternative names, its history, how to harvest it, its culinary uses. There are full instructions too on preparation of each plant/fungi/animal, along with recipes for its use. Comfrey fritters, hazelnut pate, nettle beer,sorrel soup, dandelion coffee, blackberry jam....

THE PERFECT GIFT FOR NATURE LOVERS‘To see a hare sit still as stone, to watch a hare boxing on a frosty March morning, to witness a hare bolt . . . these are great things. Every field should have a hare.’ The hare, a night creature and country-dweller, is a rare sight for most people. We know them only from legends and stories. They are shape-shifters, witches’ familiars and symbols of fertility. They are arrogant, as in Aesop’s The Hare and the Tortoise, and absurd, as in Lewis Carroll’s Mad March Hare. In the absence of observed facts, speculation and fantasy have flourished. But real hares? What are they like? In The Private Life of the Hare, John Lewis-Stempel explores myths, history and the reality of the hare. And in vivid, elegant prose he celebrates how, in an age when television cameras have revealed so much in our landscape, the hare remains as elusive and magical as ever.

The perfect gift for nature lovers - The Book of the Owl is a beautifully illustrated small format hardback exploring the legend and history of the owl. A true celebration of this magnificent creature - its natural powers and its mythical glory. Fans of Stephen Moss and Fiona Stafford will not be disappointed.'In this short, beautiful little book, the farmer and nature writer introduces us to the wisdom of owls.. every question you might ask ... is answered with economy and insight and the cultural references and quotations are as rich as you would expect from this brilliant writer.' -- Daily Mail'John Lewis-Stempel is one of the best nature writers of his generation' -- Country Life'One of our finest nature writers with an essay length portrait of a bird that has fascinated humans for millennia.' -- Mail on Sunday'An absolute pleasure to read' -- ***** Reader review'Hypnotic reading' -- ***** Reader review'Absolutely fascinating' -- ***** Reader review'Hard to put down once opened, it is finished all too quickly' -- ***** Reader review*******************************************************************************'Dusk is filling the valley. It is the time of the gloaming, the owl-light.Out in the wood, the resident tawny has started calling, Hoo-hoo-hoo-h-o-o-o.'There is something about owls. They feature in every major culture from the Stone Age onwards. They are creatures of the night, and thus of magic. They are the birds of ill-tidings, the avian messengers from the Other Side.But owls - with the sapient flatness of their faces, their big, round eyes, their paternal expressions - are also reassuringly familiar. We see them as wise, like Athena's owl, and loyal, like Harry Potter's Hedwig. Human-like, in other words.No other species has so captivated us.

"How to describe the ecstatic song of larks? How the writers and poets have tried..."Skylarks are the heralds of our countryside. Their music is the quintessential sound of spring. The spirit of English pastoralism, they inspire poets, composers and farmers alike. In the trenches of World War I they were a reminder of the chattering meadows of home.Perhaps you were up with the lark, or as happy as one. History has seen us poeticise and musicise the bird, but also capture and eat them. We watch as they climb the sky, delight in their joyful singing, and yet we harm them too.The Soaring life of the Lark explores the music and poetry; the breath-taking heights and struggle to survive of one of Britain's most iconic songbirds.PRAISE FOR JOHN LEWIS-STEMPEL'Britain's finest living nature writer' - The Times'Lewis-Stempel is a fourth-generation farmer gifted with an extraordinary ability to write prose that soars and sings' - Daily Mail

AS FEATURED ON 'BBC RADIO 4 'GOOD READS'.Woodlands Awards 2019: Woodland Books of the Year'The oak is the wooden tie between heaven and earth. It is the lynch pin of the British landscape.' The oak is our most beloved and most common tree. It has roots that stretch back to all the old European cultures but Britain has more ancient oaks than all the other European countries put together. More than half the ancient oaks in the world are in Britain. Many of our ancestors - the Angles, the Saxons, the Norse - came to the British Isles in longships made of oak. For centuries the oak touched every part of a Briton's life - from cradle to coffin It was oak that made the 'wooden walls' of Nelson's navy, and the navy that allowed Britain to rule the world. Even in the digital Apple age, the real oak has resonance - the word speaks of fortitude, antiquity, pastoralism.The Glorious Life of the Oak explores our long relationship with this iconic tree; it considers the life-cycle of the oak, the flora and fauna that depend on the oak, the oak as medicine, food and drink, where Britain's mightiest oaks can be found, and it tells of oak stories from folklore, myth and legend.

The perfect gift for nature lovers, in this beautifully illustrated small format hardback, John Lewis-Stempel delves into the cuckoo's unique behaviour and captivating role in our cultural imagination, in folklore, myth, literature and music, turning his exquisite prose to one of the strangest tales of the countryside.---Is there any bird more mysterious than the cuckoo?It is invariably heard, and not seen. And if seen, it is mistaken for a sharp-winged hawk. The female cuckoo - by a trick that borders on alchemy - is able to disguise its egg as another's. In Greek myth the god Zeus assumed the form of a cuckoo to seduce Hera.But we forgive the cuckoo its con-artistry, because it is the true herald of spring. It is the bird that uplifts our wintered hearts, with that first two-note 'cuk-koo' unmistakable as it sounds across the country.In The Curious Life of the Cuckoo, John Lewis-Stempel explains one of nature's greatest enigmas in vivid, lyrical prose, and celebrates this iconic bird.---‘That John Lewis-Stempel is one of the best nature writers of his generation is undisputed.’ – Country Life‘His immense, patient powers of observation – along with a flair for the anthropomorphic – mean he is able to offer a portrait of animal life that's rare in its colour and drama.’ – Observer‘Engaging, closely-observed and beautiful ... this author’s deep love of the world around him is as inspiring as it is entertaining.’ – Daily Mail‘John Lewis-Stempel is the hottest nature writer around.’ – Spectator‘It’s his observation of the natural world – the sight, the sound, the smell of it – that is so memorable. He has a distinctively brisk, muscular style of writing that has a poetic intensity and concision. – Guardian‘His prose is immaculate’ – Der Spiegel‘Lewis-Stempel sees and hears things others will never see and hear, and he can write about them as no one else can.’– Daily Mail: Summer Reads

"I adore the fox for its magnificence; I hate the fox for killing my chickens. To love and loathe the fox is a British condition."The fox is our apex predator, our most beautiful and clever killer. We have witnessed its wild touch, watched it slink by bins at night and been chilled by its high-pitched scream. And yet we long to stroke the tumbling cubs outside their tunnel homes and watch the vixen stalk the cornfield. There is something about foxes. They captivate us like no other species.Exploring a long and sometimes complicated relationship, The Wild Life of the Fox captures our love – and sometimes loathing – of this magnificent creature in vivid detail and lyrical prose.

AN INDIE BESTSELLER'It reminded me all over again of why I threw up everything for the magic of La Belle France' Carol Drinkwater, author of The Olive Farm'An utterly beguiling immersion in La France Profonde, keenly observed and beautifully told' Felicity Cloake, author of One More Croissant for the RoadFor fans of Peter Mayle, 'Britain's finest living nature writer' takes the plunge and buys an old farmhouse deep in the French countryside - a perfect slice of sunny escapist joy from the perennial Sunday Times bestseller.The Charente: roofs of red terracotta tiles, bleached-white walls, windows shuttered against the blaring sun. The baker does his rounds in his battered little white van with a hundred warm baguettes in the back, while a cat picks its way past a Romanesque church, the sound of bells skipping across miles of rolling, glorious countryside.For many years a farmer in England, John Lewis-Stempel yearned once again to live in a landscape where turtle doves purr and nightingales sing, as they did almost everywhere in his childhood. He wanted to be self-sufficient, to make his own wine and learn the secrets of truffle farming. And so, buying an old honey-coloured limestone house with bright blue shutters, the Lewis-Stempels began their new life as peasant farmers.Over that first year, Lewis-Stempel fell in love with the French countryside, from the wild boar that trot past the kitchen window to the glow-worms and citronella candles that flicker in the evening garden. Although it began as a practical enterprise, it quickly became an affair of the heart: of learning to bite the end off the morning baguette; taking two hours for lunch; in short, living the good life - or as the French say, La Vie.

England’s landscape is iconic – a tapestry of distinctive habitats that together make up a country unique for its rich diversity of flora and fauna. Concentrating on twelve habitats, John Lewis-Stempel leads us from estuary to park, chalk downland to woodland , river to field, village to moor, lake to heath, fen to coastal cliffs, in a book that is unquestionably his magnum opus.Referencing beloved great writers in whose footsteps he treads – Gilbert White, John Clare, W. H. Hudson, Richard Jefferies, Edward Thomas – and combining breathtakingly beautiful prose with detailed wildlife observation, botanical fact and ancient folklore, Lewis-Stempel immerses himself in each place, discovering their singular atmosphere, the play of the seasons; the feel of the wind in midwinter; the sounds of daybreak; how twilight settles. Each one – whether managed park or wild moor, plunging cliff or man-made Broads – has also shaped human life, forming our idea of ourselves and our sense of what ‘England’ means.England: A Natural History is the definitive volume on the English landscape, and the capstone of John Lewis-Stempel’s nature writing.........................................................................................................‘No-one comes close to Lewis-Stempel’s ability to paint the English landscape in words. Maddeningly brilliant.’ - Sally Coulthard, author of A Brief History of the Countryside in 100 Objects

'Britain's finest living nature writer' THE TIMES'Lewis-Stempel's greatest gift remains his prose, with all its vividness and energy' THE DAILY MAIL'The hottest nature writer around' THE SPECTATORAt night, the normal rules of Nature do not apply. In the night-wood I have met a badger coming the other way, tipped my cap, said hello. The animals do not expect us humans to be abroad in the dark, which is their time, when the world still belongs to them.That was in winter. The screaming of a tawny owl echoed off the bare trees. For all of our street-lamp civilization, you can still hear the call of the wild. If, if, you go out after the decline of the day...As the human world settles down each evening, nocturnal animals prepare to take back the countryside. Taking readers on four walks through the four seasons, acclaimed nature writer and farmer John Lewis-Stempel reveals a world bursting with life and normally hidden from view. Out beyond the cities, it is still possible to see the night sky full of stars, or witness a moonbow, an arch of white light in the heavens.It is time for us to leave our lairs and go tramping. To join our fellow creatures of the night.

The extraordinary story of British junior officers in the First World War, who led their men out of the trenches and faced a life expectancy of six weeks.During the Great War, many boys went straight from the classroom to the most dangerous job in the world - that of junior officer on the Western Front. Although desperately aware of how many of their predecessors had fallen before them, nearly all stepped forward, unflinchingly, to do their duty. The average life expectancy of a subaltern in the trenches was a mere six weeks.In this remarkable book, John Lewis-Stempel focuses on the forgotten men who truly won Britain's victory in the First World War - the subalterns, lieutenants and captains of the Army, the leaders in the trenches, the first 'over the top', the last to retreat. Basing his narrative on a huge range of first-person accounts, including the poignant letters and diaries sent home or to their old schools, the author reveals what motivated these boy-men to act in such an extraordinary, heroic way. He describes their brief, brilliant lives in and out of the trenches, the tireless ways they cared for their men, and how they tried to behave with honour in a world where their values and codes were quite literally being shot to pieces.

The story of the British Army has many sides to it, being a tale of heroic successes and tragic failures, of dogged determination and drunken disorder. It involves many of the most vital preoccupations in the history of the island - the struggle against Continental domination by a single power, the battle for Empire - and a cast pf remarkable characters - Marlborough, Wellington and Montgomery among them. Yet the British, relying on their navy, have always neglected their army; from the time of Alfred the Great to the reign of Charles II wars were fought with hired forces disbanded as soon as conflict ended. Even after the stuggles with Louis XIV impelled the formation of a reulgar army, impecunious governments neglected the armed forces except in times of national emergency. In this wide-ranging account, Major Haswell sketches the medieval background before concentrating on the three hundred years of the regular army, leading up to its role in our own time. He presents an informed and probing picture of the organization of the army, the development of weaponry and strategy - and the everyday life of the British soldier through the centuries.John Lewis-Stempel has brought Major Haswell's classic work right up to date by expanding the section on the dissolution of empire to include a full account of Northern Ireland and the Falklands War. He has added a new chapter to cover the Gulf War, Bosnia, Afghanistan and Iraq; also the increasing role of special forces and the amalgamation of regiments.

A celebration of British natural life in the form of a collection of the best of the 'new nature writing' and the best of the old, too - the natural history of Britain made word.

Make your garden a haven for wildlife and a joy for you and your familyWhether you just want to make an existing family space more wildlife friendly or go the whole hedgehog and turn your back garden into a mini nature reserve, The Wildlife Garden will show you how to do it. You will discover:- What plants are best for wildlife- How to make refuges for insects and homes for bats- How to create a pool for frogsThe Wildlife Garden is the essential guide to attracting birds to your bushes, butterflies to your buddleia and a whole array of other creatures into your garden - even if you only have a window box - all whilst adding scent and colour to your surroundings.

THE SUNDAY TIMES BESTSELLER'Lewis-Stempel is one of our finest nature writers ... He writes with delicate observation and authority, giving us in Woodston a book teeming with fascinating details, anecdotes and penetrating insights into the real cost of our denatured countryside.' - Sunday Times'The English countryside is 'a work of human art, done by the many and the nameless' and John Lewis-Stempel wanted to celebrate it. He has succeeded admirably.' - Daily Mail_________________In the beginning was the earth...From the Paleozoic volcanoes that stained its soil, to the Saxons who occupied it, to the Tudors who traded its wool, to the Land Girls of wartime, John Lewis-Stempel charts a sweeping, lyrical history of Woodston: the quintessential English farm.With his combined skills of farmer and historian, Lewis-Stempel digs deep into written records, the memories of relatives, and the landscape itself to celebrate the farmland his family have been bound to for millennia. Through Woodston's life, we feel the joyful arrival of oxen ploughing; we see pigs rootling in the medieval apple orchard; and take in the sharp, drowsy fragrance of hops on Edwardian air. He draws upon his wealth of historical knowledge and his innate sense of place to create a passionate, fascinating biography of farming in England.Woodston not only reminds us of the rural riches buried beneath our feet but of our shared roots that tie us to the land.

Walk through Britain’s wild landscapes after dark with two-time winner of the Wainwright Prize for Nature Writing, John Lewis-Stempel.‘Britain’s finest living nature writer’The TimesAt night the senses become reordered. Hearing, touch, smell are privileged over vision. It is after dark that we humans become more sensitive to nature, more ‘animal’. But the lights of the modern world are obliterating any meaningful connection to the night. We have lost touch with its wonders as well as its terrors.In this enchanting follow-up to Nightwalking, John Lewis-Stempel once again ventures out into the night to discover the natural world after dark, its rarely seen spectacles and curiosities. There are hares boxing under stars, night jars hunting moths in the summer wood, wintry moons with halos, rock-pool creatures glowing neon under UV light, barley fields shimmering in moonshine …In Night Life, Lewis-Stempel wanders his familiar farmland, and goes further afield too, exploring the Lake District, the Welsh coast, London’s Thames. Everywhere, he shows us why the night is precious, and what it is to be human in the dark.

The last untold story of the First World War: the fortunes and fates of 170,000 British soldiers captured by the enemy.On capture, British officers and men were routinely told by the Germans 'For you the war is over'. Nothing could be further from the truth. British Prisoners of War merely exchanged one barbed-wire battleground for another.In the camps the war was eternal. There was the war against the German military, fought with everything from taunting humour to outright sabotage, with a literal spanner put in the works of the factories and salt mines prisoners were forced to slave in. British PoWs also fought a valiant war against the conditions in which they were mired. They battled starvation, disease, Prussian cruelties, boredom, and their own inner demons. And, of course, they escaped. Then escaped again. No less than 29 officers at Holzminden camp in 1918 burrowed their way out via a tunnel (dug with a chisel and trowel) in the Great Escape of the Great War.It was war with heart-breaking consequences: more than 12,000 PoWs died, many of them murdered, to be buried in shallow unmarked graves.Using contemporary records - from prisoners' diaries to letters home to poetry - John Lewis-Stempel reveals the death, life and, above all, the glory of Britain's warriors behind the wire. For it was in the PoW camps, far from the blasted trenches, that the true spirit of the Tommy was exemplified.

Winner of the 2017 Wainwright Golden Beer Book Prize for nature writingThe natural history of the Western Front during the First World War'If it weren't for the birds, what a hell it would be.'During the Great War, soldiers lived inside the ground, closer to nature than many humans had lived for centuries. Animals provided comfort and interest to fill the blank hours in the trenches - bird-watching, for instance, was probably the single most popular hobby among officers. Soldiers went fishing in flooded shell holes, shot hares in no-man's land for the pot, and planted gardens in their trenches and billets. Nature was also sometimes a curse - rats, spiders and lice abounded, and disease could be biblical.But above all, nature healed, and, despite the bullets and blood, it inspired men to endure. Where Poppies Blow is the unique story of how nature gave the British soldiers of the Great War a reason to fight, and the will to go on.

__________________'BRITAIN'S FINEST LIVING NATURE WRITER' - THE TIMESThe Sunday Times Bestseller - SHORTLISTED FOR THE WAINWRIGHT PRIZE 2017 Traditional ploughland is disappearing. Seven cornfield flowers have become extinct in the last twenty years. Once abundant, the corn bunting and the lapwing are on the Red List. The corncrake is all but extinct in England. And the hare is running for its life.Written in exquisite prose, The Running Hare tells the story of the wild animals and plants that live in and under our ploughland, from the labouring microbes to the patrolling kestrel above the corn, from the linnet pecking at seeds to the seven-spot ladybird that eats the aphids that eat the crop. It recalls an era before open-roofed factories and silent, empty fields, recording the ongoing destruction of the unique, fragile, glorious ploughland that exists just down the village lane.But it is also the story of ploughland through the eyes of man who took on a field and husbanded it in a natural, traditional way, restoring its fertility and wildlife, bringing back the old farmland flowers and animals. John Lewis Stempel demonstrates that it is still possible to create a place where the hare can rest safe.Shortlisted for the Richard Jefferies Society White Horse Bookshop Prize 2016. John Lewis-Stempel was winner of the Thwaites Wainwright Prize 2015 for MEADOWLAND.

The Wild Life is John Lewis-Stempel's account of twelve months eating only food shot, caught or foraged from the fields, hedges, and brooks of his forty-acre farm. Nothing from a shop and nothing raised from agriculture. Could it even be done?We witness the season-by-season drama as the author survives on Nature's larder, trains Edith, a reluctant gundog, and conjures new recipes. And, above all, we see him get closer to Nature. Because, after all, you're never closer to Nature than when you're trying to kill it or pick it.Lyrical, observant and mordantly funny, The Wild Life is an extraordinary celebration of our natural heritage, and a testament to the importance of getting back to one's roots - spiritually and practically.

The Times and Irish Independent: BEST NATURE BOOKS OF THE YEARGreat nature writing needs to be informative, detailed, accurate, lyrical, and, above all, to instil a sense of gratitude and wonder. John Lewis-Stempel succeeds in all these things triumphantly. From amorous toads to the eye-popping mating habits of water boatmen, a magical celebration of pond life by one of our finest, most evocative nature writers.' Daily MailPonds: small bodies of water, both naturally formed and artificial, home to wondrous, multitudinous life-forms. Ponds define our childhood: frogspawn, goldfish, feeding the ducks, but also our village life, our farms, our landscape. And they are multi-layered - from carp circling the bottom to water boatmen, coot, and birds dragonflies overhead. In Still Water, John immerses himself in the murky depths, both literarily and figuratively, to explore the still waters of the British countryside through each month of the year.

'BRITAIN'S FINEST LIVING NATURE WRITER' - THE TIMESA SUNDAY TIMES BESTSELLER and BBC Radio 4 'Book of the Week' from 'indisputably, one of the best nature-writers of his generation' (Country Life) Written in diary format, The Wood is the story of English woodlands as they change with the seasons. Lyrical and informative, steeped in poetry and folklore, The Wood inhabits the mind and touches the soul.For four years John Lewis-Stempel managed Cockshutt wood, a particular wood - three and half acres of mixed woodland in south west Herefordshire - that stands as exemplar for all the small woods of England. John coppiced the trees and raised cows and pigs who roamed free there. This is the diary of the last year, by which time he had come to know it from the bottom of its beech roots to the tip of its oaks, and to know all the animals that lived there - the fox, the pheasants, the wood mice, the tawny owl - and where the best bluebells grew. For many fauna and flora, woods like Cockshutt are the last refuge. It proves a sanctuary for John too. To read The Wood is to be amongst its trees as the seasons change, following an easy path until, suddenly the view is broken by a screen of leaves, or your foot catches on a root, or a bird startles overhead. This is a wood you will never want to leave.

'An important book on several levels... Read a few sentences out loud, wherever you are.' Rosamund YoungEverybody thinks they know what sheep are like: they're stupid, noisy, cowardly ('lambs to the slaughter'), and they're 'sheepwrecking' the environment.Or maybe not. Contrary to popular prejudice, sheep are among the smartest animals in the farmyard, fiercely loyal, forming long and lasting friendships. Sheep, farmed properly, are boons to biodiversity. They also happen to taste good and their fleeces warm us through the winter - indeed, John Lewis-Stempel's family supplied the wool for Queen Elizabeth's 'hose'.Observing the traditional shepherd's calendar, The Sheep's Tale is a loving biography of ewes, lambs, and rams through the seasons. Lewis-Stempel tends to his flock with deep-rooted wisdom, ethical consideration, affection, and humour. This book is a tribute to all the sheep he has reared and sheared - from gregarious Action Ram to sweet Maid Marion. In his inimitable style, he shares the tales that only a shepherd can tell.

' A brilliant gift for anyone who loves the countryside' - Independent ''This extraordinarily fine writer tours England with an eye for every living thing. A work of beauty, deeply informed, a fantastic gift.' - Saga'A masterpiece' - Daily Mail'Britain's finest nature writer' - Telegraph'Full of evocative detail, this celebration of nature and place is bursting with historical details and lyrical observations of wildlife and landscape.' - Countryfile magazine‘What we have here is the best of John Lewis-Stempel and the best of his vision of England.' - The Tablet‘That John Lewis-Stempel is one of the best nature writers of his generation is undisputed.’ – Country Life-----Now in paperback, with map and illustrations, England: A Natural History is the definitive volume on the English landscape and the capstone of John Lewis-Stempel's nature writing.The English countryside is iconic: a series of distinctive habitats that unite to create a landscape that is unique for the rich diversity of our flora and fauna. In England, his most magisterial book to date, John Lewis-Stempel explores each in turn, taking us from coast to moor, from downs to field, from the park to the village to create a vivid living portrait of our natural history.In his trademark lyrical prose, Lewis-Stempel reveals the hidden workings of each habitat: the clear waters and dragonflies; the bluebells, badgers and stag beetles; wild thyme; granite cliffs; rock pools and sandy beaches; red deer standing at ancient oaks; the wayside flowers of the lane; hedgehogs and hares; and snow on the high peak. Each landscape - be it calm green or wild moor, plunging cliff or flatland fen - has shaped our idea of ourselves, our sense of what it is to be in England.In a stunning package, complete with decorated boards, endpapers, chapterheads and a map, England: A Natural History is the definitive volume on the English landscape and the capstone of John Lewis-Stempel's nature writing.

AN INDIE BESTSELLER'It reminded me all over again of why I threw up everything for the magic of La Belle France' Carol Drinkwater, author of The Olive Farm'An utterly beguiling immersion in La France Profonde, keenly observed and beautifully told' Felicity Cloake, author of One More Croissant for the RoadFor fans of Peter Mayle, 'Britain's finest living nature writer' takes the plunge and buys an old farmhouse deep in the French countryside - a perfect slice of sunny escapist joy from the perennial Sunday Times bestseller.The Charente: roofs of red terracotta tiles, bleached-white walls, windows shuttered against the blaring sun. The baker does his rounds in his battered little white van with a hundred warm baguettes in the back, while a cat picks its way past a Romanesque church, the sound of bells skipping across miles of rolling, glorious countryside.For many years a farmer in England, John Lewis-Stempel yearned once again to live in a landscape where turtle doves purr and nightingales sing, as they did almost everywhere in his childhood. He wanted to be self-sufficient, to make his own wine and learn the secrets of truffle farming. And so, buying an old honey-coloured limestone house with bright blue shutters, the Lewis-Stempels began their new life as peasant farmers.Over that first year, Lewis-Stempel fell in love with the French countryside, from the wild boar that trot past the kitchen window to the glow-worms and citronella candles that flicker in the evening garden. Although it began as a practical enterprise, it quickly became an affair of the heart: of learning to bite the end off the morning baguette; taking two hours for lunch; in short, living the good life - or as the French say, La Vie.