John Lorne Campbell – författare

This is the definitive history of Canna, one of the most beautiful of all the Scottish islands. Fertile and with a sheltered harbour, Canna has played an important part in the story of the Hebrides.After the Reformation the island was of considerable importance to the Irish Franciscan mission of the 1620s and also the Jacobite risings before it was swept up in the tragedies of depopulation and clearances of the nineteenth century.Gifted to the National Trust in 1981, the island is currently undergoing something of a revival, with the creation of the St Edward Centre on Sanday, and the proposed developments of Canna House.Recent archaeological surveys and historical research has uncovered much new evidence about the island. Hugh Cheape of the Royal Museum of Scotland, who has been intimately involved in the Canna project, has fully edited the book. New contributions both update and fill out the account of the island.

The Coddy was one of the most renowned storytellers and characters of the Western Isles at the turn of the nineteenth into the twentieth and beyond, and was the inspiration for Compton MacKenzie''s Whisky Galore. His warmth and personality shine through these stories, which are a wonderful mix of myth, tradition and anecdote.This edition includes a large number of traditional tales told in the inimitable style of The Coddy, grouped in a number of themed sections: Tales of the Macneils of Barra and Other Lairds - The MacLeods of Dunvegan - The Laird of Boisdale - Stories of Olden Times - Ecclesiastical Traditions - Place-names - Tales of Treasure - Tales of Local Characters - Stories of the Politician - Stories of Sea Monsters - Fairies, Second Sight and Ghost Stories - Witchcraft.For any student of folklore, for anyone interested in the traditions and history of the islands, or for anyone who simply likes a tale well told, The Coddy is essential reading. This edition is enhanced with a plate section consisting of period photographs of the Western Isles and informative notes on The Coddy and his stories.

The classic three volumes of Hebridean Folksongs, reissued simultaneously for the first time since their original publication (1969, 1977, 1981), contain 135 songs connected with the waulking of homespun tweed cloth in the Hebridean isles. Volume 1 is based on waulking songs collected by Donald MacCormick in South Uist in 1893. Volumes 2 and 3 are based on John Lorne Campbell's recordings of songs made between 1938 and 1965 in Barra, South Uist, Eriskay and Benbecula. The translations for all the songs in Volumes 2 and 3 and many of those in Volume 1 are by John Lorne Campbell, who also wrote detailed notes discussing the songs. Multiple versions of the same song are compared with each other and with versions drawn from unpublished manuscript sources.Francis Collinson's meticulous musical transcriptions of the songs, and musicological analyses, are invaluable. The songs are from the repertoires of some well-known singers of their generation, including Miss Annie Johnson, her brother Calum and Miss Mary Morrison, all of Barra, Mrs Neil Campbell of South Uist, and Miss Nan MacKinnon of Vatersay.The Hebridean Folk Songs will be of interest to traditional singers, schools and universities that teach Scots and Gaelic song, and those interested in the culture and social history of North-west Scotland.

The classic three volumes of Hebridean Folksongs, reissued simultaneously for the first time since their original publication (1969, 1977, 1981), contain 135 songs connected with the waulking of homespun tweed cloth in the Hebridean isles. Volume 1 is based on waulking songs collected by Donald MacCormick in South Uist in 1893. Volumes 2 and 3 are based on John Lorne Campbell's recordings of songs made between 1938 and 1965 in Barra, South Uist, Eriskay and Benbecula. The translations for all the songs in Volumes 2 and 3 and many of those in Volume 1 are by John Lorne Campbell, who also wrote detailed notes discussing the songs. Multiple versions of the same song are compared with each other and with versions drawn from unpublished manuscript sources.Francis Collinson's meticulous musical transcriptions of the songs, and musicological analyses, are invaluable. The songs are from the repertoires of some well-known singers of their generation, including Miss Annie Johnson, her brother Calum and Miss Mary Morrison, all of Barra, Mrs Neil Campbell of South Uist, and Miss Nan MacKinnon of Vatersay.The Hebridean Folk Songs will be of interest to traditional singers, schools and universities that teach Scots and Gaelic song, and those interested in the culture and social history of North-west Scotland.