Explains the failure—on both sides of the aisle—of the War on PovertyThe much-heralded War on Poverty has failed. The number of children living in poverty is steadily on the rise and an increasingly destructive underclass brutalizes urban neighborhoods. America's patience with the poor seems to have run out: even cities that have traditionally been havens for the homeless are arresting, harassing, and expelling their street people.In this timely work, William Kelso analyzes how the persistence of poverty has resulted in a reversal of liberal and conservative positions during the last thirty years. While liberals in the 1960s hoped to eliminate the causes of poverty, today they increasingly seem resigned to merely treating its effects. The original liberal objective of giving the poor a helping hand by promoting equal opportunity has given way to a new agenda of entitlements and equal results. In contrast, conservatives who once suggested that trying to eliminate poverty was futile, now seek ways to eradicate the actual causes of poverty.Poverty and the Underclass suggests that the arguments of both the left and right are misguided and offers new explanations for the persistence of poverty. Looking beyond the codewords that have come to obscure the debate—underclass, family values, the culture of poverty,—Kelso emphasizes that poverty is not a monolithic condition, but a vast and multidimensional problem.During his Presidential campaign, Bill Clinton called for an overhaul of the welfare system and spoke of a new covenant to unite both the left and right in developing a common agenda for fighting poverty. In this urgent, landmark work, William Kelso merges conservative, radical, and liberal ideals to suggest how the intractable problem of poverty may be solved at long last by implementing the principles of this new covenant.

Punk has been romanticised and embalmed by the media. A youth revolt that became a worldwide fashion statement, punk s idols were the Sex Pistols and Johnny Rotten was its sneering antichrist. Rotten is a history of punk: angry, witty, poignant and crackling with energy. Malcolm McLaren, Sid Vicious, the 1970s, the Pistols story are all here, in one of the best books ever written about youth culture, by one of its most notorious figures.

The Routledge Companion to Religion and Film brings together a lively and experienced team of contributors to introduce students to the key topics in religion and film and to investigate the ways in which the exciting subject of religion and film is developing for more experienced scholars. Divided into four parts, the Companion: analyzes the history of the interaction of religion and film, through periods of censorship as well as appreciation of the mediumstudies religion-in-film, examining how the world’s major religions, as well as Postcolonial, Japanese and New Religions, are depicted by and within filmsuses diverse methodologies to explore religion and film, such as psychoanalytical, theological and feminist approaches, and audience receptionanalyzes religious themes in film, including Redemption, the Demonic, Jesus or Christ Figures, Heroes and Superheroesconsiders films as diverse as The Passion of the Christ, The Matrix, Star Wars and Groundhog Day. This definitive book provides an accessible resource to this emerging field and is an indispensable guide to religion and film for students of Religion, Film Studies, and beyond.

The Routledge Companion to Religion and Film brings together a lively and experienced team of contributors to introduce students to the key topics in religion and film and to investigate the ways in which the exciting subject of religion and film is developing for more experienced scholars. Divided into four parts, the Companion: analyzes the history of the interaction of religion and film, through periods of censorship as well as appreciation of the mediumstudies religion-in-film, examining how the world’s major religions, as well as Postcolonial, Japanese and New Religions, are depicted by and within filmsuses diverse methodologies to explore religion and film, such as psychoanalytical, theological and feminist approaches, and audience receptionanalyzes religious themes in film, including Redemption, the Demonic, Jesus or Christ Figures, Heroes and Superheroesconsiders films as diverse as The Passion of the Christ, The Matrix, Star Wars and Groundhog Day. This definitive book provides an accessible resource to this emerging field and is an indispensable guide to religion and film for students of Religion, Film Studies, and beyond.

Explains the failure—on both sides of the aisle—of the War on PovertyThe much-heralded War on Poverty has failed. The number of children living in poverty is steadily on the rise and an increasingly destructive underclass brutalizes urban neighborhoods. America's patience with the poor seems to have run out: even cities that have traditionally been havens for the homeless are arresting, harassing, and expelling their street people.In this timely work, William Kelso analyzes how the persistence of poverty has resulted in a reversal of liberal and conservative positions during the last thirty years. While liberals in the 1960s hoped to eliminate the causes of poverty, today they increasingly seem resigned to merely treating its effects. The original liberal objective of giving the poor a helping hand by promoting equal opportunity has given way to a new agenda of entitlements and equal results. In contrast, conservatives who once suggested that trying to eliminate poverty was futile, now seek ways to eradicate the actual causes of poverty.Poverty and the Underclass suggests that the arguments of both the left and right are misguided and offers new explanations for the persistence of poverty. Looking beyond the codewords that have come to obscure the debate—underclass, family values, the culture of poverty,—Kelso emphasizes that poverty is not a monolithic condition, but a vast and multidimensional problem.During his Presidential campaign, Bill Clinton called for an overhaul of the welfare system and spoke of a new covenant to unite both the left and right in developing a common agenda for fighting poverty. In this urgent, landmark work, William Kelso merges conservative, radical, and liberal ideals to suggest how the intractable problem of poverty may be solved at long last by implementing the principles of this new covenant.

Punk has been romanticised and embalmed by the media. A youth revolt that became a worldwide fashion statement, punk s idols were the Sex Pistols and Johnny Rotten was its sneering antichrist. Rotten is a history of punk: angry, witty, poignant and crackling with energy. Malcolm McLaren, Sid Vicious, the 1970s, the Pistols story are all here, in one of the best books ever written about youth culture, by one of its most notorious figures.

The Routledge Companion to Religion and Film brings together a lively and experienced team of contributors to introduce students to the key topics in religion and film and to investigate the ways in which the exciting subject of religion and film is developing for more experienced scholars. Divided into four parts, the Companion: analyzes the history of the interaction of religion and film, through periods of censorship as well as appreciation of the mediumstudies religion-in-film, examining how the world’s major religions, as well as Postcolonial, Japanese and New Religions, are depicted by and within filmsuses diverse methodologies to explore religion and film, such as psychoanalytical, theological and feminist approaches, and audience receptionanalyzes religious themes in film, including Redemption, the Demonic, Jesus or Christ Figures, Heroes and Superheroesconsiders films as diverse as The Passion of the Christ, The Matrix, Star Wars and Groundhog Day. This definitive book provides an accessible resource to this emerging field and is an indispensable guide to religion and film for students of Religion, Film Studies, and beyond.

The Routledge Companion to Religion and Film brings together a lively and experienced team of contributors to introduce students to the key topics in religion and film and to investigate the ways in which the exciting subject of religion and film is developing for more experienced scholars. Divided into four parts, the Companion: analyzes the history of the interaction of religion and film, through periods of censorship as well as appreciation of the mediumstudies religion-in-film, examining how the world’s major religions, as well as Postcolonial, Japanese and New Religions, are depicted by and within filmsuses diverse methodologies to explore religion and film, such as psychoanalytical, theological and feminist approaches, and audience receptionanalyzes religious themes in film, including Redemption, the Demonic, Jesus or Christ Figures, Heroes and Superheroesconsiders films as diverse as The Passion of the Christ, The Matrix, Star Wars and Groundhog Day. This definitive book provides an accessible resource to this emerging field and is an indispensable guide to religion and film for students of Religion, Film Studies, and beyond.