John M. Shaw – författare

When American and South Vietnamese forces, led by General Creighton Abrams, launched an attack into neutral Cambodia in 1970, the invasion ignited a firestorm of violent antiwar protests throughout the United States, dealing yet another blow to Nixon's troubled presidency. But, as John Shaw shows, the campaign also proved to be a major military success. Most histories of the Vietnam War either give the Cambodian invasion short shrift or merely criticize it for its political fallout, thus neglecting one of the campaign's key dimensions. Approaching the subject from a distinctly military perspective, Shaw shows how this carefully planned and executed offensive provided essential support for Nixon's ""decent interval"" and ""peace with honor"" strategies - by eliminating North Vietnamese sanctuaries and supply bases located less than a hundred miles from Saigon and by pushing Communist troops off the Vietnamese border. Despite the political cloud under which the operation was conducted, Shaw argues that it was not only the best of available choices but one of the most successful operations of the entire war, sustaining light casualties while protecting American troop withdrawal and buying time for Nixon's pacification and ""Vietnamization"" strategies. He also shows how the United States took full advantage of fortuitous events, such as the overthrow of Cambodia's Prince Sihanouk, the redeployment of North Vietnamese forces, and the late arrival of spring monsoons. Although critics of the operation have protested that the North Vietnamese never did attack out of Cambodia, Shaw makes a persuasive case that the near-border threat was very real and imminent. In the end, he contends, the campaign effectively precluded any major North Vietnamese military operations for over a year. Based on exhaustive research and a deep analysis of the invasion's objectives, planning, organization, and operations, Shaw's shrewd study encourages a newfound respect for one of America's genuine military successes during the war.

Following the Drums: African American Fife and Drum Music in Tennessee is an epic history of a little-known African American instrumental music form. John M. Shaw follows the music from its roots in West Africa and early American militia drumming to its prominence in African American communities during the time of Reconstruction, both as a rallying tool for political militancy and a community music for funerals, picnics, parades, and dances. Carefully documenting the music's early uses for commercial advertising and sports promotion, Shaw follows the strands of the music through the nadir of African American history during post-Reconstruction up to the form's rediscovery by musicologists and music researchers during the blues and folk revival of the late 1960s and early 1970s. Although these researchers documented the music, and there were a handful of public performances of the music at festivals, the story has a sad conclusion. Fife and drum music ultimately died out in Tennessee during the early 1980s.Newspaper articles from the period and interviews with music researchers and participants reawaken this lost expression, and specific band leaders receive the spotlight they so long deserved. Following the Drums is a journey through African American history and Tennessee history, with a fascinating form of music powering the story.

Following the Drums: African American Fife and Drum Music in Tennessee is an epic history of a little-known African American instrumental music form. John M. Shaw follows the music from its roots in West Africa and early American militia drumming to its prominence in African American communities during the time of Reconstruction, both as a rallying tool for political militancy and a community music for funerals, picnics, parades, and dances. Carefully documenting the music's early uses for commercial advertising and sports promotion, Shaw follows the strands of the music through the nadir of African American history during post-Reconstruction up to the form's rediscovery by musicologists and music researchers during the blues and folk revival of the late 1960s and early 1970s. Although these researchers documented the music, and there were a handful of public performances of the music at festivals, the story has a sad conclusion. Fife and drum music ultimately died out in Tennessee during the early 1980s.Newspaper articles from the period and interviews with music researchers and participants reawaken this lost expression, and specific band leaders receive the spotlight they so long deserved. Following the Drums is a journey through African American history and Tennessee history, with a fascinating form of music powering the story.

Avenue Breakdown uncovers the rich yet often overlooked legacy of Black music in Shreveport, Louisiana—a city better known for country tunes and the Louisiana Hayride. This compelling history shines a spotlight on the city’s vibrant postwar scene, where blues, R&B, jazz, soul, funk, and gospel thrived in Black neighborhoods despite the pressures of segregation and state-sanctioned violence.From the iconic downtown record store of Stan Lewis to clubs that pulsed with the sound of legends, Shreveport fostered a dynamic music culture that drew producers and performers from across the region. Yet, systemic racism and economic decline eroded this cultural lifeblood, culminating in moments of unrest like the Cedar Grove Riot of 1988.Spanning decades of music, struggle, and community resilience, Avenue Breakdown captures the power of sound to challenge, uplift, and endure. It’s a vital record of a city’s past and an invitation to consider what comes next for the music of the Ark-La-Tex.