John Mayer – författare

It is a startling and somewhat disturbing fact that social work researchers-as well as research psychiatrists and psychologists-have rarely explored the treatment situation from the standpoint of the client. Client and Agency, first published in the 1960s, explores by means of free-fl owing interviews, a close-up picture of the client's experiences at a social work agency.There has been a growing awareness of the importance of consumer opinion in the social services following the wide spread impact of consumer groups, particularly those concerned with educational and medical services. Social work agencies have hesitated, uncertain about the researchers and their methods, and fearful of the outcome. But it is desirable that they incorporate the views of consumer groups because client opinion is one way of checking the effectiveness of their work.The practice of social work requires the application of knowledge derived from a variety of sources and academic disciplines. It is frequently difficult to relate conflicting evidence and diverse theories about human behavior for use in day-to- day work with acutely troubled and deprived people. It points to the need for more extensive studies of both consumers and suppliers of social work services because it raises many pertinent questions. In Client and Agency clients of a Family Welfare Association discuss the kind of help they expect to receive, their impressions of the social worker and the treatment process, and the ways they felt they were helped or not helped.

It is a startling and somewhat disturbing fact that social work researchers-as well as research psychiatrists and psychologists-have rarely explored the treatment situation from the standpoint of the client. Client and Agency, first published in the 1960s, explores by means of free-fl owing interviews, a close-up picture of the client's experiences at a social work agency.There has been a growing awareness of the importance of consumer opinion in the social services following the wide spread impact of consumer groups, particularly those concerned with educational and medical services. Social work agencies have hesitated, uncertain about the researchers and their methods, and fearful of the outcome. But it is desirable that they incorporate the views of consumer groups because client opinion is one way of checking the effectiveness of their work.The practice of social work requires the application of knowledge derived from a variety of sources and academic disciplines. It is frequently difficult to relate conflicting evidence and diverse theories about human behavior for use in day-to- day work with acutely troubled and deprived people. It points to the need for more extensive studies of both consumers and suppliers of social work services because it raises many pertinent questions. In Client and Agency clients of a Family Welfare Association discuss the kind of help they expect to receive, their impressions of the social worker and the treatment process, and the ways they felt they were helped or not helped.

In 1974, a group of determined, young high school actors started doing plays under the name of Steppenwolf Theatre Company, eventually taking residence in the basement of a church in Highland Park, a suburb of Chicago. Thus began their unlikely journey to become one of the most prominent theatre companies in the world.Steppenwolf Theatre Company has changed the face of American Theatre with its innovative approach that blends dynamic ensemble performance, honest, straightforward acting, and bold, thought-provoking stories to create compelling theatre.This is the first book to chronicle this iconic theatre company, offering an account of its early years and development, its work, and the methodologies that have made it one of the most influential ensemble theatres today.Through extensive, in-depth interviews conducted by the author with ensemble members, this book reveals the story of Steppenwolf's miraculous rise from basement to Broadway and beyond. Interviewees include co-founders Jeff Perry, Gary Sinise and Terry Kinney, along a myriad of ensemble, staff, board members and others.