John O'Hara – författare

'For all its excellence as a social panorama and a sketch of a marriage, it is as a picture of a man destroyed by drink and pride that Appointment in Samarra lives frighteningly in the mind' John UpdikeJulian English prides himself a member of his hometown’s social elite, but from the moment he throws a cocktail in the face of a powerful business associate his life spirals out of control, taking his loving but troubled marriage with it. Following English’s rapid decline and fall, Appointment in Samarra is a fast-paced and blackly comic portrait of 1930s America. O’Hara’s debut novel introduced a prolific new voice to a generation and still stands as one of the great works of American fiction.

‘More than any other American novelist, O'Hara has both reflected his times and captured the unique individual for generations to come’ LA Times'On this Sunday morning in May, this girl who was later to be the cause of a sensation in New York awoke much too early for her night before'This particular morning Gloria finds herself alone in a stranger's apartment with nothing but a torn evening dress and her stockings and underwear. When she takes a fur coat from the wardrobe to wear home, she sets in train a series of events that will lead to tragedy. A bestseller on its first publication, BUtterfield 8 is the glittering story of a 1930s glamour girl whose ill-starred entanglement with a respectable married man is set against a backdrop of Manhattan bars and bedrooms.

'O'Hara is the only American writer to whom America presents itself as a social scene in the way it once presented itself to Henry James, or France to Proust' The New York TimesWhen the beautiful, imperious and moneyed Grace Caldwell Tate wants something she goes after it, men included. Her affair scandalises Pennsylvania's elite and she must face the costs to her marriage and the man she really loves.A bestseller on publication in 1949, A Rage to Live is a candid tale of idealists and libertines, tradesmen and crusaders, men of violence and goodwill, and women of fierce strength and tenderness.

Collected for the first time, the New York stories of John O''Hara, "among the greatest short story writers in English, or in any other language" (Brendan Gill, Here at The New Yorker) Collected for the first time, here are the New York stories of one of the twentieth century’s definitive chroniclers of the city—the speakeasies and highballs, social climbers and cinema stars, mistresses and powerbrokers, unsparingly observed by a popular American master of realism. Spanning his four-decade career, these more than thirty refreshingly frank, sparely written stories are among John O’Hara’s finest work, exploring the materialist aspirations and sexual exploits of flawed, prodigally human characters and showcasing the snappy dialogue, telling details and ironic narrative twists that made him the most-published short story writer in the history of the New Yorker.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.From the Trade Paperback edition.

The National Book Award–winning novel by the writer whom Fran Lebowitz called “the real F. Scott Fitzgerald”Joe Chapin led a storybook life. A successful small-town lawyer with a beautiful wife, two over-achieving children, and aspirations to be president, he seemed to have it all. But as his daughter looks back on his life, a different man emerges: one in conflict with his ambitious and shrewish wife, terrified that the misdeeds of his children will dash his political dreams, and in love with a model half his age. With black wit and penetrating insight, Ten North Frederick stands with Richard Yates’ Revolutionary Road, Evan S. Connell’s Mr. Bridge and Mrs. Bridge, the stories of John Cheever, and Mad Men as a brilliant portrait of the personal and political hypocrisy of mid-century America.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.From the Trade Paperback edition.

For its 75th anniversary and Frank Sinatra’s centennial: the Jazz Age masterpiece that inspired the iconic Sinatra film and the hit Broadway musical, and featuring the musical’s libretto and lyrics   On the seedy side of Chicago nightlife in the 1930s, Joey Evans is a poor man’s Bing Crosby—a big-talking, small-time nightclub crooner down on his luck but always on the make. In slangy, error-littered letters signed “Pal Joey,” he recounts his exploits with brash nightclub managers, shady business partners, and every pretty girl (“mouse”) he meets. Charismatic yet conniving, Pal Joey is a smooth operator whose bravado and big ideas disguise a far less self-assured soul, caught up in the rags-to-riches dream of the Jazz Age.Originally serialized in The New Yorker and the inspiration for the 1940 Rodgers and Hart musical of the same name and the 1957 film starring Frank Sinatra, Kim Novak, and Rita Hayworth, Pal Joey is the story of a true “heel,” as complex and memorable as any antihero in American literature.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

‘More than any other American novelist, O'Hara has both reflected his times and captured the unique individual for generations to come’ LA Times'On this Sunday morning in May, this girl who was later to be the cause of a sensation in New York awoke much too early for her night before'This particular morning Gloria finds herself alone in a stranger's apartment with nothing but a torn evening dress and her stockings and underwear. When she takes a fur coat from the wardrobe to wear home, she sets in train a series of events that will lead to tragedy. A bestseller on its first publication, BUtterfield 8 is the glittering story of a 1930s glamour girl whose ill-starred entanglement with a respectable married man is set against a backdrop of Manhattan bars and bedrooms.

'O'Hara is the only American writer to whom America presents itself as a social scene in the way it once presented itself to Henry James, or France to Proust' The New York TimesWhen the beautiful, imperious and moneyed Grace Caldwell Tate wants something she goes after it, men included. Her affair scandalises Pennsylvania's elite and she must face the costs to her marriage and the man she really loves.A bestseller on publication in 1949, A Rage to Live is a candid tale of idealists and libertines, tradesmen and crusaders, men of violence and goodwill, and women of fierce strength and tenderness.

'This is fiction, but it has, for me, the clang of truth' John UpdikeWITH AN INTRODUCTION BY E. L. DOCTOROWJohn O’Hara is widely credited with inventing the New Yorker short story, and remains the most-published short story writer in the history of the magazine. Selected from his vast collection of short fiction written over forty years, these refreshingly frank, sparely written stories show him at his best. Exposing a world of bartenders and 'b-girls', car washers and criminals, O'Hara dissects the subtleties that bind humans together and the pressures that separate them.

‘Superb... These thirty-two stories inhabit the Technicolor vernaculars of taxi drivers, barbers, paper pushers and society matrons... O'Hara was American fiction's greatest eavesdropper, recording the everyday speech and tone of all strata of mid-century society’ Wall Street JournalJohn O'Hara remains the great chronicler of American society, and nowhere are his powers more evident than in his portraits of New York's so-called Golden Age. Unsparingly observed, brilliantly cutting and always on the tragic edge of epiphany, the stories collected here are among O’Hara’s finest work, and show why he still stands as the most-published short story writer in the history of the New Yorker.

‘Superb... These thirty-two stories inhabit the Technicolor vernaculars of taxi drivers, barbers, paper pushers and society matrons... O'Hara was American fiction's greatest eavesdropper, recording the everyday speech and tone of all strata of mid-century society’ Wall Street JournalJohn O'Hara remains the great chronicler of American society, and nowhere are his powers more evident than in his portraits of New York's so-called Golden Age. Unsparingly observed, brilliantly cutting and always on the tragic edge of epiphany, the stories collected here are among O’Hara’s finest work, and show why he still stands as the most-published short story writer in the history of the New Yorker.

Un domingo por la mañana, la joven Gloria Wandrous se levanta con una resaca espantosa en el apartamento de un hombre al que conoció la noche anterior. Apenas recuerda nada de la víspera, y su vestido está violentamente rasgado. Cuando decide llevarse el abrigo de visón de la mujer de su amante, se desencadenan toda una serie de funestos acontecimientos que acabarán en tragedia.Inspirada en hechos reales —la muerte en extrañas circunstancias de la socialité Starr Faithfull—, esta novela causó un enorme revuelo cuando se publicó en 1935 por la descarnada descripción de la desinhibida y libérrima sexualidad de sus personajes.BUtterfield 8, título original de la obra, que hace referencia al código telefónico de la época y que remite al Upper East Side de Nueva York, está considerada una de las mejores novelas sobre la Depresión económica que sobrevino tras el Crac de 1929. Su adaptación cinematográfica le valdría el primer Oscar de su carrera a Elizabeth Taylor, que interpretó a Gloria Wandrous en el film de Daniel Mann de 1960 estrenado en España como Una mujer marcada.

Por primera vez en castellano, esta antología reúne algunos de los mejores relatos de John O'Hara. "Hijo" de Hemingway y Fitzgerald, y precursor de Salinger, Updike o Carver, O'Hara escribió más cuentos que nadie para la prestigiosa revista The New Yorker y es uno de los maestros de la narrativa breve norteamericana. Sus diálogos forma privilegiada del vehículo de sus cuentos y el resultado de un oído finísimo se encuentran entre los mejores del género. Dotado de una hiriente sensibilidad para captar la asfixiante estratificación social americana, dio vida a un fresco de personajes portentoso, entre los que destacan sus retratos femeninos. Escritor prolífico como pocos, empapó sus páginas de alcohol, sexo y dinero sus temas predilectos y recurrentes, y como Faulkner o Sherwood Anderson, convirtió su localidad natal en el sustrato de muchas de sus ficciones. Su aproximación elíptica al tema y sus finales estremecedoramente ambiguos suponen un hito del relato moderno.

De los casi cuatrocientos cuentos que el prolífico John OHara escribió en vida, y de los que esta editorial publicó veinticinco en la antología La chica de California y otros relatos, el autor de Pottsville, Pensilvania, optó en diversas ocasiones a lo largo de su obra por el género de la novella: relatos largos, que abarcan un periodo de tiempo generalmente superior al de un cuento, aunque inferior al de una novela, y que incluyen diversas subtramas y personajes.Este volumen recupera dos novellas portentosas que hasta ahora permanecían inéditas en castellano: Natica Jackson, publicada originalmente en 1966 en su colección de cuentos Waiting for Winter, es un sobrecogedor retrato del holl de los años treinta y de la vida ligera de sus estrellas, que, a partir de un encuentro azaroso, desencadenará una tragedia griega. El segundo, A noventa minutos de aquí, que apareció en el compendio de 1963 The Hat on the Bed, es un triángulo amoroso fascinante entre el protagonista un trasunto del propio O'Hara en su etapa como reportero de diarios de provincias, una jovencísima prostituta y la hija de un célebre periodista. En ambas novellas, O'Hara da rienda suelta a su técnica predilecta el diálogo, del que fue un maestro indiscutible, y da vida a dos de los mejores personajes femeninos de su obra.

'This is fiction, but it has, for me, the clang of truth' John UpdikeWITH AN INTRODUCTION BY E. L. DOCTOROWJohn O’Hara is widely credited with inventing the New Yorker short story, and remains the most-published short story writer in the history of the magazine. Selected from his vast collection of short fiction written over forty years, these refreshingly frank, sparely written stories show him at his best. Exposing a world of bartenders and 'b-girls', car washers and criminals, O'Hara dissects the subtleties that bind humans together and the pressures that separate them.