John Phillips – författare

Were it not for the Marquis de Sade''s explicit use of language and complete disregard for the artificially constructed taboos of a religious morality he despised, the novelty and profundity of his thought, and above all, its fundamental modernity, would have long since secured him a place alongside the greatest authors and thinkers of the European Enlightenment. This Very Short Introduction aims to disentangle the ''real'' Marquis de Sade from his mythical and demonic reputation of the past two hundred years. Phillips examines Sade''s life and work: his libertine novels, his championing of atheism, and his uniqueness in bringing the body and sex back into philosophy. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Were it not for the Marquis de Sade''s explicit use of language and complete disregard for the artificially constructed taboos of a religious morality he despised, the novelty and profundity of his thought, and above all, its fundamental modernity, would have long since secured him a place alongside the greatest authors and thinkers of the European Enlightenment. This Very Short Introduction aims to disentangle the ''real'' Marquis de Sade from his mythical and demonic reputation of the past two hundred years. Phillips examines Sade''s life and work: his libertine novels, his championing of atheism, and his uniqueness in bringing the body and sex back into philosophy. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Were it not for the Marquis de Sade's explicit use of language and complete disregard for the artificially constructed taboos of a religious morality he despised, the novelty and profundity of his thought, and above all, its fundamental modernity, would have long since secured him a place alongside the greatest authors and thinkers of the European Enlightenment. This Very Short Introduction aims to disentangle the 'real' Marquis de Sade from his mythical and demonic reputation of the past two hundred years. Phillips examines Sade's life and work: his libertine novels, his championing of atheism, and his uniqueness in bringing the body and sex back into philosophy. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

With the invention of compressed air in the 1840s, human divers could enter previously inaccessible deep water environments and engineers could design underwater mines and monumental bridges that had never been possible before. But a painful, sometimes fatal illness—decompression sickness, or the bends—mysteriously afflicted many of those who used compressed air. This book is a wide-ranging history of the wonders compressed air brought about and the suffering its unknown hazards inflicted. John L. Phillips explores the intertwining roles of science, technology, engineering, medicine, and politics in the invention of compressed air, the recognition and identification of decompression sickness, and the hundred-year-long process of learning to understand and treat the bends.The book begins with an overview of the biology and chemistry of respiration and a discussion of the steam engine that could generate compressed air. Drawing on previously unpublished letters, diaries, and notes, Phillips tells the story of early uses of compressed air, first observations of decompression sickness, growing awareness of the bends during construction of the Brooklyn Bridge, and efforts to understand the pathophysiology of the illness. He then considers employee health and safety issues, the science of diving today, and human limits to exploring the ocean deeps. In the history of compressed air and its illnesses, Phillips finds important lessons for dealing with other diseases yet to be confronted in the modern world.

How Algeria became a breeding ground for instability, violence, and Islamic terrorismAfter liberating itself from French colonial rule in one of the twentieth century’s most brutal wars of independence, Algeria became a standard-bearer for the non-aligned movement. By the 1990s, however, its revolutionary political model had collapsed, degenerating into a savage conflict between the military and Islamist guerillas that killed some 200,000 citizens. In this lucid and gripping account, Martin Evans and John Phillips explore Algeria’s recent and very bloody history, demonstrating how the high hopes of independence turned into anger as young Algerians grew increasingly alienated. Unemployed, frustrated by the corrupt military regime, and excluded by the West, the post-independence generation needed new heroes, and some found them in Osama bin Laden and the rising Islamist movement. Evans and Phillips trace the complex roots of this alienation, arguing that Algeria’s predicament—political instability, pressing economic and social problems, bad governance, a disenfranchised youth—is emblematic of an arc of insecurity stretching from Morocco to Indonesia. Looking back at the pre-colonial and colonial periods, they place Algeria’s complex present into historical context, demonstrating how successive governments have manipulated the past for their own ends. The result is a fractured society with a complicated and bitter relationship with the Western powers—and an increasing tendency to export terrorism to France, America, and beyond.

Approaching the writing of major intellectuals, artists, and philosophers need no longer be daunting. How to Read is a new sort of introduction--a personal master class in reading--that brings you face to face with the work of some of the most influential and challenging writers in history. In lucid, accessible language, these books explain essential topics such as the historical context that frames de Sade's daring philosophy.John Phillips introduces the Marquis de Sade's highly original and thoroughly subversive depiction of human sexuality, and the philosophical and political thinking that underpins it. He shows how, though Sade's work continues to shock, it can also be seen as the logical conclusion of eighteenth-century materialism. As the only writer of his time who dared to put the body at the center of philosophy, Sade has a unique place in the history of modern thought.Extracts are taken from the entire range of Sade's literary, philosophical, and personal writings, including The 120 Days of Sodom, Philosophy in the Boudoir, Justine, Juliette, and his Last Will and Testament.

Kleinian psychoanalysis has recently experienced a renaissance in academic and clinical circles. Reading Melanie Klein responds to the upsurge of interest in her work by bringing together the most innovative and challenging essays on Kleinian thought from the last two decades. The book features material which appears here for the first time in English, and several newly written chapters.Reading Melaine Klein recontextualizes Klein to the more well-known works of Freud and Lacan and disproves the long-held claim that her psychoanalysis is both too normative and too conservative for critical consideration. The essays address Klein's distinctive readings of the unconscious and phantasy, her tenacious commitment to the death drive, her fecund notions of anxiety, projection and projective identification and, most famously, her challenge to Freud's Oedipus complex and theories of sexual difference. The authors demonstrate that not only is it possible to rethink the epistemological basis of Kleinian theory, rendering it as vital as those of Freud and Lacan, but also that her psychoanalysis can engage in powerful and productive dialogue with diverse disciplines such as politics, ethics and literary theory.This timely collection is an invaluable addition to the scholarship on Melaine Kein and catalyst for further debate not only within the psychoanalytic community but also across social, critical and cultural studies.

Kleinian psychoanalysis has recently experienced a renaissance in academic and clinical circles. Reading Melanie Klein responds to the upsurge of interest in her work by bringing together the most innovative and challenging essays on Kleinian thought from the last two decades. The book features material which appears here for the first time in English, and several newly written chapters.Reading Melaine Klein recontextualizes Klein to the more well-known works of Freud and Lacan and disproves the long-held claim that her psychoanalysis is both too normative and too conservative for critical consideration. The essays address Klein's distinctive readings of the unconscious and phantasy, her tenacious commitment to the death drive, her fecund notions of anxiety, projection and projective identification and, most famously, her challenge to Freud's Oedipus complex and theories of sexual difference. The authors demonstrate that not only is it possible to rethink the epistemological basis of Kleinian theory, rendering it as vital as those of Freud and Lacan, but also that her psychoanalysis can engage in powerful and productive dialogue with diverse disciplines such as politics, ethics and literary theory.This timely collection is an invaluable addition to the scholarship on Melaine Kein and catalyst for further debate not only within the psychoanalytic community but also across social, critical and cultural studies.

This book addresses issues of space, historicity, architecture and textuality by focusing on Singapore's singular position in the region and as a global city. The articles consider how various experiences of Singapore, both from within and from outside, help to complicate existing assumptions about global urbanism, postcolonialism, and architectural theory while producing challenging new ideas from a variety of disciplines concerned with how space, historicity, architecture and textuality inform one another.

A common assumption about cities throughout the world is tht they are essentially an elaboration of the Euro-American model. Postcolonial Urbanism demonstrates the narrowness of this vision. Cities in the postcolonial world, the book shows, are producing novel forms of urbanism not reducible to Western urbanism. Despite being heavily colonized in the past, Southeast Asia has been largely ignored in discussions about postcolonial theory and in general considerations of global urbanism. An international cast of contributors focuses on the heavily urbanized world region of Southeast Asia to investigate the novel forms of urbanism germinating in postcolonial settings such as Indonesia, Thailand, Singapore, Hanoi, and the Philippines. Offering a mix of theoretical perspectives and empirical accounts, Postcolonial Urbanism presents a panoramic view of the cultures, societies, and politics of the postcolonial city.

A common assumption about cities throughout the world is tht they are essentially an elaboration of the Euro-American model. Postcolonial Urbanism demonstrates the narrowness of this vision. Cities in the postcolonial world, the book shows, are producing novel forms of urbanism not reducible to Western urbanism. Despite being heavily colonized in the past, Southeast Asia has been largely ignored in discussions about postcolonial theory and in general considerations of global urbanism. An international cast of contributors focuses on the heavily urbanized world region of Southeast Asia to investigate the novel forms of urbanism germinating in postcolonial settings such as Indonesia, Thailand, Singapore, Hanoi, and the Philippines. Offering a mix of theoretical perspectives and empirical accounts, Postcolonial Urbanism presents a panoramic view of the cultures, societies, and politics of the postcolonial city.

The third edition of this coursebook has been comprehensively updated to cover the Integrated Science syllabus, first examined in 2011. This is the third edition of our previously titled CXC Integrated Science. The content has been comprehensively updated to cover the Caribbean Examination Council's Integrated Science syllabus, first examined in 2011. Comprehensively covering the CSEC® syllabus requirements, this full-colour edition contains carefully controlled language to make the text accessible for a wide ability range; a variety of activities and examples with specific relevance to the Caribbean. New or improved features include photocopiable worksheets for over 30 SBA practicals; interesting facts in 'Did you know?' features and a free CD-ROM, with questions, animations, selected answers for students, and teacher's notes.

Yo, what's up, Fuzznut? Sing along with the viral TikTok song Bad Hair Day in this riotous journey through the world's worst bad hair day EVER! You won't be able to stop laughing, or dancing, along to this extraordinary tale. Have you ever woken up with hair that looks like the back end of a chicken? Well, let our hilarious chicken sidekick lead you through the WORST bad hair day, from hair that turns GREEN, to dreaded SCHOOL PHOTOS!Both hilarious and heart-warming, Bad Hair Day pairs a story everyone can enjoy with the iconic 'Bad Hair Day' song lyrics and dance moves so that you can either read, dance or sing along with this only too relatable tale! You can even scan the QR code on the back to sing and dance along with the accompanying lyric video. Mousse ain't stickin', water ain't slickin',It looks like a feather from the back end of a chicken.I ain't gonna use no silly hair spray… I’m havin' such a bad hair day.Authored by the Bad Hair Day song creator and New Zealand primary school teacher, John Phillips, and humorously brought to life with Jennifer Jamieson's quirky illustrations, this is an endlessly entertaining picture book to be enjoyed by children and adults alike!Full of whacky hair-dos, silliness, chickens and ultimately a message of joyful inclusivity, Bad Hair Day is the perfect picture book adventure. Is having a bad hair day really the worst thing in the world?

This book analyses the operation of current state-of-the-art military technology and the experimental art, music and writing of the late nineteenth and early twentieth century. Modernist aesthetics renders clearer the operations of the vast surveillance and killing machines of the twentieth and twenty-first centuries. A basic aim of visual technologies is to collapse the sphere of perception with that of the perceived object. Modernist aesthetics, working the same terrain, shows that there always remains an irreducible element of time and space. Military technology tends towards the impossible goal of eliminating this dimension, while modernist aesthetics exploits it. Placing military operations alongside modernist aesthetics reveals the civic sphere suspended between two incompatible desires.Through close readings of the art and writing of Djuna Barnes, Joseph Conrad, Marcel Duchamp, James Joyce, Mina Loy, Stephane Mallarme, the Italian Futurists and H. G. Wells alongside the Apache attack helicopters, Network-Centric Warfare, satellites, decoys, sirens and radios, the chapters address issues such as: targetting, surveillance, visibility and the invisible, broadcast and media, the military body, diasporas, geopolitics and beauty.Key Features:* An important contribution to the increasingly important interdisciplinary field of war studies * Provides original and 'groundbreaking' readings of modernist art, literature, music, poetics and aesthetics* Gives a valuable and provocative reading of the avant-garde* Contributes to a new understanding of both military technics and modernist aesthetics

Examines the tensions between the aims of military technology and modernist aesthetics in relation to perception.A basic aim of visual technologies is to collapse perception with the perceived object. Modernist aesthetics shows that an irreducible element of time and space always remains. Military technology tends towards the impossible goal of eliminating this dimension; modernist aesthetics exploits it. Placing military operations alongside modernist aesthetics reveals the civic sphere suspended between two incompatible desires.Reading the art and writing of Djuna Barnes, Joseph Conrad, Marcel Duchamp, James Joyce, Mina Loy, Stephane Mallarme, the Italian Futurists and H. G. Wells against Apache attack helicopters, Network-Centric Warfare, satellites, decoys, sirens and radios, this book addresses issues such as targeting, surveillance, visibility and the invisible, broadcast and media, the military body, diasporas, geopolitics and beauty.Key Features• An important contribution to the increasingly important interdisciplinary field of war studies• Original and 'groundbreaking' readings of modernist art, literature, music, poetics and aesthetics• A valuable and provocative new reading of the avant-garde• Contributes to a new understanding of both military technics and modernist aesthetics