John R. Hall – författare

A comparative analysis of both secular and religious communal groups in contemporary America, this study, originally published in 1978, shows that contemporary communalists stand in relation to collectivism much the same as early Protestants stood in relation to individualism – as the self-proclaimed pioneers of the new age. There is great diversity among communal groups, a diversity which is found to stem from alternative orientations towards time and alternative assumptions about the cognitive status of the social world.The author has made use of a phenomenologically derived typological framework to organize the data he has obtained through living in and visiting a number of communal groups. Within this framework, Alfred Schutz’s ‘mundane’ phenomenology and Max Weber’s interpretive sociology are employed as ways of approaching the situated sociology of knowledge in various communal groups.Six ideal types of communal groups are described: the commune, the intentional association, the community, the warring sect, the other-worldly sect and the ecstatic association. Two of these types – the intentional association and the community – are identified as participants’ efforts to demonstrate ‘worldly utopian’ models for the reconstruction of society at large.

A comparative analysis of both secular and religious communal groups in contemporary America, this study, originally published in 1978, shows that contemporary communalists stand in relation to collectivism much the same as early Protestants stood in relation to individualism – as the self-proclaimed pioneers of the new age. There is great diversity among communal groups, a diversity which is found to stem from alternative orientations towards time and alternative assumptions about the cognitive status of the social world.The author has made use of a phenomenologically derived typological framework to organize the data he has obtained through living in and visiting a number of communal groups. Within this framework, Alfred Schutz’s ‘mundane’ phenomenology and Max Weber’s interpretive sociology are employed as ways of approaching the situated sociology of knowledge in various communal groups.Six ideal types of communal groups are described: the commune, the intentional association, the community, the warring sect, the other-worldly sect and the ecstatic association. Two of these types – the intentional association and the community – are identified as participants’ efforts to demonstrate ‘worldly utopian’ models for the reconstruction of society at large.

The thoroughly revised and updated second edition of the Routledge Handbook of Cultural Sociology provides an unparalleled overview of sociological and related scholarship on the complex relations of culture to social structures and everyday life. With 70 essays written by scholars from around the world, the book brings diverse approaches into dialogue, charting new pathways for understanding culture in our global era.Short, accessible chapters by contributing authors address classic questions, emergent issues, and new scholarship on topics ranging from cultural and social theory to politics and the state, social stratification, identity, community, aesthetics, and social and cultural movements. In addition, contributors explore developments central to the constitution and reproduction of culture, such as power, technology, and the organization of work.This handbook is essential reading for undergraduate and postgraduate students interested in a wide range of subfields within sociology, as well as cultural studies, media and communication, and postcolonial theory.

Apocalypse Observed is about religious violence. By analyzing five of the most notorious cults of recent years, the authors present a fascinating and revealing account of religious sects and conflict. Cults covered include:* the apocalypse at Jonestown* the Branch Davidians at Waco* the violent path of Aum Shinrikyo* the mystical apocalypse of the Solar Temple* the mass suicide of Heaven's Gate.Through comparative case studies and in-depth analysis, the authors show how religious violence can erupt not simply from the beliefs of the cult followers or the personalities of their leaders, but also from the way in which society responds to the cults in its midst.

Apocalypse Observed is about religious violence. By analyzing five of the most notorious cults of recent years, the authors present a fascinating and revealing account of religious sects and conflict. Cults covered include:* the apocalypse at Jonestown* the Branch Davidians at Waco* the violent path of Aum Shinrikyo* the mystical apocalypse of the Solar Temple* the mass suicide of Heaven's Gate.Through comparative case studies and in-depth analysis, the authors show how religious violence can erupt not simply from the beliefs of the cult followers or the personalities of their leaders, but also from the way in which society responds to the cults in its midst.

Culture has become a touchstone of interdisciplinary conversation. For readers interested in sociology, the social sciences and the humanities, this book maps major classical and contemporary analyses and cultural controversies in relation to social processes, everyday life, and axes of ordering and difference - such as race, class and gender. Hall, Neitz, and Battani discuss:self and identitystratificationthe Otherthe cultural histories of modernity and postmodernityproduction of culturethe problem of the audienceaction, social movements, and change. The authors advocate cultivating the sociological imagination by engaging myriad languages and perspectives of the social sciences and humanities, while cultivating cultural studies by developing the sociological imagination. Paying little respect to boundaries, and incorporating fascinating examples, this book draws on diverse intellectual perspectives and a variety of topics from various historical periods and regions of the world.

Culture has become a touchstone of interdisciplinary conversation. For readers interested in sociology, the social sciences and the humanities, this book maps major classical and contemporary analyses and cultural controversies in relation to social processes, everyday life, and axes of ordering and difference - such as race, class and gender. Hall, Neitz, and Battani discuss:self and identitystratificationthe Otherthe cultural histories of modernity and postmodernityproduction of culturethe problem of the audienceaction, social movements, and change. The authors advocate cultivating the sociological imagination by engaging myriad languages and perspectives of the social sciences and humanities, while cultivating cultural studies by developing the sociological imagination. Paying little respect to boundaries, and incorporating fascinating examples, this book draws on diverse intellectual perspectives and a variety of topics from various historical periods and regions of the world.

As many observers have noted, the world is becoming increasingly visually mediated, with the rise of computers and the internet being central factors in the emergence of new tools and conventions. Exploring the social structure of visuality, this volume contains a collection of essays by internationally renowned artists and scholars from a variety of fields (including art history, literary theory and criticism, cultural studies, film and television studies, intellectual history and sociology). It was conceived to address a bold query: how is our experience and understanding of vision and visual form changing under pressure from the various social, economic and cultural factors that are linked under the term 'globalization'. The essays overlap in their considerations of the tensions between cultures and worlds, political life, everyday social experience, and war. The resulting conversation that develops between the chapters touches on points from many visual worlds, and provides a unique opportunity for considering the changing character of visual experience today. This book will attract readers from a wide range of academic disciplines and will especially be valuable as a textbook for graduate and undergraduate courses in visual culture and cultural studies.

The Handbook of Cultural Sociology provides a comprehensive overview of contemporary scholarship in sociology and related disciplines focused on the complex relations of culture to social structures and everyday life. With sixty-five essays written by scholars from around the world, the book draws diverse approaches to cultural sociology into a dialogue that charts new pathways for research on culture in a global era.Contributing scholars address vital concerns that relate to classic questions as well as emergent issues in the study of culture. Topics include cultural and social theory, politics and the state, social stratification, community, aesthetics, lifestyle, and identity. In addition, the authors explore developments central to the constitution and reproduction of culture, such as power, technology, and the organization of work.This book is essential reading for undergraduate and postgraduate students interested in diverse subfields within Sociology, as well as Cultural Studies, Media and Communication, and Postcolonial Theory.

As many observers have noted, the world is becoming increasingly visually mediated, with the rise of computers and the internet being central factors in the emergence of new tools and conventions. Exploring the social structure of visuality, this volume contains a collection of essays by internationally renowned artists and scholars from a variety of fields (including art history, literary theory and criticism, cultural studies, film and television studies, intellectual history and sociology). It was conceived to address a bold query: how is our experience and understanding of vision and visual form changing under pressure from the various social, economic and cultural factors that are linked under the term 'globalization'. The essays overlap in their considerations of the tensions between cultures and worlds, political life, everyday social experience, and war. The resulting conversation that develops between the chapters touches on points from many visual worlds, and provides a unique opportunity for considering the changing character of visual experience today. This book will attract readers from a wide range of academic disciplines and will especially be valuable as a textbook for graduate and undergraduate courses in visual culture and cultural studies.

Cultures of Inquiry provides an overview of research methodologies in social science, historical and cultural studies. Facing Kant's proposition that pure reason cannot contain social inquiry, John R. Hall uses a method of hermeneutic deconstruction to produce a 'critique of impure reason', thereby charting a 'third path' to knowledge. Inquiries conventionally allocated to science or interpretation, modern or postmodern, he argues, depend upon interconnected methodologies that transcend present-day disciplinary and interdisciplinary boundaries. He identifies four formative discourses and eight methodological practices of inquiry, and explores new possibilities for translation between different types of knowledge. Cultures of Inquiry neither exoticizes academic subcultures nor essentializes Culture as the spirit of academe. Instead, it addresses workaday issues of research via a sociology of knowledge that speaks to controversies concerning how inquiry is and ought to be practiced under conditions of epistemological disjuncture.

Cultures of Inquiry provides an overview of research methodologies in social science, historical and cultural studies. Facing Kant's proposition that pure reason cannot contain social inquiry, John R. Hall uses a method of hermeneutic deconstruction to produce a 'critique of impure reason', thereby charting a 'third path' to knowledge. Inquiries conventionally allocated to science or interpretation, modern or postmodern, he argues, depend upon interconnected methodologies that transcend present-day disciplinary and interdisciplinary boundaries. He identifies four formative discourses and eight methodological practices of inquiry, and explores new possibilities for translation between different types of knowledge. Cultures of Inquiry neither exoticizes academic subcultures nor essentializes Culture as the spirit of academe. Instead, it addresses workaday issues of research via a sociology of knowledge that speaks to controversies concerning how inquiry is and ought to be practiced under conditions of epistemological disjuncture.

Winner of the American Sociological Association's 'Distinguished Book Award' in the Religion category. For most of us, “Apocalypse” suggests the cataclysmic end of the world. Yet in Greek “apocalypse” means “revelation,” and the real subject of the Book of Revelation is how the sacred arises in history at a moment of crisis and destiny. With origins in ancient religions, the apocalyptic has been a transformative force from the time of the Crusades, through the Reformation, the French Revolution and modern communism, all the way to the present day “Islamic Jihad” and “War on Terror.” In Apocalypse, John R. Hall explores the significance of apocalyptic movements and the role they have played in the rise of the West and “The Empire of Modernity.” This brilliant cross-disciplinary study offers a novel basis for rethinking our social order and its ambivalent relations to sacred history. Apocalypse will attract general readers seeking new understandings of the world in challenging times. Scholars and students will find a compelling synthesis that draws them into conversation with others interested in religion, theology, culture, philosophy, and phenomenology, as well as sociology, social theory, western civilization, and world history.

Winner of the American Sociological Association's 'Distinguished Book Award' in the Religion category. For most of us, "Apocalypse" suggests the cataclysmic end of the world. Yet in Greek "apocalypse" means "revelation," and the real subject of the Book of Revelation is how the sacred arises in history at a moment of crisis and destiny. With origins in ancient religions, the apocalyptic has been a transformative force from the time of the Crusades, through the Reformation, the French Revolution and modern communism, all the way to the present day "Islamic Jihad" and "War on Terror." In Apocalypse, John R. Hall explores the significance of apocalyptic movements and the role they have played in the rise of the West and "The Empire of Modernity."This brilliant cross-disciplinary study offers a novel basis for rethinking our social order and its ambivalent relations to sacred history. Apocalypse will attract general readers seeking new understandings of the world in challenging times. Scholars and students will find a compelling synthesis that draws them into conversation with others interested in religion, theology, culture, philosophy, and phenomenology, as well as sociology, social theory, western civilization, and world history.

In this superb cultural history, John R. Hall presents a reasoned analysis of the meaning of Jonestown--why it happened and how it is tied to our history as a nation, our ideals, our practices, and the tension of modern culture. Hall deflates the myths of Jonestown by exploring how much of what transpired was unique to the group and its leader and how much can be explained by reference to wider social processes.

The twelve essays in this volume propose new directions in the analysis of class. John R. Hall argues that recent historical and intellectual developments require reworking basic assumptions about classes and their dynamics. The contributors effectively abandon the notion of a transcendent class struggle. They seek instead to understand the historically contingent ways in which economic interests are pursued under institutionally, socially, and culturally structured circumstances.In his introduction, Hall proposes a neo-Weberian venue intended to bring the most promising contemporary approaches to class analysis into productive exchange with one another. Some of the chapters that follow rework how classes are conceptualized. Others offer historical and sociological reflections on questions of class identity. A third cluster focuses on the politics of class mobilizations and social movements in contexts of national and global economic change.

The twelve essays in this volume propose new directions in the analysis of class. John R. Hall argues that recent historical and intellectual developments require reworking basic assumptions about classes and their dynamics. The contributors effectively abandon the notion of a transcendent class struggle. They seek instead to understand the historically contingent ways in which economic interests are pursued under institutionally, socially, and culturally structured circumstances.In his introduction, Hall proposes a neo-Weberian venue intended to bring the most promising contemporary approaches to class analysis into productive exchange with one another. Some of the chapters that follow rework how classes are conceptualized. Others offer historical and sociological reflections on questions of class identity. A third cluster focuses on the politics of class mobilizations and social movements in contexts of national and global economic change.

The thoroughly revised and updated second edition of the Routledge Handbook of Cultural Sociology provides an unparalleled overview of sociological and related scholarship on the complex relations of culture to social structures and everyday life. With 70 essays written by scholars from around the world, the book brings diverse approaches into dialogue, charting new pathways for understanding culture in our global era.Short, accessible chapters by contributing authors address classic questions, emergent issues, and new scholarship on topics ranging from cultural and social theory to politics and the state, social stratification, identity, community, aesthetics, and social and cultural movements. In addition, contributors explore developments central to the constitution and reproduction of culture, such as power, technology, and the organization of work.This handbook is essential reading for undergraduate and postgraduate students interested in a wide range of subfields within sociology, as well as cultural studies, media and communication, and postcolonial theory.

In this superb cultural history, John R. Hall presents a reasoned analysis of the meaning of Jonestown--why it happened and how it is tied to our history as a nation, our ideals, our practices, and the tension of modern culture. Hall deflates the myths of Jonestown by exploring how much of what transpired was unique to the group and its leader and how much can be explained by reference to wider social processes.