John Renard – författare

Seven Doors to Islam reveals the religious worldview and spiritual tradition of the world's one billion Muslims. Spanning the breadth of Islamic civilization from Morocco to Indonesia, this book demonstrates how Muslims have used the literary and visual arts in all their richness and diversity to communicate religious values. Each of the seven chapters opens a "door" that leads progressively closer to the very heart of Islam, from the foundational revelation in the Qur'an to the transcendent experience of the Sufi mystics. However, unlike most studies of Islam, which see spirituality as the concern of a minority of mystical seekers, Seven Doors demonstrates its central role in every aspect of the Islamic tradition.

Over the centuries and across the globe, Muslim authors and artists have given moving testimony to their experience of being members of the Islamic community. Their many vantage points come together in this collection, one that represents major Islamic groups from the past through the present and covers a range of themes essential to understanding Islamic spirituality and religious life. More than thirty leading Islam scholars present translations originating from a dozen languages, including Arabic, Persian, Chinese, and Indonesian. Texts include samples of virtually every major literary form of significance to the Muslim faith: the Qur'an, hadith, scriptural commentary, letters, treatises, lyric and didactic poetry, hagiography, historical chronicle, aphorism, endowment deeds, and personal diary entries. In addition, over five dozen illustrations thematically document a full range of artistic forms and historical periods, from ritual objects and architecture to manuscripts of religious texts. This volume and its companion, John Renard's 1996 book, "Seven Doors to Islam", are the only books available that integrate such a wide range of Islamic literary and visual forms.Together they offer a superb introduction to the primary religious sources as well as a general understanding of Islamic spirituality and culture.

Prophets, saints, martyrs, sages, and seers - one of the richest repositories of lore about such exemplary religious figures belongs to the world's approximately 1.3 billion Muslims. Illuminating some of the most delightful tales in world religious literature, this engaging book is the first truly global overview of Islamic hagiography. John Renard tells of the characters beyond the Qur'an and Hadith, whose stories of piety and service to God and humanity have captured hearts and minds for nearly fourteen hundred years.Renard's thematic approach to the major characters, narratives, social and cultural contexts, and theoretical concepts of this remarkable treasury of tales, based on material ranging from the eighth to the twentieth centuries and from countries ranging from Morocco to Malaysia, provides insight into the ways in which these stories have functioned in the lives of Muslims from diverse cultural, social, economic, and political backgrounds. The book also serves as a useful and evocative tool for approaching the vast geographical and chronological sweep of Islamic civilization.

In light of the widespread public perception of incompatibility between Islam and Christianity, this book provides a much-needed straightforward comparison of these two great faith traditions from a broad theological perspective. Award-winning scholar John Renard illuminates the similarities as well as the differences between Islam and Christianity through a clear exploration of four major dimensions - historical, creedal, institutional, and ethical and spiritual. Throughout, the book features comparisons between concrete elements such as creedal statements, prayer texts, and writings from major theologians and mystics. It also includes a glossary of technical theological terms. For western readers in particular, this balanced, authoritative work overturns some common stereotypes about Islam, especially those that have emerged in the decade since September 11, 2001.

One of the critical issues in interreligious relations today is the connection, both actual and perceived, between sacred sources and the justification of violent acts as divinely mandated. Fighting Words makes solid text-based scholarship accessible to the general public, beginning with the premise that a balanced approach to religious pluralism in our world must build on a measured, well-informed response to the increasingly publicized and sensationalized association of terrorism and large-scale violence with religion. In his introduction, Renard provides background on the major scriptures of seven religious traditions--Jewish, Christian (including both the Old and New Testaments), Islamic, Baha'i, Zoroastrian, Hindu, and Sikh. Eight chapters then explore the interpretation of select facets of these scriptures, focusing on those texts so often claimed, both historically and more recently, as inspiration and justification for every kind of violence, from individual assassination to mass murder. With its nuanced consideration of a complex topic, this book is not merely about the religious sanctioning of violence but also about diverse ways of reading sacred textual sources.

This remarkable collection gathers a breathtakingly diverse selection of primary texts from the vast repertoire of Islamic stories about holy men and women - also known as Friends of God - who were exemplary for their piety, intimacy with God, and service to their fellow human beings. Translated from seventeen languages by more than two dozen scholars of Islamic studies, these texts come from the Middle East, North and sub-Saharan Africa, Central and South Asia, and China and Southeast Asia. Historically, they begin with the eighth century and include samples from medieval, early modern, and modern Muslim societies. Expertly edited and introduced by John Renard, "Tales of God's Friends" serves as a companion volume to "Renard's Friends of God: Islamic Images of Piety, Commitment, and Servanthood".

In light of the widespread public perception of incompatibility between Islam and Christianity, this book provides a much-needed straightforward comparison of these two great faith traditions from a broad theological perspective. Award-winning scholar John Renard illuminates the similarities as well as the differences between Islam and Christianity through a clear exploration of four major dimensions - historical, creedal, institutional, and ethical and spiritual. Throughout, this book features comparisons between concrete elements such as creedal statements, prayer texts, and writings from major theologians and mystics. It also includes a glossary of technical theological terms. For western readers in particular, this balanced, authoritative work overturns some common stereotypes about Islam, especially those that have emerged in the decade since September 11, 2001.

One of the critical issues in interreligious relations today is the connection, both actual and perceived, between sacred sources and the justification of violent acts as divinely mandated. Fighting Words makes solid text-based scholarship accessible to the general public, beginning with the premise that a balanced approach to religious pluralism in our world must build on a measured, well-informed response to the increasingly publicized and sensationalized association of terrorism and large-scale violence with religion. In his introduction, Renard provides background on the major scriptures of seven religious traditions--Jewish, Christian (including both the Old and New Testaments), Islamic, Baha'i, Zoroastrian, Hindu, and Sikh. Eight chapters then explore the interpretation of select facets of these scriptures, focusing on those texts so often claimed, both historically and more recently, as inspiration and justification for every kind of violence, from individual assassination to mass murder. With its nuanced consideration of a complex topic, this book is not merely about the religious sanctioning of violence but also about diverse ways of reading sacred textual sources.

Comprised of primary sources assembled from a broad chronological and geographic spectrum, Islamic Theological Themes is a comprehensive anthology of primary Islamic sacred texts in translation. The volume includes rare and never before translated selections, all freshly situated and introduced with a view to opening doors into the larger world of Islamic life, belief, and culture. From pre-theological material on the scriptural end of the spectrum, to the more practical material at the other, John Renard broadens our concepts of what counts as "Islamic theology," situating Islamic theological literature within the context of the emerging sub-discipline of Relational/Comparative Theology. Divided into five parts, students and scholars will find this collection to be an indispensible tool.

Comprised of primary sources assembled from a broad chronological and geographic spectrum, Islamic Theological Themes is a comprehensive anthology of primary Islamic sacred texts in translation. The volume includes rare and never before translated selections, all freshly situated and introduced with a view to opening doors into the larger world of Islamic life, belief, and culture. From pre-theological material on the scriptural end of the spectrum, to the more practical material at the other, John Renard broadens our concepts of what counts as "Islamic theology," situating Islamic theological literature within the context of the emerging sub-discipline of Relational/Comparative Theology. Divided into five parts, students and scholars will find this collection to be an indispensible tool.

Arguably the single most important element in Abrahamic cross-confessional relations has been an ongoing mutual interest in perennial spiritual and ethical exemplars of one another’s communities. Ranging from Late Antiquity through the Middle Ages, Crossing Confessional Boundaries explores the complex roles played by saints, sages, and Friends of God in the communal and intercommunal lives of Christians, Muslims, and Jews across the Mediterranean world, from Spain and North Africa to the Middle East to the Balkans. By examining these stories in their broad institutional, social, and cultural contexts, Crossing Confessional Boundaries reveals unique theological insights into the interlocking histories of the Abrahamic faiths.

Arguably the single most important element in Abrahamic cross-confessional relations has been an ongoing mutual interest in perennial spiritual and ethical exemplars of one another’s communities. Ranging from Late Antiquity through the Middle Ages, Crossing Confessional Boundaries explores the complex roles played by saints, sages, and Friends of God in the communal and intercommunal lives of Christians, Muslims, and Jews across the Mediterranean world, from Spain and North Africa to the Middle East to the Balkans. By examining these stories in their broad institutional, social, and cultural contexts, Crossing Confessional Boundaries reveals unique theological insights into the interlocking histories of the Abrahamic faiths.

Looks at Rumi's insights into the meaning of the second half of the basic Muslim creed, namely, the nature and function of revelation through prophets.All the King's Falcons draws out Rumi's distinctive and creative insights into Islamic religious culture by focusing on his treatment of prophets as instruments in God's communication with humankind. But there is more to Rumi's views of revelation than meets the eye, for he does not view the prophets, from Adam to Muhammad, merely as historic individuals who lived and died. Stories and images of the prophets provide this mystic and poet with a way of communicating his rich awareness of the reality of the divine message.

Looks at Rumi's insights into the meaning of the second half of the basic Muslim creed, namely, the nature and function of revelation through prophets.All the King's Falcons draws out Rumi's distinctive and creative insights into Islamic religious culture by focusing on his treatment of prophets as instruments in God's communication with humankind. But there is more to Rumi's views of revelation than meets the eye, for he does not view the prophets, from Adam to Muhammad, merely as historic individuals who lived and died. Stories and images of the prophets provide this mystic and poet with a way of communicating his rich awareness of the reality of the divine message.

With more than 3,000 entries and cross-references on the history, main figures, institutions, theory, and literary works associated with Islam's mystical tradition, Sufism, this dictionary brings together in one volume, extensive historical information that helps put contemporary events into a historical context. Additional features include: ·chronology of all major figures and events·introductory essay·glossary of 400 Arabic, Berber, Chinese, Persian, and Turkish terms·comprehensive bibliographyIdeal for libraries, as well as students and scholars of religion.

The most broadly accepted explanation of Sufism i the etymological derivation of the term from the Arabic for “wool,” ?uf, associating practitioners with a preference for poor, rough clothing. This explanation clearly identifies Sufism with ascetical practice and the importance of manifesting spiritual poverty through material poverty. In fact, some of the earliest “Western” descriptions of individuals now widely associated with the larger phenomenon of Sufism identified them with the Arabic term faqir, mendicant, or its most common Persian equivalent, darwish. Sufism, as presented here embraces a host of features including the ritual, institutional, psychological, hermeneutical, artistic, literary, ethical, and epistemological.This second edition of Historical Dictionary of Sufism contains a chronology, an introduction, a glossary, and an extensive bibliography. The dictionary section has over 1,000 cross-referenced entries on important personalities, major historical figures and movements, practices, economy, foreign relations, religion, and culture. This book is an excellent access point for students, researchers, and anyone wanting to know more about Sufism.

Picturing the life story of Jalal ad-Din Rumi, a premier Muslim mystic and the original Whirling Dervish, the images in three extant manuscripts of Aflaki’s Wondrous Feats of the Knowers of God provide a unique way to interpret the text. Part One: History and Context provides the medieval Anatolian historical setting; the broad contours of literary and artistic works of Islamic Hagiography; and the specific details of the three manuscripts to be explored. Part Two: Text and Image proposes a method for interpreting a hybrid literary-visual document as a grand narrative of the Family Rumi at the inspirational and ethical core of a virtuous community: flourishing within a complex Muslim society under divine providence. Pictures in the three manuscripts were produced by studios of painters under the patronage of major late 16th-century Ottoman sultans. The result of their efforts is a kind of ‘visualised hagiography’ uniquely capable of suggesting distinctive and often surprising twists on the narratives, enhancing the text with images of striking beauty and rich detail.

The Handy Religion Answer Book provides solid descriptions of major beliefs and rituals worldwide, affording the reader an understanding of contemporary religion. Providing detailed descriptions of the history, beliefs, symbols, rituals, observations, customs, membership, leaders, and organization of the world's eight major religious traditions, including Judaism, Christianity, Islam, Buddhism, Hinduism, Confucianism, Taoism, and Shinto. Clearly and eloquently written by a scholar, this book is an easy-to-use comparative guide.