John Riley – författare

A vital text for understanding the twenty-first-century battlefield and the shifting force structure, this book prepares students to think critically about the rapidly changing world they'll inherit.American Defense Policy, first published in 1965 under the leadership of Brent Scowcroft, has been a mainstay in courses on political science, international relations, military affairs, and American national security for more than 50 years. This updated and thoroughly revised ninth edition, which contains about 30% all-new content, considers questions of continuity and change in America's defense policy in the face of a global climate beset by geopolitical tensions, rapid technological change, and terrorist violence.The book is organized into three parts. Part I examines the theories and strategies that shape America's approach to security policy. Part II dives inside the defense policy process, exploring the evolution of contemporary civil-military relations, the changing character of the profession of arms, and the issues and debates in the budgeting, organizing, and equipping process. Part III examines how purpose and process translate into American defense policy. This invaluable and prudent text remains a classic introduction to the vital security issues the United States has faced throughout its history. It breaks new ground as a thoughtful and comprehensive starting point to understand American defense policy and its role in the world today.Contributors: Gordon Adams, John R. Allen, Will Atkins, Deborah D. Avant, Michael Barnett, Sally Baron, Jeff J.S. Black, Jessica Blankshain, Hal Brands, Ben Buchanan, Dale C. Copeland, Everett Carl Dolman, Jeffrey Donnithorne, Daniel W. Drezner, Colin Dueck, Eric Edelman, Martha Finnemore, Lawrence Freedman, Francis Fukuyama, Michael D. Gambone, Lynne Chandler Garcia, Bishop Garrison, Erik Gartzke, Mauro Gilli, Robert Gilpin, T.X. Hammes, Michael C. Horowitz, G. John Ikenberry, Bruce D. Jones, Tim Kane, Cheryl A. Kearney, David Kilcullen, Michael P. Kreuzer, Miriam Krieger, Seth Lazar, Keir A. Lieber, Conway Lin, Jon R. Lindsay, Austin Long, Joseph S. Lupa Jr., Megan H. MacKenzie, Mike J. Mazarr, Senator John McCain, Daniel H. McCauley, Michael E. McInerney, Christopher D. Miller, James N. Miller, John A. Nagl, Henry R. Nau, Renée de Nevers, Joseph S. Nye Jr., Michael E. O'Hanlon, Mancur Olson Jr., Sue Payton, Daryl G. Press, Thomas Rid, John Riley, David Sacko, Brandon D. Smith, James M. Smith, Don M. Snider, Sir Hew Strachan, Michael Wesley, Richard Zeckhauser

A vital text for understanding the twenty-first-century battlefield and the shifting force structure, this book prepares students to think critically about the rapidly changing world they'll inherit.American Defense Policy, first published in 1965 under the leadership of Brent Scowcroft, has been a mainstay in courses on political science, international relations, military affairs, and American national security for more than 50 years. This updated and thoroughly revised ninth edition, which contains about 30% all-new content, considers questions of continuity and change in America's defense policy in the face of a global climate beset by geopolitical tensions, rapid technological change, and terrorist violence.The book is organized into three parts. Part I examines the theories and strategies that shape America's approach to security policy. Part II dives inside the defense policy process, exploring the evolution of contemporary civil-military relations, the changing character of the profession of arms, and the issues and debates in the budgeting, organizing, and equipping process. Part III examines how purpose and process translate into American defense policy. This invaluable and prudent text remains a classic introduction to the vital security issues the United States has faced throughout its history. It breaks new ground as a thoughtful and comprehensive starting point to understand American defense policy and its role in the world today.Contributors: Gordon Adams, John R. Allen, Will Atkins, Deborah D. Avant, Michael Barnett, Sally Baron, Jeff J.S. Black, Jessica Blankshain, Hal Brands, Ben Buchanan, Dale C. Copeland, Everett Carl Dolman, Jeffrey Donnithorne, Daniel W. Drezner, Colin Dueck, Eric Edelman, Martha Finnemore, Lawrence Freedman, Francis Fukuyama, Michael D. Gambone, Lynne Chandler Garcia, Bishop Garrison, Erik Gartzke, Mauro Gilli, Robert Gilpin, T.X. Hammes, Michael C. Horowitz, G. John Ikenberry, Bruce D. Jones, Tim Kane, Cheryl A. Kearney, David Kilcullen, Michael P. Kreuzer, Miriam Krieger, Seth Lazar, Keir A. Lieber, Conway Lin, Jon R. Lindsay, Austin Long, Joseph S. Lupa Jr., Megan H. MacKenzie, Mike J. Mazarr, Senator John McCain, Daniel H. McCauley, Michael E. McInerney, Christopher D. Miller, James N. Miller, John A. Nagl, Henry R. Nau, Renée de Nevers, Joseph S. Nye Jr., Michael E. O'Hanlon, Mancur Olson Jr., Sue Payton, Daryl G. Press, Thomas Rid, John Riley, David Sacko, Brandon D. Smith, James M. Smith, Don M. Snider, Sir Hew Strachan, Michael Wesley, Richard Zeckhauser

"By the time of his death at the age of 41, Riley had achieved a poetry whose importance is not circumscribed by the concerns and trends of its day. His finest poems are an embodiment of integrity and vision: precise observation and wit co-exist with an extraordinary beauty of image and rhythm. Riley's is an art that at its best has a place in the enduring tradition of English poetry."-Michael Grant

Of all the major Soviet composers who worked in the cinema, the most prominent was Dmitri Shostakovich who, in addition to over a hundred works for the stage and concert hall, wrote scores for almost forty films. Yet despite his reputation this work, when not completely overlooked, has been poorly judged by the same criteria as his other music. Likewise, while much attention has been paid to Soviet film, the crucial role played by the scores is all too often forgotten. This, the first book in English to look at Shostakovich's cinema career, discusses every film he scored, looking at the films themselves, tracing their relationship to the changing concerns and policies of the Soviet state and examining how the music works in context. John Riley also gives a fascinating account of the composer's life. This highly readable book will be welcomed equally by devotees of the composer; those interested in Soviet culture and cinema; and general film music enthusiasts.