John Rutter – författare

European Sacred Music is a collection of over 50 of the finest examples of sacred choral music from continental Europe, ranging from the sixteenth to twentieth centuries. John Rutter has prepared completely new editions of all the pre-twentieth-century items, going back to the earliest and most reliable manuscript or printed sources. New English singing translations are provided for most pieces, and playable keyboard reductions.Orchestrations are available for hire for the eight accompanied items (Bach: O Jesu Christ, meins Lebens Licht; Buxtehude: Magnificat; Fauré: Cantique de Jean Racine; Franck: Panis angelicus; Gabrieli: Jubilate Deo; Mendelssohn: Verleih uns Frieden; Monteverdi: Beatus vir; Mozart: Ave verum Corpus)Some items from this volume are available separately as leaflets in the Oxford Choral Classics Octavo series.

A second collection of 50 carols, mostly for SATB, some unaccompanied, and some having accompaniments for piano, organ, orchestra, or brass ensemble. Many of the carols are from traditional sources, rearranged, as well as carols written especially for this volume by composers including William Walton, Benjamin Britten, Richard Rodney Bennett, and William Mathias.Instrumental material for most of the accompanied items is available on hire. Eight Carols for Brass for 5 and 8 part brass (to accompany carols from Carols for Choirs 1 and Carols for Choirs 2) are also on sale.

for soprano and baritone soloists, SATB chorus, and the composer's original chamber instrumentationThis edition presents Fauré's masterpiece in a form which accords with his original intention that it should be a liturgical Requiem with accompaniment of organ and chamber ensemble. The 1893 version is an expansion of Fauré's original, prepared by the composer for a performance at the Church of the Madeleine in Paris and containing two additional movements, the Offertoire and the Libera me. In contrast to the fully orchestrated version that was published in 1900, this edition preserves the original chamber instrumentation, and it also contains a full English translation by John Rutter. Complete orchestral and vocal material is available on hire/rental, and the vocal score, full score, and parts are also available on sale.

Written in partnership with the UK Geographical Association, Collins Cambridge IGCSE ® Geography Student Book has been fully updated to cover the Cambridge IGCSE® Geography (0460) syllabus and Cambridge O-Level syllabus (2217), with in-depth content presented in a clear and easily accessible format.This Student Book covers the Cambridge IGCSE® Geography (0460) syllabus, as well as the Cambridge O-Level syllabus (2217), both for first teaching in 2018 and first examination in 2020. Encourage students to make links between case studies and their own local contexts as well as exploring the core themes and skills of the 0460/2217 syllabuses in the context of global case studies and processes.Prepare for exam success with full coverage of the core themes of Paper 1 (Population and Settlement, The Natural Environment, Economic Development and the Use of Resources) as well as the geographical and fieldwork skills elements of Papers 2, 3 and 4.Opportunities for practice and self-assessment with exam-style questions, answers at different levels and accompanying comments.Be confident in the content and approach – this resource is written by highly experienced Geography teachers, consulted edited by a Cambridge International Examinations Principal Examiner, and produced in partnership with the UK Geographical Association – the home of best practice in Geography teaching.This title is endorsed by Cambridge Assessment International Education.

Collins Cambridge IGCSE Geography Student Book has been fully updated to cover the Cambridge IGCSE, IGCSE (9-1) and O Level Geography syllabuses (0460/0976/2217) with in-depth content presented in a clear and easily accessible format.This Student Book provides full coverage of the Cambridge IGCSE, IGCSE (9-1) and O Level Geography syllabuses (0460/0976/2217) for examination from 2027.This resource is endorsed for the Cambridge Pathway to support the for the Cambridge Pathway to support the syllabuses (0460/0976/2217) for examination from 2027. Find what you need easily with content divided into Human Geography, Physical Geography, and Geographical Skills for coursework and investigations.Engage and inspire learning with fascinating geographical facts, investigations and questions.Encourage students to explore core themes and skills and make links between the Detailed Specific Examples and their own local contexts.Give opportunities for practice and self-assessment with end-of-unit review questions and sample answers.Support students with contextual glossaries and clear, illustrated explanations.Be confident in the content and approach – this resource has written by highly experienced Geography teachers and Geographers.

Collins Cambridge IGCSETM Geography Teacher’s Guide has been fully updated to cover the Cambridge IGCSE. IGCSE (9-1) and O Level Geography (0460/0976/2217) syllabuses, providing full coverage for examination from 2027. Save planning time with lesson plans for every session in the Student’s Book that explore core themes and skills and make links between the Detailed Specific Examples and local contexts Support students with worksheets for every topic. Complete with all answers and a suggested two-year scheme of work. Be confident in the content and approach – this resource has written by highly experienced Geography teachers and Geographers. This text will not go through the endorsement process for the Cambridge Pathway.

74 of the most popular items from Carols for Choirs 1, 2 and 3 in one volume, plus 26 pieces new to the series. The volume contains both accompanied and unaccompanied items, and the Order of Service for a Festival of Nine Lessons and Carols. Orchestral and brass ensemble accompaniments for many of the items are available on hire.

This edition presents Fauré's masterpiece in a form which accords with his original intention that it should be a liturgical Requiem with accompaniment of organ and chamber ensemble. The 1893 version is an expansion of Fauré's original, prepared by the composer for a performance at the Church of the Madeleine in Paris and containing two additional movements, the Offertoire and the Libera me. In contrast to the fully orchestrated version that was published in 1900, this edition preserves the original chamber instrumentation, and it also contains a full English translation by John Rutter. Complete orchestral and vocal material is available on hire/rental, and the vocal score, full score, and parts are also available on sale.

This edition presents Fauré's masterpiece in a form which accords with his original intention that it should be a liturgical Requiem with accompaniment of organ and chamber ensemble. The 1893 version is an expansion of Fauré's original, prepared by the composer for a performance at the Church of the Madeleine in Paris and containing two additional movements, the Offertoire and the Libera me. In contrast to the fully orchestrated version that was published in 1900, this edition preserves the original chamber instrumentation, and it also contains a full English translation by John Rutter. Complete orchestral and vocal material is available on hire/rental, and the vocal score, full score, and parts are also available on sale.

This edition presents Fauré's masterpiece in a form which accords with his original intention that it should be a liturgical Requiem with accompaniment of organ and chamber ensemble. The 1893 version is an expansion of Fauré's original, prepared by the composer for a performance at the Church of the Madeleine in Paris and containing two additional movements, the Offertoire and the Libera me. In contrast to the fully orchestrated version that was published in 1900, this edition preserves the original chamber instrumentation, and it also contains a full English translation by John Rutter. Complete orchestral and vocal material is available on hire/rental, and the vocal score, full score, and parts are also available on sale.

Cantique de Jean Racine was written in 1865 during Fauré's final year at the École Niedermeyer, winning him the first prize for composition, and this elegant work now holds a cherished place in the choral repertory for both sacred and secular occasions. Presented with an English singing translation in addition to the original French, John Rutter's edition includes an accompaniment for organ or piano, and the work may also be performed with the transcription for harp and strings (available separately), compatible with the instrumentation for the OUP edition of the Fauré Requiem in its 1893 version. Complete orchestral and vocal material is available on hire/rental and on sale. In addition, an arrangement for upper voices (SSAA) with Fauré's original keyboard accompaniment is available on sale.

Cantique de Jean Racine was written in 1865 during Fauré's final year at the École Niedermeyer, winning him the first prize for composition, and this elegant work now holds a cherished place in the choral repertory for both sacred and secular occasions. Presented with an English singing translation in addition to the original French, John Rutter's edition includes an accompaniment for organ or piano, and the work may also be performed with the transcription for harp and strings (available separately), compatible with the instrumentation for the OUP edition of the Fauré Requiem in its 1893 version. Complete orchestral and vocal material is available on hire/rental and on sale. In addition, an arrangement for upper voices (SSAA) with Fauré's original keyboard accompaniment is available on sale.

This edition presents Fauré's masterpiece in a form which accords with his original intention that it should be a liturgical Requiem with accompaniment of organ and chamber ensemble. The 1893 version is an expansion of Fauré's original, prepared by the composer for a performance at the Church of the Madeleine in Paris and containing two additional movements, the Offertoire and the Libera me. In contrast to the fully orchestrated version that was published in 1900, this edition preserves the original chamber instrumentation, and it also contains a full English translation by John Rutter. Complete orchestral and vocal material is available on hire/rental, and the vocal score, full score, and parts are also available on sale.

Cantique de Jean Racine was written in 1865 during Fauré's final year at the École Niedermeyer, winning him the first prize for composition, and this elegant work now holds a cherished place in the choral repertory for both sacred and secular occasions. Presented with an English singing translation in addition to the original French, John Rutter's edition includes an accompaniment for organ or piano, and the work may also be performed with the transcription for harp and strings (available separately), compatible with the instrumentation for the OUP edition of the Fauré Requiem in its 1893 version. Complete orchestral and vocal material is available on hire/rental and on sale. In addition, an arrangement for upper voices (SSAA) with Fauré's original keyboard accompaniment is available on sale.

Oxford Choral Classics: English Church Music assembles in two volumes around 100 of the finest examples of English sacred choral music of the past five centuries. The first volume, dedicated to anthems and motets, presents both favourite and lesser-known works, from the exceptional Renaissance polyphony of Taverner, Tallis, and Byrd, through the Restoration led by Purcell, to the glorious works of the great nineteenth- and twentieth-century composers, including Wesley, Elgar, Stanford, Vaughan Williams, and Howells. The volume contains a number of more substantial works, including Mendelssohn's Hear my prayer, Stainer's I saw the Lord, and Naylor's Vox dicentis: Clama, as well as a wonderful selection of shorter pieces, from Gibbons's O Lord, in thy wrath to Walton's Set me as a seal upon thine heart. With the second companion volume of canticles and responses, this bipartite collection presents a comprehensive survey of English sacred music at its best.

Oxford Choral Classics: English Church Music assembles in two volumes around 100 of the finest examples of English sacred choral music. The second volume presents a wealth of service material suitable for use throughout the year. The evening canticles are given due space, with seventeen settings, including those by Byrd, Gibbons, Purcell, Walmisley, Stanford, Noble, Howells, Walton, and Tippett. Also included are settings of the Te Deum and Jubilate Deo, alongside seven settings of the Preces and Responses and two additional early Lord's Prayers. The selection is completed with three supplementary items: a set of previously unpublished Psalm chants by Howells, John Sanders's Good Friday Reproaches, and a written-out Order for Compline.Robert King has prepared completely new editions of all the pre-twentieth-century works, going back to the earliest and most reliable manuscripts or printed sources. Playable keyboard reductions have been added for the majority of unaccompanied items.

for SATB unaccompaniedDescribed by Elgar as an elegy for unaccompanied chorus, this mournful, reverent, and dignified setting was composed for a service commemorating Queen Victoria on the anniversary of her death. The text is by Cardinal John Henry Newman, whose poem The Dream of Gerontius was set by Elgar in one of his most enduringly popular works.

for SSAATTB unaccompanied

for SSAATB unaccompanied

for SATB and continuoBach's motets are essential pillars of the choral repertory, and the irresistibly joyful Lobet den Herrn, alle Heiden is a wonderful introduction to them for choirs unfamiliar with the works. It features concise contrapuntal writing and a sophisticated harmonic language, yet the vocal lines are not excessively demanding. John Rutter's edition includes helpful performance suggestions and background information, and full scores and instrumental parts are available on hire from the publisher.

for SATB double choir & optional organA rich and sonorous piece, originally published in 1572.

for SATB double choir unaccompanied

for SATB double choir unaccompaniedSetting words from the Ordinary of the Lutheran Mass, this brief but resoundingly effective piece is perfect for opening a choral concert. The piece begins with each part entering a 3rd lower than the last, and the rich, resonant choral writing continues throughout the piece.

for SATB double choir and optional organThis resplendent double choir anthem is a cornerstone of the Anglican cathedral repertoire. Wood makes full use of the array of harmonic and textural possibilities afforded by the use of two choirs, creating a powerfully expressive and varied piece.

for SATB unaccompaniedThis collection presents some of most attractive carols by the composer Charles Wood and the hymnodist, antiquarian, linguist, and musician G.R. Woodward, who both composed his own music and provided many of the texts set by Wood. Seven of the included carols are for Christmas, with the remaining one for Easter.

for SATB (with divisions) unaccompanied

for SATB with keyboard Setting a 15th century text, this popular carol on the birth of Jesus is flowing and expressive. It has been recorded by the Cambridge Singers (directed by John Rutter) on the Collegium CD Christmas Night (COLCD 106). Full scores and parts for John Rutters accompaniment for string orchestra are available on sale.

for SATB, organ, and second organ or piano or harpTaken from Rutter's edition of Fauré's Requiem, this angelic and widely beloved Sanctus features both the original French words and an optional English text, translated and adapted for singing by John Rutter himself. Although ideal for funerals and All Souls Day services due to it being composed as part of the Requiem, the more general message of praise in the Sanctus makes it equally suitable for a range of other worship services. Its second keyboard part may be performed on an additional organ, piano, or harp.John Rutter's complete edition of Fauré's Requiem (1893 version) is available from Oxford University Press.

for baritone solo, SATB, & organ