John Sedgwick – författare
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17 produkter
17 produkter
156 kr
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A dead body floating by a pier. An elderly woman curled up on a bed in a department store. A psychiatrist searching for her own identity. These are the pieces of the puzzle that, in John Sedgwick's masterful novel of psychological suspense, begin to come into focus when Madeline Bemis is referred to the treatment of Dr. Alice Matthews at Montrose Psychiatric Hospital. Mrs. Bemis's treatment gradually peels back the layers of a disturbing past whose shameful secrets and hidden sorrows stem from the war years of the 1940s-and reveals an unexpected link to the floating corpse. Mrs. Bemis's awakening sparks an intimacy between the two women that goes beyond an ordinary doctor/patient relationship-but also makes it clear that Mrs. Bemis's recovery, and perhaps even her safety, depends on quickly coming to terms with her secret history.
167 kr
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194 kr
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2 673 kr
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The economics of the movie industry has been curiously neglected by scholars, especially given the material circumstances in which film has been produced, distributed and exhibited in capitalist economies and its central importance in the lives of the huge numbers attracted to it as a commodity.This book provides an economic framework for understanding developments in film history. Film is a peculiar commodity with a unique set of characteristics. The topic hence is interesting and covered with aplomb by the contributors to the volume. The book includes sections on:long-term trends in the film industrythe transformation of film from a primitive commodity to a heavily branded productthe operation of the studio systemthe end of the studio system in post-war Americathe role and payment of starsHollywood’s approach to risk during the 1990s.Experts from the UK and North America have come together in these pages and the result is a readable, insightful and enlightening book that will gain many fans amongst those with an interest in the economics of film, economic historians, film historians and aficionados of the movie industry generally.
695 kr
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The movie industry boomed in the twentieth century, and is still going strong today. However, the economics of movies has been curiously under explored until now. Innovative and informative, this accessible book, which includes contributions from some of the leading experts in the area, is a huge step forward in our understanding of this important topic.
156 kr
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967 kr
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In the 1930s there were close to a billion annual admissions to the cinema in Britain and it was by far the most popular paid-for leisure activity. This book is an exploration of that popularity. John Sedgwick has developed the POPSTAT index, a methodology based on exhibition records which allows identification of the most popular films and the leading stars of the period, and provides a series of tables which will serve as standard points of reference for all scholars and specialists working in the field of 1930s cinema. The book establishes similarities and differences between national and regional tastes through detailed case study analysis of cinemagoing in Bolton and Brighton, and offers an analysis of genre development. It also reveals that although Hollywood continued to dominate the British market, films emanating from British studios proved markedly popular with domestic audiences.
401 kr
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274 kr
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375 kr
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237 kr
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Antinomianisme Anatomized, Or, a Glasse for the Lawlesse
Who Deny the Ruling Use of the Morall Law Unto Christians Under the Gospel.
Häftad, Engelska, 2012
234 kr
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253 kr
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War of Two
Alexander Hamilton, Aaron Burr, and the Duel that Stunned the Nation
Häftad, Engelska, 2016
309 kr
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From the River to the Sea: The Untold Story of the Railroad War That Made the West
Häftad, Engelska, 2022
229 kr
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1 207 kr
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This book examines the economic circumstances in which films were produced, distributed, exhibited, and consumed during the spoken era of film production until 1970.
1 207 kr
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This book examines the economic circumstances in which films were produced, distributed, exhibited, and consumed during the spoken era of film production until 1970. The periodisation covers the years between the onset of sound and the demise of the phased distribution of films. Films are generally appreciated for their aesthetic qualities. But they are also commodities. This work of economic history presents a new approach, considering consumption behaviour as significant as supply-side decision-making. Audiences’ tastes are considered central, with box-office an indicator of what they liked. The POPSTAT Index of Film Popularity is used as a proxy where box office knowledge is missing. Comparative analysis is conducted through the tool RelPOP. The book comprises original case studies covering film consumption in Great Britain, the Netherlands, Sweden, and the United States during the 1930s;Australia and occupied Belgium during the Second World War; and Italy, the United States, Poland and Czechoslovakia during the Post-war. An overriding theme is how the classical American business model, which emerged during the 1910s linking production to distribution and exhibition, adapted to local circumstances, including the two countries behind the Iron Curtain during the years of ‘High Stalinism’.