John Sedgwick – författare

Meet Edward Rollins, scion of one of Boston''s more notable families. A diligent but uninspired employee at one of the city''s finest investment houses, he is a man of means -- and of secrets. Each night, armed with a hand-held tape recorder, he randomly picks a car and follows it to a destination, cataloging the habits and peculiarities of its driver. A harmless obsession.

But one night changes everything. Trailing a car to a remote suburb, Rollins follows it to a house that, he eerily realizes, was once frequented by his murdered cousin. Drawn into a mystery to which he unwittingly holds the key, he must unlock the secrets of his past to find the truth -- a search that could free him from his own dark house of despair.

A harrowing, tension-riddled literary thriller that echoes the storytelling power of Frederick Busch and Ian McEwan, The Dark House heralds the arrival of a major talent.

A dead body floating by a pier. An elderly woman curled up on a bed in a department store. A psychiatrist searching for her own identity. These are the pieces of the puzzle that, in John Sedgwick''s masterful novel of psychological suspense, begin to come into focus when Madeline Bemis is referred to the treatment of Dr. Alice Matthews at Montrose Psychiatric Hospital.

Mrs. Bemis''s treatment gradually peels back the layers of a disturbing past whose shameful secrets and hidden sorrows stem from the war years of the 1940s—and reveals an unexpected link to the floating corpse. Mrs. Bemis''s awakening sparks an intimacy between the two women that goes beyond an ordinary doctor/patient relationship—but also makes it clear that Mrs. Bemis''s recovery, and perhaps even her safety, depends on quickly coming to terms with her secret history.

While working on his second novel, John Sedgwick spiraled into a depression so profound that it very nearly resulted in suicide. An author acclaimed for his intimate literary excursions into the rarified, moneyed enclave of Brahmin Boston, he decided to search for the roots of his malaise in the history of his own storied family—one of America''s oldest and most notable. Following a bloodline that travels from Theodore Sedgwick, compatriot of George Washington and John Adams, to Edie Sedgwick, Andy Warhol''s tragic muse, John Sedgwick''s very personal journey of self-discovery became something far greater: a spellbinding study of the evolution of an extraordinary American family.

A provocative and penetrating investigation into the rivalry between Alexander Hamilton and Aaron Burr, whose infamous duel left the Founding Father dead and turned a sitting Vice President into a fugitive. In the summer of 1804, two of America’s most eminent statesmen squared off, pistols raised, on a bluff along the Hudson River. That two such men would risk not only their lives but the stability of the young country they helped forge is almost beyond comprehension. Yet we know that it happened. The question is why. In War of Two, John Sedgwick explores the long-standing conflict between Founding Father Alexander Hamilton and Vice President Aaron Burr. A study in contrasts from birth, they had been compatriots, colleagues, and even friends. But above all they were rivals. Matching each other’s ambition and skill as lawyers in New York, they later battled for power along political fault lines that would not only decide the future of the United States, but define it.  A series of letters between Burr and Hamilton suggest the duel was fought over an unflattering comment made at a dinner party. But another letter, written by Hamilton the night before the event, provides critical insight into his true motivation. It was addressed to former Speaker of the House Theodore Sedgwick, a trusted friend of both men, and the author’s own ancestor. John Sedgwick suggests that Hamilton saw Burr not merely as a personal rival but as a threat to the nation. Burr would prove that fear justified after Hamilton’s death when, haunted by the legacy of his longtime adversary, he embarked on an imperial scheme to break the Union apart.

The economics of the movie industry has been curiously neglected by scholars, especially given the material circumstances in which film has been produced, distributed and exhibited in capitalist economies and its central importance in the lives of the huge numbers attracted to it as a commodity.

This book provides an economic framework for understanding developments in film history. Film is a peculiar commodity with a unique set of characteristics. The topic hence is interesting and covered with aplomb by the contributors to the volume. The book includes sections on:

Experts from the UK and North America have come together in these pages and the result is a readable, insightful and enlightening book that will gain many fans amongst those with an interest in the economics of film, economic historians, film historians and aficionados of the movie industry generally.

The economics of the movie industry has been curiously neglected by scholars, especially given the material circumstances in which film has been produced, distributed and exhibited in capitalist economies and its central importance in the lives of the huge numbers attracted to it as a commodity.

This book provides an economic framework for understanding developments in film history. Film is a peculiar commodity with a unique set of characteristics. The topic hence is interesting and covered with aplomb by the contributors to the volume. The book includes sections on:

Experts from the UK and North America have come together in these pages and the result is a readable, insightful and enlightening book that will gain many fans amongst those with an interest in the economics of film, economic historians, film historians and aficionados of the movie industry generally.