John Strausbaugh – författare

Publishing to coincide with a major MoMA Retrospective, this book revisits the artist who upended modern art, and the city that made it possible.Artist, anti-artist, joker, trickster, shape-shifter: Marcel Duchamp broke with tradition and pushed the avant-garde decisively forward. When his work exploded like an art bomb in New York in the 1910s, American art was still mired in the nineteenth century. Duchamp, bored with tradition, reimagined what art could be, what it was for, and how it might be made—hanging a snow shovel from the ceiling, inverting a urinal, “painting” with dust and bits of string between panes of glass, and reducing his entire oeuvre into a briefcase of miniatures. Duchamp Takes New York traces this bold, playful energy, showing how the city inspired and staged his avant-garde experiments.Duchamp's offhand gestures reshaped the course of twentieth-century American art, laying the groundwork for nearly every major movement that followed. And then, at the height of his influence, Duchamp appeared to walk away—declaring himself finished with art and devoting his energies to becoming a chess champion instead. Only after his death did it emerge that he had spent two decades secretly working on one final, unsettling work, leaving the world to try to comprehend it without explanation—his ultimate prank.John Strausbaugh, a longtime chronicler of the city, puts New York at the center of Duchamp’s story. Fleeing the comforts of French bourgeois life—“wives, three children, a country house, three cars!”—Duchamp found New York instantly liberating. It was here that he produced much of his most radical work and eventually settled for good, once declaring, “New York itself is a complete work of art.” Duchamp's art simply can't be pinned down, without first recognizing his relationship to New York.

“Darryl has written a profound book on the meaning of celebrity, sports and manhood . . . a riveting and memorable account.” —David ConeFormer New York Met and Yankee slugger Darryl Strawberry has subtitled his autobiography Straw, “Finding My Way”—and his path was never easy. A National League Rookie of the Year, eight-time MLB All Star, and four-time World Series Champion, Strawberry’s baseball achievements were often overshadowed by his struggles off the field. In Straw, he tells it all: his boyhood in Crenshaw, Los Angeles; his rise to baseball superstardom; the high life and low life; his brushes with the law; his triumphant battle over cancer; his religious awakening, and his marriage to the love of his life.“Straw is the story of a guy who had two strikes against him in the middle innings of life and hit one out of the park.” —Reggie Jackson“Straw [has] the virtue of sincerity and of seeming profoundly felt. Its narrator emerges as a real and complex man: humble in the face of his failures, palpably hungry for redemption, and yet still capable of myopia and self-righteousness. You feel for him in a way you never did—at least I never did—when you were merely cheering and/or booing him at Shea.” —The New York Times“If you’re looking for an interesting book about a chaotically interesting life, Straw makes for good reading.” —St. Louis Post-Dispatch

Cultural commentator John Strausbaugh's The Village is the first complete history of Greenwich Village, the prodigiously influential and infamous New York City neighborhood. From the Dutch settlers and Washington Square patricians, to the Triangle Shirtwaist fire and Prohibition-era speakeasies; from Abstract Expressionism and beatniks, to Stonewall and AIDS, the connecting narratives of The Village tell the story of America itself. Illustrated with historic black-and-white photographs, The Village features lively, well-researched profiles of many of the people who made Greenwich Village famous, including Thomas Paine, Walt Whitman, Edna St. Vincent Millay, Mark Twain, Margaret Sanger, Eugene O'Neill, Marcel Duchamp, Upton Sinclair, Willa Cather, Jack Kerouac, Allen Ginsberg, Jackson Pollock, Anais Nin, Edward Albee, Charlie Parker, W. H. Auden, Woody Guthrie, James Baldwin, Maurice Sendak, E. E. Cummings, and Bob Dylan.

A refreshingly clearheaded and taboo-breaking look at race relations reveals that American culture is neither Black nor White nor Other, but a mix-a mongrel. Black Like You is an erudite and entertaining exploration of race relations in American popular culture. Particularly compelling is Strausbaugh''s eagerness to tackle blackface-a strange, often scandalous, and now taboo entertainment. Although blackface performance came to be denounced as purely racist mockery, and shamefacedly erased from most modern accounts of American cultural history, Black Like You shows that the impact of blackface on American culture was deep and long-lasting. Its influence can be seen in rock and hiphop; in vaudeville, Broadway, and gay drag performances; in Mark Twain and "gangsta lit"; in the earliest filmstrips and the 2004 movie White Chicks; on radio and television; in advertising and product marketing; and even in the way Americans speak. Strausbaugh enlivens themes that are rarely discussed in public, let alone with such candor and vision: - American culture neither conforms to knee-jerk racism nor to knee-jerk political correctness. It is neither Black nor White nor Other, but a mix-a mongrel. - No history is best forgotten, however uncomfortable it may be to remember. The power of blackface to engender mortification and rage in Americans to this day is reason enough to examine what it tells us about our culture and ourselves. - Blackface is still alive. Its impact and descendants-including Black performers in "whiteface"-can be seen all around us today.

From John Strausbaugh, author of City of Sedition and The Village, comes the definitive history of Gotham during the World War II era.New York City during World War II wasn't just a place of servicemen, politicians, heroes, G.I. Joes and Rosie the Riveters, but also of quislings and saboteurs; of Nazi, Fascist, and Communist sympathizers; of war protesters and conscientious objectors; of gangsters and hookers and profiteers; of latchkey kids and bobby-soxers, poets and painters, atomic scientists and atomic spies.While the war launched and leveled nations, spurred economic growth, and saw the rise and fall of global Fascism, New York City would eventually emerge as the new capital of the world. From the Gilded Age to VJ-Day, an array of fascinating New Yorkers rose to fame, from Mayor Fiorello La Guardia to Franklin and Eleanor Roosevelt, Langston Hughes to Joe Louis, to Robert Moses and Joe DiMaggio. In VICTORY CITY, John Strausbaugh returns to tell the story of New York City's war years with the same richness, depth, and nuance he brought to his previous books, City of Sedition and The Village, providing readers with a groundbreaking new look into the greatest city on earth during the most transformative -- and costliest -- war in human history.

Without his New York supporters, it's highly unlikely Abraham Lincoln would have made it to the White House. Yet the majority of New Yorkers never voted for him and were openly hostile to him and his politics. New Yorkers reacted to Lincoln's wartime policies with the deadliest rioting in American history. Here, a gallery of fascinating New Yorkers comes to life, the likes of Horace Greeley, Walt Whitman, Julia Ward Howe, Boss Tweed, Thomas Nast, Matthew Brady and Herman Melville. CITY OF SEDITION follows the fortunes of these figures and chronicles how many New Yorkers seized the opportunities the conflict presented to amass capital, create new industries and expand their markets, laying the foundation for the city's - and the nation's - growth.