John Timothy Wixted – författare

Five Hundred Years of Chinese Poetry offers the only historical survey, in any language, of this important span of Chinese poetry. Written by the foremost Japanese sinologist of this century, and translated here in a lucid analogue to his famous prose style, the work provides a brief but comprehensive review of the period's literary history, a sketch of its political and social history in relation to literature, and a rendering of more than one hundred and fifty poems. Originally published in 1989. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Five Hundred Years of Chinese Poetry offers the only historical survey, in any language, of this important span of Chinese poetry. Written by the foremost Japanese sinologist of this century, and translated here in a lucid analogue to his famous prose style, the work provides a brief but comprehensive review of the period's literary history, a sketch of its political and social history in relation to literature, and a rendering of more than one hundred and fifty poems. Originally published in 1989. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Five Hundred Years of Chinese Poetry offers the only historical survey, in any language, of this important span of Chinese poetry. Written by the foremost Japanese sinologist of this century, and translated here in a lucid analogue to his famous prose style, the work provides a brief but comprehensive review of the period's literary history, a sketch of its political and social history in relation to literature, and a rendering of more than one hundred and fifty poems.Originally published in 1989.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Emerging from materials the author developed while teaching, A Handbook to Classical Japanese draws on twenty-five years of experience in addressing problem areas for those learning the language. The work deals with the central issue of classical language, namely, 'verb'-endings: specifically, the endings of verbs, verbal adjectives, pseudo-adjectives, and verb-suffixes. The Handbook treats the issue systematically, presenting 670 real-language examples, nearly 400 of which are discretely different quotations. The work's extensive Introduction walks the reader through key problem areas, with sections on "Which Verbs Belong to Which Conjugation?" "How to 'Unpack' Bungo Verbs," "Nari Headaches," "Namu/nan Trouble," "Items Easily Confused: Apparent Ambiguity," "Respect Language," and the like. The body of the Handbook, with its hundreds of examples, serves as a kind of reader; thirty-two verb-suffixes are illustrated in all of their forms or functions (with at least two examples of each). The book's seven appendices introduce a wide range of Western-language material, including comprehensive information about other translations into English, French, German, and Spanish of all texts cited—especially helpful for potential comparative translation study. For those unfamiliar with the topic, the section on Orthography is a model of clarity. Throughout the Handbook, highlighted items in Japanese are printed in bright red and their romanization in dark-black small capitals, to repeat and reinforce material at both conscious and unconscious levels via complementary graphic features. The volume can be used as an introduction to classical Japanese, an initial textbook, a companion text, a review text, and/or a reference work.

Emerging from materials the author developed while teaching, A Handbook to Classical Japanese draws on twenty-five years of experience in addressing problem areas for those learning the language. The work deals with the central issue of classical language, namely, 'verb'-endings: specifically, the endings of verbs, verbal adjectives, pseudo-adjectives, and verb-suffixes. The Handbook treats the issue systematically, presenting 670 real-language examples, nearly 400 of which are discretely different quotations. The work's extensive Introduction walks the reader through key problem areas, with sections on "Which Verbs Belong to Which Conjugation?" "How to 'Unpack' Bungo Verbs," "Nari Headaches," "Namu/nan Trouble," "Items Easily Confused: Apparent Ambiguity," "Respect Language," and the like. The body of the Handbook, with its hundreds of examples, serves as a kind of reader; thirty-two verb-suffixes are illustrated in all of their forms or functions (with at least two examples of each). The book's seven appendices introduce a wide range of Western-language material, including comprehensive information about other translations into English, French, German, and Spanish of all texts cited—especially helpful for potential comparative translation study. For those unfamiliar with the topic, the section on Orthography is a model of clarity. Throughout the Handbook, highlighted items in Japanese are printed in bright red and their romanization in dark-black small capitals, to repeat and reinforce material at both conscious and unconscious levels via complementary graphic features. The volume can be used as an introduction to classical Japanese, an initial textbook, a companion text, a review text, and/or a reference work.