John Tytell – författare

Unlike other biographical portraits of Ezra Pound, John Tytell’s brilliant and ambitious work offers an interpretive study that boldly confronts the emotional truths and psychological drama that formed this complex and controversial American poet. Neither an apology nor a condemnation, it presents instead a meticulous exploration into the mind and vision of a man who galvanized a generation and challenged an entire literary—and world—establishment. Although he enjoyed little fame in his lifetime, Pound’s notoriety and influence were enormous, as he arrogantly slashed away at convention and almost single-handedly brought about the twentieth-century revolution in poetry known as modernism. Ultimately, outrage and scandal turned his art to madness, and Pound’s last years saw him fall tragically silent.

"The narrative of the founding and embattled maintenance of The Living Theatre is a ripping American epic...an important book that will serve as a reference for years to come" (American Theatre Magazine) Throughout the 1950s and 1960s the Living Theatre was the most radical group in American theatrical history. Their flamboyant and counter-cultural experiments attracted international attention, their performances were leftist and sexually explicit. They suffered repeated censorship, arrests and imprisonments. In every way they were wildly notorious and theatrical. Tytell's history of the company is a detailed biography of its two charismatic founders and lead performers, Julian Beck and Judith Malina, and a searching look at the American avant-garde at mid-century. His story of the Living Theatre is also filled with a glittering and exotic cast of characters including Tennessee Williams, Frank O'Hara, Anais Nin, James Agee, Allen Ginsberg and the Beats, Jackson Pollock and the Abstract Expressionists, Peggy Guggenheim, Merce Cunningham, John Cage, Francis Ford Coppola and Robert and Ira Cohen."A warm and passionate history of one of the great radical theatres of our time and a wonderful chronicle of the American cultural and social scene of the last fifty years. I recommend it to anyone who loves theatre." (Andre Gregory) "From the earliest years of its formation to the powerful and lasting impact on the American culture, John Tytell accurately recalls the people and the events that gave life and liberty to the Living Theatre. I'm indebted to Tytell for this honest and moving portrait of Julian Beck and Judith Malina." (Martin Sheen)

The story and history of the Beats couldn't be found in the traditional libraries or archives of academic research. For preeminent historian of Beat culture John Tytell, it had to be found in the bars, towns, roads, and hangouts of these writers and figures. And as Writing Beat demonstrates, the same techniques apply to new and future writers.Approaching the history of post-war twentieth century American literature, and in particular the Beat literary movement of Kerouac, Ginsburg, Burroughs, and others, Tytell finds himself uniquely positioned as an eyewitness to many of these stories. In this book, he shares his insight with the reader. As he interviewed, drank, traveled, and survived countless moments with some of these literary legends, Tytell discovered much about the craft of nonfiction, biography, and the nature of history. Writing Beat demonstrates, through Tytell's growth as a professor and historian of the Beats, lessons learned and hazards encountered for those aspiring to become writers themselves.As we approach the sixtieth anniversary of Allen Ginsberg's Howl, Writing Beat reminds us writers do not spring to life fully formed, and the struggle to get to literature can be a blast.

The story and history of the Beats couldn't be found in the traditional libraries or archives of academic research. For preeminent historian of Beat culture John Tytell, it had to be found in the bars, towns, roads, and hangouts of these writers and figures. And as Writing Beat demonstrates, the same techniques apply to new and future writers.Approaching the history of post-war twentieth century American literature, and in particular the Beat literary movement of Kerouac, Ginsburg, Burroughs, and others, Tytell finds himself uniquely positioned as an eyewitness to many of these stories. In this book, he shares his insight with the reader. As he interviewed, drank, traveled, and survived countless moments with some of these literary legends, Tytell discovered much about the craft of nonfiction, biography, and the nature of history. Writing Beat demonstrates, through Tytell's growth as a professor and historian of the Beats, lessons learned and hazards encountered for those aspiring to become writers themselves.As we approach the sixtieth anniversary of Allen Ginsberg's Howl, Writing Beat reminds us writers do not spring to life fully formed, and the struggle to get to literature can be a blast.