John Uhr – författare

Parliament is central to the democratic claims of our system of governance. This book evaluates the role and performance of this centrepiece of Australian government. It explores the institutional design of the parliament, and its principles and practices, presenting a compelling case for reform. Uhr discusses parliament's representative and legislative roles, and the issue of accountability. He looks at the place of representative assemblies in liberal political theory and assesses current institutional performance. He argues that republicanism can be seen as a form of deliberative democracy, examining ways in which such democracy might be made more effective and meaningful in Australia. Combining an authoritative knowledge of political theory with a familiarity with the inner-workings of the Australian parliament, the author makes an important contribution to debates in Australia and internationally.

Parliament is central to the democratic claims of our system of governance. This book evaluates the role and performance of this centrepiece of Australian government. It explores the institutional design of the parliament, and its principles and practices, presenting a compelling case for reform. Uhr discusses parliament's representative and legislative roles, and the issue of accountability. He looks at the place of representative assemblies in liberal political theory and assesses current institutional performance. He argues that republicanism can be seen as a form of deliberative democracy, examining ways in which such democracy might be made more effective and meaningful in Australia. Combining an authoritative knowledge of political theory with a familiarity with the inner-workings of the Australian parliament, the author makes an important contribution to debates in Australia and internationally.

Percy Bysshe Shelley once described poets as the 'unacknowledged legislators of the world'. If this is true, Australian political scientists have shown curiously little interest in the role that literary figures play in the nation's political life. Novel Politics takes the relationship between literature and politics seriously, analysing the work of six writers, each the author of a classic text about Australian society. These authors bridge the history of local writing, from pre-Federation colonial Australia (Catherine Spence, Rosa Praed and Catherine Martin) to the contemporary moment (Tim Winton, Christos Tsiolkas and Kim Scott). Novel Politics unpicks the many political threads woven into these books, as they document the social world as it exists, while suggesting new possibilities for the nation's future. As political commentators of a particular kind, all six authors offer unique insights into the deeper roots of politics in Australia, beyond the theatre of parliament and out into the wider social world, as imagined by its dreamers and criticised by its most incisive discontents.

This book examines both the rhetorical content of contemporary public leadership and the leadership methods pioneered by early English statesman Sir Francis Bacon. In particular, it considers the use of public rhetoric to defend leadership legitimacy in six case studies, drawing on leadership contests in recent Australian political history. The authors map out the complex language of leadership in contemporary politics through chapter-length portraits of the inter-related political rhetoric of prime ministers Rudd, Gillard, Abbott and Turnbull, plus former foreign minister Bob Carr and indigenous leader Noel Pearson. The process is a novel application of leadership analysis derived from the political philosophy of Francis Bacon, who emerges as a founder of the study, and indeed practice, of political and public leadership. The book will appeal to students and scholars across the fields of political science, communication and rhetorical studies, and political history.

This book examines both the rhetorical content of contemporary public leadership and the leadership methods pioneered by early English statesman Sir Francis Bacon. In particular, it considers the use of public rhetoric to defend leadership legitimacy in six case studies, drawing on leadership contests in recent Australian political history. The authors map out the complex language of leadership in contemporary politics through chapter-length portraits of the inter-related political rhetoric of prime ministers Rudd, Gillard, Abbott and Turnbull, plus former foreign minister Bob Carr and indigenous leader Noel Pearson. The process is a novel application of leadership analysis derived from the political philosophy of Francis Bacon, who emerges as a founder of the study, and indeed practice, of political and public leadership. The book will appeal to students and scholars across the fields of political science, communication and rhetorical studies, and political history.

This book examines both the rhetorical content of contemporary public leadership and the leadership methods pioneered by early English statesman Sir Francis Bacon. In particular, it considers the use of public rhetoric to defend leadership legitimacy in six case studies, drawing on leadership contests in recent Australian political history. The authors map out the complex language of leadership in contemporary politics through chapter-length portraits of the inter-related political rhetoric of prime ministers Rudd, Gillard, Abbott and Turnbull, plus former foreign minister Bob Carr and indigenous leader Noel Pearson. The process is a novel application of leadership analysis derived from the political philosophy of Francis Bacon, who emerges as a founder of the study, and indeed practice, of political and public leadership. The book will appeal to students and scholars across the fields of political science, communication and rhetorical studies, and political history.

This book examines the performative role of influential thinkers in the history of modern Western political thought. The case studies examine influential political philosophers who saw their writing role ‘performatively’, as an exercise in pedagogy designed to generate a new type of political following among their readers. Machiavelli, Mill and Nietzsche wrote classic works in political theory (The Prince, On Liberty, Genealogy of Morals) to reform and reshape their readers’ ability to think and act politically. Thinkers become performative through what they write in their public performance; and contemporary academic teachers can use this to great pedagogical effect in helping students ‘get the point’ of political theorising. This book examines how a small sample of classic theoretical performers wrote their remarkable public works. John Uhr draws on neglected or forgotten lessons on performative writing from past masters ofliterary criticism like Lord Shaftesbury, R G Collingwood and John Dewey, all of whom can help those now teaching the history of modern political thought to enable students to learn the performance of politics acted out by modernising thinkers capable of writing in ways similar to Machiavelli, Mill and Nietzsche.

This book examines the performative role of influential thinkers in the history of modern Western political thought. The case studies examine influential political philosophers who saw their writing role ‘performatively’, as an exercise in pedagogy designed to generate a new type of political following among their readers. Machiavelli, Mill and Nietzsche wrote classic works in political theory (The Prince, On Liberty, Genealogy of Morals) to reform and reshape their readers’ ability to think and act politically. Thinkers become performative through what they write in their public performance; and contemporary academic teachers can use this to great pedagogical effect in helping students ‘get the point’ of political theorising. This book examines how a small sample of classic theoretical performers wrote their remarkable public works. John Uhr draws on neglected or forgotten lessons on performative writing from past masters ofliterary criticism like Lord Shaftesbury, R G Collingwood and John Dewey, all of whom can help those now teaching the history of modern political thought to enable students to learn the performance of politics acted out by modernising thinkers capable of writing in ways similar to Machiavelli, Mill and Nietzsche.

Promoting Postcolonial Australia: New Readings of Miles Franklin and Joseph Furphy uses Australian literary practice as a case study in the emergence of modern democratic literary culture. John Uhr merges traditional political theory and contemporary literary theory in this political reinterpretation of novels by two classic Australian writers: the feminist Miles Franklin and civic republican Joseph Furphy. Examines three of Franklin’s novels: My Brilliant Career, Some Everyday Folk and Dawn, and All that Swagger. Surveys two of Furphy’s novels: Rigby’s Romance and The Buln-Buln and the Brolga, which were both written under Furphy’s pseudonym Tom Collins. Despite their reputations as Australian nationalists, Uhr argues that Franklin and Furphy should be seen as pioneering examples of postcolonial literary theory as later devised by the late literary critic Edward Said, Said’s framework is surprisingly relevant to writers like Franklin and Furphy who blend pre-modern or Stoic philosophy and post-liberal or communitarian perspectives in their critical portraits of the limits of conventional liberalism for emerging democracies.

Promoting Postcolonial Australia: New Readings of Miles Franklin and Joseph Furphy uses Australian literary practice as a case study in the emergence of modern democratic literary culture. John Uhr merges traditional political theory and contemporary literary theory in this political reinterpretation of novels by two classic Australian writers: the feminist Miles Franklin and civic republican Joseph Furphy. Examines three of Franklin's novels: My Brilliant Career, Some Everyday Folk and Dawn, and All that Swagger. Surveys two of Furphy's novels: Rigby's Romance and The Buln-Buln and the Brolga, which were both written under Furphy's pseudonym Tom Collins. Despite their reputations as Australian nationalists, Uhr argues that Franklin and Furphy should be seen as pioneering examples of postcolonial literary theory as later devised by the late literary critic Edward Said, Said's framework is surprisingly relevant to writers like Franklin and Furphy who blend pre-modern or Stoic philosophy and post-liberal or communitarian perspectives in their critical portraits of the limits of conventional liberalism for emerging democracies.