John Vincent Bellezza – författare

This unique book reveals the existence of an advanced civilization where none was known before, presenting an entirely new perspective on the culture and history of Tibet. In his groundbreaking study of an epic period in Tibet few people even knew existed, John Vincent Bellezza details the discovery of an ancient people on the most desolate reaches of the Tibetan plateau, revolutionizing our ideas about who Tibetans really are. While many associate Tibet with Buddhism, it was also once a land of warriors and chariots, whose burials included megalithic arrays and golden masks. This first Tibetan civilization, known as Zhang Zhung, was a cosmopolitan one with links extending across Eurasia, bringing it in line with many of the major cultural innovations of the Late Bronze Age and Iron Age. Based on decades of research, The Dawn of Tibet draws on a rich trove of archaeological, textual, and ethnographic materials collected and analyzed by the author. Bellezza describes the vast network of castles, temples, megaliths, necropolises, and rock art established on the highest and now depopulated part of the Tibetan plateau. He relates literary tales of priests and priestesses, horned deities, and the celestial afterlife to the actual archaeological evidence, providing a fascinating perspective on the origins and development of civilization. The story builds to the present by following the colorful culture of the herders of Upper Tibet, an ancient people whose way of life is endangered by modern development. Tracing Bellezza’s epic journeys across lands where few Westerners have ventured, this book provides a compelling window into the most inaccessible reaches of Tibet and a civilization that flourished long before Buddhism took root.

This unique book reveals the existence of an advanced civilization where none was known before, presenting an entirely new perspective on the culture and history of Tibet. In his groundbreaking study of an epic period in Tibet few people even knew existed, John Vincent Bellezza details the discovery of an ancient people on the most desolate reaches of the Tibetan plateau, revolutionizing our ideas about who Tibetans really are. While many associate Tibet with Buddhism, it was also once a land of warriors and chariots, whose burials included megalithic arrays and golden masks. This first Tibetan civilization, known as Zhang Zhung, was a cosmopolitan one with links extending across Eurasia, bringing it in line with many of the major cultural innovations of the Late Bronze Age and Iron Age. Based on decades of research, The Dawn of Tibet draws on a rich trove of archaeological, textual, and ethnographic materials collected and analyzed by the author. Bellezza describes the vast network of castles, temples, megaliths, necropolises, and rock art established on the highest and now depopulated part of the Tibetan plateau. He relates literary tales of priests and priestesses, horned deities, and the celestial afterlife to the actual archaeological evidence, providing a fascinating perspective on the origins and development of civilization. The story builds to the present by following the colorful culture of the herders of Upper Tibet, an ancient people whose way of life is endangered by modern development. Tracing Bellezza’s epic journeys across lands where few Westerners have ventured, this book provides a compelling window into the most inaccessible reaches of Tibet and a civilization that flourished long before Buddhism took root.

Focusing on the central and western parts of the region, this is the second in a series of five volumes that comprehensively document rock art in Upper Tibet. It examines a panoply of graphic evidence found on stone surfaces, supplying an unprecedented view of the long-term development of culture and religion on a large swathe of the Tibetan Plateau. The pictographs (rock paintings) and petroglyphs (rock carvings), host sites, and descriptions and analyses presented are the direct result of intensive fieldwork conducted by the author in Upper Tibet between 1995 and 2016. Information on rock art production techniques, subject identification, thematic class, mode of presentation, physical condition, estimated age, and relative location are supplied for each piece of rock art. In addition to the datasets, the book offers rock art site descriptions and assesses the cultural, religious and artistic development of these locations.