John Warden – författare

This report was produced by the CSIS Nuclear Consensus Working Group (NCWG) to assist the Obama administration in forging, during its second term, an enduring consensus about the U.S. nuclear posture. The report includes (1) seven individual statements from nuclear thinkers and practitioners across the “broad middle” of the spectrum of opinion on the role and value of U.S. nuclear weapons, the U.S. nuclear posture needed for this defined role, and a political strategy for sustaining the recommended posture; (2) a consensus statement signed by eight members of the NCWG; (3) A description of the process used by the NCWG to forge the signed statement, which includes the lessons learned from the facilitation process; and (4) A case study covering 2008-2012, which provides both a chronology of past attempts to broker consensus about the U.S. nuclear posture and the working group’s assessment of the lessons learned.

This report was produced by the CSIS Nuclear Consensus Working Group (NCWG) to assist the Obama administration in forging, during its second term, an enduring consensus about the U.S. nuclear posture. The report includes (1) seven individual statements from nuclear thinkers and practitioners across the “broad middle” of the spectrum of opinion on the role and value of U.S. nuclear weapons, the U.S. nuclear posture needed for this defined role, and a political strategy for sustaining the recommended posture; (2) a consensus statement signed by eight members of the NCWG; (3) A description of the process used by the NCWG to forge the signed statement, which includes the lessons learned from the facilitation process; and (4) A case study covering 2008-2012, which provides both a chronology of past attempts to broker consensus about the U.S. nuclear posture and the working group’s assessment of the lessons learned.

The myth of Orpheus, shaman and teacher, musician and lover, is the subject of this book. It brings together the work of scholars from a variety of disciplines to present a conspectus of the myth''s career, to show how it grows and changes to meet changing demands -- always different, yet always the same. Early Greek evidence for the Orpheus myth and a speculative explanation of its origins are offered along with chapters on the treatments of the myth by Virgil and Ovid, on Orpheus and Christianity, and on the allegorizing treatment of Orpheus which characterizes the Middle Ages. Orpheus in the Renaissance is studied in the work of the philosopher Marsilio Ficino; in Italian art from 1400 to 1600; in operas by Peri and Monteverdi; in a religious allegorical play by Calderon; and in the writings of Spenser, Milton, and Bacon. The Orpheus myth has been crucial in the defining of a culture. Its history demonstrates effectively the persistence and plasticity of myth.