John Webster – författare

Management and Welfare of Farm Animals provides comprehensive and up-to-date information on the humane management of all major farmed species in both large-scale food production and alternative farming systems. Designed for agricultural and veterinary science students, this classic textbook covers the management and welfare of species including dairy and beef cattle, veal calves, sheep, pigs, chickens, turkeys, goats, horses, and farmed fish.The sixth edition incorporates recent developments throughout, including an entirely new chapter on international developments in animal welfare law, politics, and practice. Updated chapters discuss topics such as 'high welfare' livestock systems, the impact of automation and new technologies on production and welfare, the ecological impact and sustainability issues of large-scale production systems, and more. Provides a basic understanding of the principles and practices of professional and humane farm animal managementCovers animal husbandry, behavior as an indicator of animal welfare, and the assessment, monitoring, and promotion of improved welfare at the farm levelOffers updated information on free-range poultry, robot milking, automated disease scanning, and pastoral systems in the developing worldIncludes less-common farm species such as South American camelids, ostriches, and game birdsManagement and Welfare of Farm Animals, Sixth Edition remains the ideal textbook for students in professional, technical, or vocational education courses on the management and welfare of farm animals.

Barbara Jefford, Robert Stephens and Alec McCowen lead a distinguished company in this haunting performance of Webster’s powerful tragedy of murder, revenge and thwarted love.The play begins as a love story, with a Duchess who marries beneath her class, and ends as a nightmarish tragedy as her two brothers exact their revenge, destroying themselves in the process.

The plays of Jacobean dramatist John Webster are masterpieces of early seventeenth-century English theatre. ‘The White Devil’ depicts a dark, sinister world of duplicity, intrigue and murderous infidelity, while ‘The Duchess of Malfi’ tells the macabre story of a woman who marries beneath herself and sets in motion a terrible cycle of violence. Unlike these revenge tragedies, ‘The Devil’s Law-Case’ asserts social order in a plot filled with twists of fate. Written at a time when the court of King James was rife with instability and corruption, Webster’s disturbing plays reflect this abuse of power and are known for their horrific vision of humanity – yet they are also some of the most rich, sophisticated dramas ever composed.

These four plays, written during the reigns of James I and Charles I, took revenge tragedy in dark and ambiguous new directions. In The Duchess of Malfi and The White Devil, John Webster explores the role of women and issues of power, sex and corruption in the Italian court, creating two unforgettable anti-heroines. In The Broken Heart, John Ford questions the value of emotional repression as his characters attempt to subdue their desires and hatreds in ancient Greece. Finally, Ford's masterpiece 'Tis Pity She's a Whore explores the taboo themes of incest and forbidden lust in a daring reworking of Romeo and Juliet.Jane Kingsley-Smith has edited the plays from the earliest quartos and added invaluable editorial material, including explanatory glosses and a new introduction that discusses how the playwrights used the theatre to explore issues around women, sex, power and violence.Together with the Penguin volume of Five Revenge Tragedies, edited by Emma Smith, this is the essential sourcebook for drama in the period.'Revenge, hatred, villainy, incest, and murder upon murder are their constant themes ... and they handle these horrors with little or no moral purpose, save that of exciting and amusing the audience ... We should call him a madman who allowed his daughters or his servants to see such representations' - Charles KingsleyJOHN WEBSTER was born in about 1578 in London. He studied law at the Middle Temple before embarking on a career in the theatre, collaborating on many plays with contemporary dramatists. But it was his two solo-authored tragedies, The White Devil (1612) and The Duchess of Malfi (1614) which sealed his reputation. In 1606 he married Sara Peniall, who was seven months pregnant, and they went on to have at least four children. He died in the 1630s.JOHN FORD was born in 1586 in Devon. His early career was wholly concerned with poetry and philosophical works, and it was not until the 1620s that he began collaborating on stage plays. In the late 1620s, he began writing alone, producing the eight plays on which his reputation would be based, including The Broken Heart (1620) and 'Tis Pity She's a Whore (c.1630). Nothing more is known of Ford after the performance of his last play in 1638.JANE KINGSLEY-SMITH completed her PhD at the Shakespeare Institute, Stratford-upon-Avon and is the author of two monographs: Shakespeare's Drama of Exile (2003) and Cupid in Early Modern Literature and Culture (2010). She is a Reader at Roehampton University, London, and a regular guest speaker at Shakespeare's Globe.

These four plays, written during the reigns of James I and Charles I, took revenge tragedy in dark and ambiguous new directions. In The Duchess of Malfi and The White Devil, John Webster explores the role of women and the problems of power, sex and corruption in the Italian court, creating two unforgettable anti-heroines. In The Broken Heart, John Ford questions the value of emotional repression as his characters attempt to subdue their desires and hatreds in ancient Greece. Finally, Ford's masterpiece 'Tis Pity She's a Whore explores the taboo theme of incest and forbidden lust in a daring reworking of Romeo and Juliet.Jane Kingsley-Smith has edited the plays from the earliest quartos and added invaluable editorial material, including explanatory glosses and a new introduction that discusses how the playwrights explored issues around women, sex, power and violence.JOHN WEBSTER was born in about 1578 in London. He studied law at the Middle Temple before embarking on a career in the theatre, collaborating on many plays with contemporary dramatists. But it was his two solo-authored tragedies, The White Devil (1612) and The Duchess of Malfi (1614), which sealed his reputation. He died in the 1630s.JOHN FORD was born in 1586 in Devon. His early career was wholly concerned with poetry and philosophical works, and it was not until the 1620s that he began collaborating on stage plays. In the late 1620s, he began writing alone, producing the eight plays on which his reputation would be based, including The Broken Heart (1620) and 'Tis Pity She's a Whore (c.1630). Nothing more is known of Ford after the performance of his last play in 1638.JANE KINGSLEY-SMITH completed her PhD at the Shakespeare Institute, Stratford-upon-Avon and is the author of two monographs: Shakespeare's Drama of Exile (2003) and Cupid in Early Modern Literature and Culture (2010). She is a Reader at Roehampton University, London, and a regular guest speaker at Shakespeare's Globe.

Following the end of Queen Elizabeth's reign in the early seventeenth century, the new court of King James was beset by political instability and moral corruption. This atmosphere provided fertile ground for the dramatists of the age, whose plays explore the ways in which social decadence and the abuse of power breed resentment and lead inexorably to violence and bloody retribution. In Tourneur's The Revenger's Tragedy, the debauched son of an Italian Duke attempts to rape the virtuous Gloriana - a veiled reference to Elizabeth I. Webster's The White Devil depicts a sinister world of intrigue and murderous infidelity, while The Changeling, perhaps Middleton's supreme achievement, powerfully portrays a woman bringing about her own unwitting destruction. All three are masterpieces of brooding intensity, dominated by images of decay, disillusionment and death.

Following the end of Queen Elizabeth's reign in the early seventeenth century, the new court of King James was beset by political instability and moral corruption. This atmosphere provided fertile ground for the dramatists of the age, whose plays explore the ways in which social decadence and the abuse of power breed resentment and lead inexorably to violence and bloody retribution. In Tourneur's The Revenger's Tragedy, the debauched son of an Italian Duke attempts to rape the virtuous Gloriana - a veiled reference to Elizabeth I. Webster's The White Devil depicts a sinister world of intrigue and murderous infidelity, while The Changeling, perhaps Middleton's supreme achievement, powerfully portrays a woman bringing about her own unwitting destruction. All three are masterpieces of brooding intensity, dominated by images of decay, disillusionment and death.

The plays of Jacobean dramatist John Webster are masterpieces of early seventeenth-century English theatre. ‘The White Devil’ depicts a dark, sinister world of duplicity, intrigue and murderous infidelity, while ‘The Duchess of Malfi’ tells the macabre story of a woman who marries beneath herself and sets in motion a terrible cycle of violence. Unlike these revenge tragedies, ‘The Devil’s Law-Case’ asserts social order in a plot filled with twists of fate. Written at a time when the court of King James was rife with instability and corruption, Webster’s disturbing plays reflect this abuse of power and are known for their horrific vision of humanity – yet they are also some of the most rich, sophisticated dramas ever composed.

The Oxford Handbook of Systematic Theology brings together a set of original and authoritative accounts of all the major areas of current research in Christian systematic theology, offering a thorough survey of the state of the discipline and of its prospects for those undertaking research and teaching in the field. The Handbook engages in a comprehensive examination of themes and approaches, guiding the reader through current debates and literatures in the context of the historical development of systematic theological reflection. Organized thematically, it treats in detail the full array of topics in systematic theology, as well as questions of its sources and norms, its relation to other theological and non-theological fields of enquiry, and some major trends in current work. Each chapter provides an analysis of research and debate on its topic. The focus is on doctrinal (rather than historical) questions, and on major (rather than ephemeral) debates. The aim is to stimulate readers to reach theological judgements on the basis of consideration of the range of opinion. Drawn from Europe, the UK, and North America, the authors are all leading practitioners of the discipline. Readers will find expert guidance as well as creative suggestions about the future direction of the study of Christian doctrine.

The Oxford Handbook of Systematic Theology brings together a set of original and authoritative accounts of all the major areas of current research in Christian systematic theology, offering a thorough survey of the state of the discipline and of its prospects for those undertaking research and teaching in the field. The Handbook engages in a comprehensive examination of themes and approaches, guiding the reader through current debates and literatures in the context of the historical development of systematic theological reflection. Organized thematically, it treats in detail the full array of topics in systematic theology, as well as questions of its sources and norms, its relation to other theological and non-theological fields of enquiry, and some major trends in current work. Each chapter provides an analysis of research and debate on its topic. The focus is on doctrinal (rather than historical) questions, and on major (rather than ephemeral) debates. The aim is to stimulate readers to reach theological judgements on the basis of consideration of the range of opinion. Drawn from Europe, the UK, and North America, the authors are all leading practitioners of the discipline. Readers will find expert guidance as well as creative suggestions about the future direction of the study of Christian doctrine.

The Oxford Handbook of Systematic Theology brings together a set of original and authoritative accounts of all the major areas of current research in Christian systematic theology, offering a thorough survey of the state of the discipline and of its prospects for those undertaking research and teaching in the field. The Handbook engages in a comprehensive examination of themes and approaches, guiding the reader through current debates and literatures in the context of the historical development of systematic theological reflection. Organized thematically, it treats in detail the full array of topics in systematic theology, as well as questions of its sources and norms, its relation to other theological and non-theological fields of enquiry, and some major trends in current work. Each chapter provides an analysis of research and debate on its topic, identifying and interpreting options and laying out the basis for the reader to explore the territory, asking: What are the critical issues? How have these issues developed and been expounded? What are current prospects? The focus is on doctrinal (rather than historical) questions, and on major (rather than ephemeral) debates. The aim is to stimulate readers to reach theological judgements on the basis of consideration of the range of opinion. Drawn from Europe, the UK, and North America, the authors are all leading practitioners of the discipline. Readers will find expert guidance as well as creative suggestions about the future direction of the study of Christian doctrine.

This volume offers John Webster's two great Jacobean tragedies, The White Devil and The Duchess of Malfi, together with his brilliant tragicomedy, The Devil's Law-Case, and the comedy written with William Rowley, A Cure for a Cuckold. Webster is a radically and creatively experimental dramatist. His tragedies deploy shifting dramatic perspectives which counteract and challenge conventional moral judgements, while the predominantly gentler tone of his comedies and tragicomedies responds inventively to contemporary changes in dramatic taste and fashion. All four plays display the provocative intelligence of a profoundly original playwright. Under the General Editorship of Michael Cordner of the University of York, the texts of the plays have been newly edited and are presented with modernized spelling and punctuation. In addition, there is detailed annotation, a glossary, and a critical introduction which traces Webster's artistic development, defends him against charges of over-indulgence in violence, and explores his sophisticated staging and scenic forms. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

The Oxford Handbook of Systematic Theology brings together a set of original and authoritative accounts of all the major areas of current research in Christian systematic theology, offering a thorough survey of the state of the discipline and of its prospects for those undertaking research and teaching in the field. The Handbook engages in a comprehensive examination of themes and approaches, guiding the reader through current debates and literatures in the context of the historical development of systematic theological reflection. Organized thematically, it treats in detail the full array of topics in systematic theology, as well as questions of its sources and norms, its relation to other theological and non-theological fields of enquiry, and some major trends in current work. Each chapter provides an analysis of research and debate on its topic. The focus is on doctrinal (rather than historical) questions, and on major (rather than ephemeral) debates. The aim is to stimulate readers to reach theological judgements on the basis of consideration of the range of opinion. Drawn from Europe, the UK, and North America, the authors are all leading practitioners of the discipline. Readers will find expert guidance as well as creative suggestions about the future direction of the study of Christian doctrine.

Here, John Webster presents a trinitarian theology of holiness, which is aimed at a wide range of audiences, including ordinands, students of theology and interested laypeople. According to this account, God's holiness is known not in his simple transcendence but in his gracious and free relationship to his creatures. That holiness finds an echo in the holiness of the Christian community, especially in worship and witness, and in the life of the individual disciple. Integrating biblical, dogmatic and practical theology, the book - which is based on the Day-Higginbotham lectures delivered in the University of Toronto in 2002 - offers a succinct account of a central theme in Christian teaching and practice.

Here, John Webster presents a trinitarian theology of holiness, which is aimed at a wide range of audiences, including ordinands, students of theology and interested laypeople. According to this account, God''s holiness is known not in his simple transcendence but in his gracious and free relationship to his creatures. That holiness finds an echo in the holiness of the Christian community, especially in worship and witness, and in the life of the individual disciple. Integrating biblical, dogmatic and practical theology, the book - which is based on the Day-Higginbotham lectures delivered in the University of Toronto in 2002 - offers a succinct account of a central theme in Christian teaching and practice.

Too many calves die young or fail to survive at the cost of enormous financial loss and suffering. Good calf performance and health can be achieved if the stockmanship is good. Today this implies not only a sense of care but a thorough science-based education. Aimed at both students and stockmen, this book explains the scientific basis of calf-rea

This book deals with the basic principles of husbandry, feeding, housing, health, behaviour, economics and welfare. It explains relevant aspects of calf function and evaluates conventional and novel husbandry systems in terms of their effects on animal performance, health and welfare.

This Norton Critical Edition of John Webster’s 1612–13 tragedy offers a newly edited and annotated text together with a full introduction and illustrative materials intended for student readers. The Duchess of Malfi’s themes of love, loyalty and betrayal have resonated through the centuries, making this a perennially popular play with audiences and readers alike.

Focusing on the ecology of fungi, this book discusses such topics as: the life strategies of fungi, the structure of fungi, the mycelium and substrates for growth, colonization and decomposition of leaves, colonization and decay of wood, and fungi of the soil and rhizosphere.

Too many calves die young or fail to survive at the cost of enormous financial loss and suffering. Good calf performance and health can be achieved if the stockmanship is good. Today this implies not only a sense of care but a thorough science-based education. Aimed at both students and stockmen, this book explains the scientific basis of calf-rear

Too many calves die young or fail to survive at the cost of enormous financial loss and suffering. Good calf performance and health can be achieved if the stockmanship is good. Today this implies not only a sense of care but a thorough science-based education. Aimed at both students and stockmen, this book explains the scientific basis of calf-rear

The evils of greed and ambition overwhelm love, innocence, and the bonds of kinship in this dark tragedy concerning the secret marriage of a noblewoman and a commoner. John Webster's great Jacobean drama detailing the fiendish schemes of two brothers who desire their wealthy sister's title and estates ends with a bloody and horrifying climax.

This authoritative book introducing Karl Barth is written by leading scholars of his work, drawn from Europe and North America. They offer challenging yet accessible accounts of the major features of Barth''s theological work, especially as it has become available through the publication of his collected works, and interact with the very best of contemporary Barth scholarship. The contributors also assess Barth''s significance for contemporary constructive theology, and his place in the history of twentieth-century Christian thought. The Companion both sums up and extends recent renewed interest in Barth''s theology, especially in English-speaking theology, and shows him to be once again a major voice in constructive theology.

This new edition of the universally acclaimed and widely-used textbook on fungal biology has been completely re-written, drawing directly on the authors'' research and teaching experience. The text takes account of the rapid and exciting progress that has been made in the taxonomy, cell and molecular biology, biochemistry, pathology and ecology of the fungi. Features of taxonomic relevance are integrated with natural functions, including their relevance to human affairs. Special emphasis is placed on the biology and control of human and plant pathogens, providing a vital link between fundamental and applied mycology. The book is richly illustrated throughout with specially prepared drawings and photographs, based on living material. Illustrated life-cycles are provided, and technical terms are clearly explained. Extensive reference is made to recent literature and developments, and the emphasis throughout is on whole-organism biology from an integrated, multidisciplinary perspective.

This new edition of the universally acclaimed and widely-used textbook on fungal biology has been completely re-written, drawing directly on the authors' research and teaching experience. The text takes account of the rapid and exciting progress that has been made in the taxonomy, cell and molecular biology, biochemistry, pathology and ecology of the fungi. Features of taxonomic relevance are integrated with natural functions, including their relevance to human affairs. Special emphasis is placed on the biology and control of human and plant pathogens, providing a vital link between fundamental and applied mycology. The book is richly illustrated throughout with specially prepared drawings and photographs, based on living material. Illustrated life-cycles are provided, and technical terms are clearly explained. Extensive reference is made to recent literature and developments, and the emphasis throughout is on whole-organism biology from an integrated, multidisciplinary perspective.

This is the first volume to appear in the Cambridge edition of the works of John Webster, beginning with the plays The White Devil and The Duchess of Malfi. The following volume planned for publication will include the other plays as well as the poems and prose. While both The White Devil and The Duchess of Malfi are available in modernized versions, the Cambridge edition incorporates the more recent editorial scholarship including valuable information on Webster's biography, critical methods, and textual theory. In particular, the edition integrates theatrical aspects of the texts with their bibliographical and literary features in a way not previously attempted for a scholarly edition of a Jacobean dramatist. The edition also presents previously unpublished material including a fragment of an otherwise lost play and a hitherto unknown poem and provides a brief biography of Webster, a history of the Webster canon, and reception history for each play.