John Whenham – författare

A detailed study of the earliest opera to have gained a foothold in the modern repertoire, the book begins with a historical section in which all the known evidence about the creation and early performances of Orfeo is drawn together and evaluated. The second section of the book includes a detailed history of the rediscovery of the opera; an influential essay by Joseph Kerman is reprinted here, together with a review by Romain Rolland of the first modern performance of Orfeo. The final section includes essays by a conductor and a producer who have staged notable performances of the opera in recent years. They explain their approaches to the work, and offer solutions to some of the problems it poses in performance.

Monteverdi's Vespers is an exceptional collection of sacred music, both in the inventiveness of the compositions that it contains and in the debate that it has provoked over its use in the seventeenth century and over Monteverdi's intentions in publishing it. This Handbook provides a guide to the music in all its aspects - from an introduction to the service of Vespers itself, through the practice of chanting psalms in plainsong to analysis of Monteverdi's settings, ranging from the rhetoric of the motet 'Nigra sum' to the sub-text of the psalm 'Laetatus sum'. It also examines the issues involved in performing the Vespers and evaluates various scholarly debates on the music, challenging the long-held ideas that the sacred concertos are antiphon substitutes and that the music could not have been performed at Santa Barbara, Mantua. The book includes the texts and plainsongs used by Monteverdi, and a discography.

Monteverdi's Vespers is an exceptional collection of sacred music, both in the inventiveness of the compositions that it contains and in the debate that it has provoked over its use in the seventeenth century and over Monteverdi's intentions in publishing it. This Handbook provides a guide to the music in all its aspects - from an introduction to the service of Vespers itself, through the practice of chanting psalms in plainsong to analysis of Monteverdi's settings, ranging from the rhetoric of the motet 'Nigra sum' to the sub-text of the psalm 'Laetatus sum'. It also examines the issues involved in performing the Vespers and evaluates various scholarly debates on the music, challenging the long-held ideas that the sacred concertos are antiphon substitutes and that the music could not have been performed at Santa Barbara, Mantua. The book includes the texts and plainsongs used by Monteverdi, and a discography.

Claudio Monteverdi is one of the most important figures of 'early' music, a composer whose music speaks powerfully and directly to modern audiences. This book, first published in 2007, provides an authoritative treatment of Monteverdi and his music, complementing Paolo Fabbri's standard biography of the composer. Written by leading specialists in the field, it is aimed at students, performers and music-lovers in general and adds significantly to our understanding of Monteverdi's music, his life, and the contexts in which he worked. Chapters offering overviews of his output of sacred, secular and dramatic music are complemented by 'intermedi', in which contributors examine individual works, or sections of works in detail. The book draws extensively on Monteverdi's letters and includes a select discography/videography and a complete list of Monteverdi's works together with an index of first lines and titles.