Jon Curley – författare

The Poetry and Poetics of Michael Heller: A Nomad Memory is the first comprehensive treatment of a singularly important American poet of the twentieth and twenty-first centuries. Michael Heller (b. 1937) has amassed a body of poetry and criticism that places him in the vanguard of modern literature, and this essay collection provides the first extensive critical treatment of his varied career. This book 's multifaceted appraisal of his engagement with poetry as well as crucial ideas across various traditions establishes him as a preeminent writer among his contemporaries and younger generations, and as a major poet in any era.

The Poetry and Poetics of Michael Heller: A Nomad Memory is the first comprehensive treatment of a singularly important American poet of the twentieth and twenty-first centuries. Michael Heller (b. 1937) has amassed a body of poetry and criticism that places him in the vanguard of modern literature, and this essay collection provides the first extensive critical treatment of his varied career. This book ''s multifaceted appraisal of his engagement with poetry as well as crucial ideas across various traditions establishes him as a preeminent writer among his contemporaries and younger generations, and as a major poet in any era.

This book offers a comprehensive analysis of Northern Irish poetry focusing on the colonial, political, and cultural underpinnings that have shaped artistic expression in a variety of ways. In discussing the rich poetry reflecting the conflict of community, Jon Curley examines what aesthetic choices poets make in order to register, resist, or re-imagine life and thought under particularly tumultuous conditions. The focus is on both the better-known contemporary Northern Irish poets as well as their more obscure but no less significant counterparts. Forms of communal identity generated in Northern Ireland are examined by way of an ethical critique that references the conceptual blockages and innovations that help foster new poetic representations of society. Establishing the complexity and potency of poetic experimentation, Poets and Partitions is a timely commentary for all those interested in the intersection of aesthetics and politics. The exploration of communal identity-formations in Northern Irish poetry or poetry in general has been dismissed by some critics as an unhelpful approach to understanding literature. But, as this study demonstrates, it is a vital area of scholarly examination and Jon Curley's in-depth analysis illuminates understanding of how poets confront their communal, social, and sectarian orders.