Jon Hackett - Böcker

Beasts of the Deep: Sea Creatures and Popular Culture offers its readers an in-depth and interdisciplinary engagement with the sea and its monstrous inhabitants; through critical readings of folklore, weird fiction, film, music, radio and digital games. Within the text there are a multitude of convergent critical perspectives used to engage and explore fictional and real monsters of the sea in media and folklore. The collection features chapters from a variety of academic perspectives; post- modernism, psychoanalysis, industrial-organisational analysis, fandom studies, sociology and philosophy are featured. Under examination are a wide range of narratives and media forms that represent, reimagine and create the Kraken, mermaids, giant sharks, sea draugrs and even the weird creatures of H.P. Lovecraft.Beasts of the Deep offers an expansive study of our sea-born fears and anxieties, that are crystallised in a variety of monstrous forms. Repeatedly the chapters in the collection encounter the contemporary relevance of our fears of the sea and its inhabitants – through the dehumanising media depictions of refugees in the Mediterranean to the encroaching ecological disasters of global warming, pollution and the threat of mass marine extinction.

Beasts of the Forest: Denizens of the Dark Woods offers its readers an in-depth and interdisciplinary engagement with the forest and its monstrous inhabitants; through critical readings of folklore, fiction, film, music video and animation. Within the text there are a multitude of convergent critical perspectives used to engage and explore fictional and real monsters of the forest in media and folklore. The collection features chapters from a variety of academic perspectives: film and media studies, cultural studies, queer theory, Tolkien studies, mythology and popular music are featured. Under examination are a wide range of narratives and media forms that represent, reimagine and create the werewolves, witches and weird apparitions that inhabit the forest, along with the forest as a monstrous entity in itself.Whether they be our shelter and safe-haven or the domain of malevolent spirits and sprites, forests have the capacity to horrify and threaten those that venture into them without permission. Human interference has continually threatened forests across the world, yet this threat is reversed in myth, folklore and more recent cultural forms. This collection ranges widely to analyse how forests figure in contemporary culture, as well as the wider contexts in which such representations are inserted.

Often the sky is conceptualised as a place of infinite possibilities, past the limits of our scientific explorations – and into the realms of our fiction and speculation; it is the site for our thoughts on the future, of the extra-terrestrial and beyond. Our representations in the media of space, sky and the infinite invariably mediate social and cultural anxieties that are current, looming and indeed threatening. These concerns range from the environment and fears of ecosystem collapse; the nuclear arms and space race; modernity, utopia and dystopia.Beasts of the Sky: Strange Sightings from the Stratosphere is the third and final collection in the Beasts series. This collection offers its readers an in-depth and interdisciplinary engagement with the skies above and their monstrous inhabitants, through critical readings of science fiction and popular culture – through the media of film, television, popular music, digital games and animation.Within this collection there are a multitude of convergent critical perspectives used to engage and explore fictional and real monstrosities of the sky and space in media. As with previous collections, Skies features chapters from a variety of academic perspectives; genre and narrative, textual analysis, spectatorship and reception, Tolkien studies, performance studies, digital media and indeed fiction are featured. Under examination are a wide range of narratives and media forms that represent, reimagine and create subjects as varied as the threat of nuclear weapons, sightings of UFOs, space exploration and flying creatures.

Popular music and masculinity have rarely been examined through the lens of research into monstrosity. The discourses associated with rock and pop, however, actually include more ‘monsters’ than might at first be imagined. Attention to such individuals and cultures can say things about the operation of genre and gender, myth and meaning. Indeed, monstrosity has recently become a growing focus of cultural theory. This is in part because monsters raise shared concerns about transgression, subjectivity, agency, and community. Attention to monstrosity evokes both the spectre of projection (which invokes familial trauma and psychoanalysis) and shared anxieties (that in turn reflect ideologies and beliefs). By pursuing a series of insightful case studies, Scary Monsters considers different aspects of the connection between music, gender and monstrosity. Its argument is that attention to monstrosity provides a unique perspective on the study of masculinity in popular music culture.