Jonathan Buckley – författare

Longlisted for the Booker Prize 2025.On losing her father, Teresa returns to a small town on the Greek coast – the same place she visited when grieving her mother nine years ago. She immerses herself again in the life of the town, observing the inhabitants going about their business, a quiet backdrop for her reckoning with herself. An episode from her first visit resurfaces vividly – her encounter with John, a man struggling to come to terms with the violent death of his nephew. Soon Teresa encounters some of the people she met last time around: Petros, an eccentric mechanic, whose life story may or may not be part of John's; the beautiful Niko, a diving instructor; and Xanthe, a waitress in one of the cafés on the leafy town square. They talk about their longings, regrets, the passing of time, their sense of who they are. Artfully constructed, absorbing and insightful, One Boat is a brilliant novel grappling with questions of identity, free will, guilt and responsibility.

A novel of intense, flickering intelligence, Tell is structured as a series of interviews with a woman who worked as a gardener for a wealthy businessman and art collector who has mysteriously disappeared, and may or may not have committed suicide. What might be a gloomy subject is instead alluring, lit from within by a lively deep knowledge of human nature: Buckley's eye for motivations brings to mind a Thomas Hardy for our atomized 21st-century. A thrilling novel of strange, intoxicating immediacy, Tell carries the pleasures of exciting new gossip enjoyed with a rare old cognac by a crackling fire. Calling his work “captivating,” John Banville has asked: “Why isn’t Jonathan Buckley better known?”

A lyrical and beautifully realised novel about a blind man's experiences of the world around him, from the acclaimed author of Ghost MacIndoe.Edward Morton, a blind translator, arrives at the Oak, an ailing spa hotel in the west of England, intending to stay for a few days to visit his family and to work. The manager of the Oak, Malcolm Caldecott, is preparing for the closure of the hotel, and for the visit of Stephanie, the daughter he has not seen for eight years. Eloni Dobra, a chambermaid at the Oak, is striving to establish a life in England, and to free herself of a burden that is crucial to her relationship both with her employer and with Edward Morton. As the nature of that burden becomes clearer, each of these four protagonists and the absent fifth – Morton's lover – move towards a crisis and, like the Oak itself, towards an uncertain future.Spanning the last three weeks of the Oak's existence, Invisible explores multiple voices – voices in conversation, voices in writing, on tape, in memory. It's an investigation of our perception of the world and our place in it, of the pleasures and deceptions of the senses, of the uses of language, of the lure of nostalgia and the difficulties of living in the present.Above all, like Buckley's previous novel, Ghost MacIndoe, it's a lyrical celebration of the transient, and an original study of love.

A stunning novel which examines our fears, prejudices and desires, from the author of ‘Ghost MacIndoe’ and ‘Invisible’.On a beach in southern England, a dog returns to its owner with a human hand in its mouth. The hand belongs to a homeless eccentric named Henry, who has been wandering the south-west of England for the last thirty years. As the local policeman and his accomplice piece together Henry’s movements prior to his death, talking to those who knew and watched him, they uncover an extraordinary life. And as the story of Henry's life becomes clearer, so the life of the narrator becomes more and more complex, in ways he could never have expected.‘So He Takes the Dog’ is a detective story like no other, a novel that further confirms Jonathan Buckley as one of the finest writers at work in this country.

Dominic Pattison's life is one of level contentment: his marriage has proved happy and durable; his business, too, is successful.And then Sam Williams, a builder and ex-squaddie, enters his life. Sam claims to be his son.Yet is Sam who he says he is? After almost thirty years, Dominic can remember little of the affair with Sam's mother. His instinct is to recoil from this aggressive and volatile stranger, who could, with just a few words, take his life apart. But Sam refuses to be dismissed.With its deft switches of sympathy between menaced 'father' and rebuffed 'son' and its exploration of the intricacies of memory, Contact will resonate long with its readers.

Daniel Brennan, approaching the premature end of his life, retreats to a room in his brother's suburban house. To divert himself and to entertain Ellen, his carer, he writes the journal that is Telescope, blurring truth, gossip and fiction in vignettes of his own life and the lives of those close to him. Above all he focuses on his siblings: mercurial Celia, whose life as a teacher in Italy seems to have run aground, and kindly Charlie, the entrepreneur of the family. Enriched with remarkable anecdotes and observations on topics ranging from tattoos and Tokyo street fashion to early French photography, Telescope is a startlingly original and moving book, a glimpse of the world through the eyes of a connoisseur of vicarious experience.

Welcome to Europe as you've never known it before, seen through the peculiarities of its languages and dialects. Combining linguistics and cultural history, Gaston Dorren takes us on an intriguing tour of the continent, from Proto-Indo-European (the common ancestor of most European languages) to the rise and rise of English, via the complexities of Welsh plurals and Czech pronunciation. Along the way we learn why Esperanto will never catch on, how the language of William the Conqueror lives on in the Channel Islands and why Finnish is the easiest European language.Surprising, witty and full of extraordinary facts, this book will change the way you think about the languages around you. Polyglot Gaston Dorren might even persuade you that English is like Chinese.

Curtis Doyle, a self-made businessman and art collector, has vanished from his palatial home in the Scottish Highlands. In the wake of his disappearance, the woman who worked as his gardener is being interviewed for a possible film about her employer. A work of strange and intoxicating immediacy, exploring wealth, the art world, and the intimacy and distance between social classes, Tell is a probing and complex examination of the ways in which we make stories of our own lives and of other people’s.

Ideal for independent travellers, this guidebook to Tuscany and Umbria, written by destination experts, combines must-see sights with hidden gems and offers essential tips for both planning and on-the-ground adventures. It's sustainably printed to ensure environmental responsibility.Inside this Tuscany and Umbria travel book, you'll find:- Regional deep dive - coverage of key regions, offering a rich selection of places and experiences, and honest reviews of each one- Itinerary samples - designed for various durations and interests- Practical information - tips on how to get there and get around, use public transport, beat the crowds, save time and money, travel responsibly and more- Expert recommendations - insider advice on where to eat, drink, and stay, alongside tips for nightlife and outdoor activities- Seasonal tips - when to go to Tuscany and Umbria, climate details, and festival highlights to plan your perfect trip- Must-See pick - a curated selection of not-to-miss sights as chosen by our authors - Piano Grande, San Gimignano, Cortona, the Uffizi, Orvieto, Perugia, Spoleto, La Verna, Michelangelo Sculptures, Alpi Apuane, the Piero della Francesca Trail, Lucca, Sant'Antimo, Campo dei Miracoli (Pisa), Duomo (Siena)- Navigational maps - colour-coded maps highlighting essential spots for dining, accommodation, shopping and entertainment- Cultural insights - engaging stories delve into the local culture, history, arts and more, enriching your understanding of Tuscany and Umbria- Language essentials - a handy Italian dictionary and glossary to help you communicate and connect with locals- Inspiring travel photography - full-colour pictures capture the essence of Tuscany and Umbria, bringing each location to life and fuelling your wanderlust- Bonus eBook - Free download with purchase, offering digital access to our comprehensive guide- Coverage includes: Florence, Lucca, Pisa, Elba, the Maremma, Siena, the Sienese hill-towns, Arezzo Province, Perugia, Assisi, Spoleto, the Valnerina, Orvieto

Ghost MacIndoe is a bold and ambitious novel that focuses on the life of Alexander MacIndoe, a self-centred man who is characterised only by his physical beauty and a complete lack of will.Jonathan Buckley’s third novel opens with Alexander MacIndoe’s earliest memory: a February morning in 1944, in the aftermath of the second wave of German air-raids. Set mainly in London and Brighton, Ghost MacIndoe is the story of the next fifty-four years of Alexander’s life. We meet his glamorous mother and his father, a pioneering plastic surgeon; a traumatised war veteran called Mr Beckwith with whom Alexander works for several years as a gardener and, most important of all, the orphaned Megan Beckwith, whose relationship with Alexander crystallises into a romance in the 1970s. In the wake of his highly praised first two novels, Jonathan Buckley’s third miraculously brings into being one simple life and the last sixty years of English history.

An epistolary novel about a concert pianist and a young man’s attempt to write his biography.Thomas Lang was an outstanding concert pianist. He was elusive, arrogant, depressive, mysterious, and a genius. He died mysteriously, probably by his own hand. Bit by bit, in a volley of letters between his would-be biographer and Lang’s brother Christopher, his life is pieced together and the real Thomas Lang begins to emerge.Jonathan Buckley’s first novel ponders the nature of biography, the question of what a life is and, more particularly, what a life becomes once it is finished, who that life belongs to. Confident, endlessly inventive, often very funny, it is one of the most assured debuts in British fiction for some time.

The small Tuscan town of Castelluccio is preparing for its annual festival, a spectacular pageant in which a leading role will be taken by the self-exiled English painter Gideon Westfall. A man proudly out of step with modernity, Westfall is regarded by some as a maestro, but in Castelluccio - as in the wider art world - he has his enemies, and his niece - just arrived from England - is no great admirer either. At the same time a local girl is missing, a disappearance that seems to implicate the artist.But the life and art of Gideon Westfall form just one strand of Nostalgia, a novel that teems with incidents and characters, from religious visionaries to folk heroes. Constantly shifting between the panoramic and the intimate, between the past and the present, Nostalgia is as intricately structured as a symphony, interweaving the narratives of history, legend, architecture - and much more - in a kaleidoscope of facts and invention.

A woman named Naomi arrives at her sister's house, intending, it seems, to say goodbye. She is abandoning her city life for a remote Scottish retreat, which she will share with a man called Bernát, whom she considers some kind of visionary. In a sequence of stories filtered through multiple re-tellings, she illuminates the character of this elusive individual. One story seems of special significance: about Afonso, an Amazon boatman, who could be the last speaker of his mother tongue, a language of apparently unique simplicity and precision. Bernat and Naomi are not, however, the only storytellers here. Naomi's sister, Kate, is herself working on a novel that begins as a ghost story, but ends up as something rather different: The river is the river.

In the small hours of January 1st, a man begins to write, having watched Le Grand Concert de la Nuit, a film in which a former lover - Imogen - plays a major role. For the next year, he writes something every day.His journal is a ritual of commemoration and an investigation of the character of Imogen and her relationships - with himself; with her family and friends; with other lovers.Imogen is an elusive subject, and The Great Concert of the Night is an intricate text, mixing scenes from the writer's memory and the present day, and scenes from Imogen's films, with observations on a range of subjects, from the visions of female saints to the history of medicine and the festivals of ancient Rome. But one subject comes to occupy him above all: what happens when a person becomes a character on the page.