Jonathan David Gross – författare

The first biography of Anne Damer since 1908, The Life of Anne Damer: Portrait of a Regency Artist, by Jonathan Gross, draws on Damer’s notebooks and previously unpublished letters to explore the life and legacy of England’s first significant female sculptor. Best known for her portraits of dogs and other animals, Damer also created busts of England’s most important political heroes, sometimes within days or hours of their historical accomplishments. This in-depth biography traces her life during the American Revolution, the French Revolution, the Peace of Amiens and the Hundred Days. Damer was convinced that art could have significant political influence, sending her bust of Nelson to the King of Tanjore to encourage trade with India. Her art stands at the transition between neoclassicism and romanticism and provides a wealth of insight into 19th century British sculpture. In the last twenty years, there has been a strong revival of interest in Damer’s life, particularly in gay and lesbian studies due to her famous relationship with author Mary Berry. This text serves as a deeper investigation of this fascinating and important figure of British art history.The emotional ménage a trois of Anne Damer, Mary Berry, and Horace Walpole forms the heart of this new biography. Gross contends that all three individuals, had they led more conventional lives, would never have given the world the literary and artistic gifts they bestowed in the form of Strawberry Hill, Belmour, and Fashionable Friends. The struggles they faced will encourage modern readers to appreciate anew the fluidity of sexual identity and passionate friendship, as well as the restraints put in place by society to control them. Anne Damer’s life has much to teach a new generation concerned with the complex relationship between love, art, and politics. The Life of Anne Damer will interest historians of Georgian England, and readers in the fine arts, literature, and history.

An early British novel, attributed to Georgiana, Duchess of Devonshire, which explores the problems of first impressions and arranged marriages from the perspective of a woman who would suffer the long-term consequences of both.Published anonymously in 1773 and attributed to Georgiana, Duchess of Devonshire, this epistolary novel explores the "unfortunate attachment" of Emma Eggerton to William Walpole. Forbidden by her father to marry the man she loves, Emma resigns herself to marrying Walpole, her father's autocratic choice of a husband. The novel's other unfortunate attachment concerns Colonel Sutton, who falls prey to the "low" machinations of the confirmed flirt Harriet Courtney. Like Jane Austen's Pride and Prejudice, Georgiana's Emma explores the dangers of first impressions and arranged marriages, but does so from the vantage point of a woman who would suffer the long-term consequences of both.Originally published when the author was only sixteen, and long out of print, Emma anticipates many of the major events of Georgiana's own life, and taken together with her second novel, The Sylph, it offers significant insights into the outlook of aristocratic women in the late eighteenth century. An Introduction by Jonathan David Gross sets the novel in the context of its time and explores the questions surrounding its authorship.

An early British novel, attributed to Georgiana, Duchess of Devonshire, which explores the problems of first impressions and arranged marriages from the perspective of a woman who would suffer the long-term consequences of both.Published anonymously in 1773 and attributed to Georgiana, Duchess of Devonshire, this epistolary novel explores the "unfortunate attachment" of Emma Eggerton to William Walpole. Forbidden by her father to marry the man she loves, Emma resigns herself to marrying Walpole, her father's autocratic choice of a husband. The novel's other unfortunate attachment concerns Colonel Sutton, who falls prey to the "low" machinations of the confirmed flirt Harriet Courtney. Like Jane Austen's Pride and Prejudice, Georgiana's Emma explores the dangers of first impressions and arranged marriages, but does so from the vantage point of a woman who would suffer the long-term consequences of both.Originally published when the author was only sixteen, and long out of print, Emma anticipates many of the major events of Georgiana's own life, and taken together with her second novel, The Sylph, it offers significant insights into the outlook of aristocratic women in the late eighteenth century. An Introduction by Jonathan David Gross sets the novel in the context of its time and explores the questions surrounding its authorship.