Jonathan Hughes – författare

The Vital Few, a study of the contribution of entrepreneurs to the American economy, provides portraits of the men and women whose individual enterprise has helped to establish the character of the American businessperson and to carry our economy forward from colonial times. Examining such legendary figures as William Penn, Eli Whitney, Henry Ford, and J. Pierpont Morgan in their social and economic environment, Jonathan Hughes illuminates each period ofAmerican economic history and provides insights into the workings of American business and the special qualities required of its super-achievers. Taking into account such dramatic changes in the economy as theexplosive growth of government and the puzzling effects of "stagflation," Hughes has now expanded his original volume. The new edition includes two additional biographies and a short essay on the nature of bureaucracy in both the government and the private sector. Both biographies are of "bureaucratic entrepreneurs", whose work in the federal government represents the two most prominent trends in government economics. Mary Switzer's 48-year career demonstrates the ways in which the modernwelfare state has developed. First a catalyst then a major force in establishing social programs and institutions, she is in large part responsible for the existence of the American welfare state.Marriner Eccles's career, on the other hand, shows the evolution of "compensatory" fiscal and monetary policies from the New Deal to the Korean War. A self-made millionaire who was appointed to a high-level job in the federal government, Eccles quit his post after 1950, convinced that American economic policy was hopelessly inflationary and economically destructive. With these new additions, The Vital Few, long a source of inspiration and economic interest, is more accessible anduseful than ever.

This book challenges the widely-held view that Marxism is unable to deal adequately with environmental problems. Jonathan Hughes considers the nature of environmental problems, and the evaluative perspectives that may be brought to bear on them. He examines Marx's critique of Malthus, his method, and his materialism, interpreting the latter as a recognition of human dependence on nature. Central to the book's argument is an interpretation of the 'development of the productive forces' which takes account of the differing ecological impacts of different productive technologies while remaining consistent with the normative and explanatory roles that this concept plays within Marx's theory. Turning finally to Marx's vision of a society founded on the communist principle 'to each according to his needs', the author concludes that the underlying notion of human need is one whose satisfaction presupposes only a modest and ecologically feasible expansion of productive output.

This book challenges the widely-held view that Marxism is unable to deal adequately with environmental problems. Jonathan Hughes considers the nature of environmental problems, and the evaluative perspectives that may be brought to bear on them. He examines Marx's critique of Malthus, his method, and his materialism, interpreting the latter as a recognition of human dependence on nature. Central to the book's argument is an interpretation of the 'development of the productive forces' which takes account of the differing ecological impacts of different productive technologies while remaining consistent with the normative and explanatory roles that this concept plays within Marx's theory. Turning finally to Marx's vision of a society founded on the communist principle 'to each according to his needs', the author concludes that the underlying notion of human need is one whose satisfaction presupposes only a modest and ecologically feasible expansion of productive output.

Non-Plan explores ways of involving people in the design of their environments - a goal which transgresses political categories of 'right' and 'left'. Attempts to circumvent planning bureaucracy and architectural inertia have ranged from free-market enterprise zones, to self-build housing, and from squatting to sophisticated technologies of prefabrication. Yet all have shared in a desire to let people shape the built environment they want to live and work in.How can buildings better reflect the needs of their inhabitants? How can cities better facilitate the work and recreation of their many populaces? Modernism had promised a functionalist approach to resolving the architectural needs of the twentieth-century, yet the design of cities and buildings often appears to confound the needs of those who use them - their design and layout being highly regulated by restrictive legislation, planning controls and bureaucracy.Non-Plan considers the theoretical and conceptual frameworks within which architecture and urbanism have sought to challenge entrenched boundaries of control, focusing on the architectural history of the post-war period to the present day. This provocative book will be of interest to architects, planners and students of architecture, design, town-planning and architectural history. Its contributors include architects, critics and historians, including many whose work helped shape the Non-Plan debate during the period.List of contributors: Cedric Price, Benjamin Franks, Elizabeth Lebas, Eleonore Kofman, Ben Highmore, Yona Friedman, Paul Barker, Clara Greed, Barry Curtis, Colin Ward, Ian Horton, John Beck, Chinedu Umenyilora and Malcolm Miles.

An original investigation into magic and alchemy in England's medieval royal courts, throwing new light on the Plantagenets, the Lancastrians and the Yorkists.

Non-Plan explores ways of involving people in the design of their environments - a goal which transgresses political categories of 'right' and 'left'. Attempts to circumvent planning bureaucracy and architectural inertia have ranged from free-market enterprise zones, to self-build housing, and from squatting to sophisticated technologies of prefabrication. Yet all have shared in a desire to let people shape the built environment they want to live and work in.How can buildings better reflect the needs of their inhabitants? How can cities better facilitate the work and recreation of their many populaces? Modernism had promised a functionalist approach to resolving the architectural needs of the twentieth-century, yet the design of cities and buildings often appears to confound the needs of those who use them - their design and layout being highly regulated by restrictive legislation, planning controls and bureaucracy.Non-Plan considers the theoretical and conceptual frameworks within which architecture and urbanism have sought to challenge entrenched boundaries of control, focusing on the architectural history of the post-war period to the present day. This provocative book will be of interest to architects, planners and students of architecture, design, town-planning and architectural history. Its contributors include architects, critics and historians, including many whose work helped shape the Non-Plan debate during the period.List of contributors: Cedric Price, Benjamin Franks, Elizabeth Lebas, Eleonore Kofman, Ben Highmore, Yona Friedman, Paul Barker, Clara Greed, Barry Curtis, Colin Ward, Ian Horton, John Beck, Chinedu Umenyilora and Malcolm Miles.

Dante's Divine Comedy in Early Renaissance England compares the intellectual, emotional, and religious world of Dante in 13th-century Florence with that of a group of English intellectuals gathered around Humphrey, Duke of Gloucester, uncle of the King, Henry VI. Here, Jonathan Hughes establishes that there was a Renaissance in 15th-century England, encouraged by the discovery and translations of works of Greek philosophers and developments in science and medicine; and that vernacular writers in Gloucester’s circle, such as John Lydgate and Robert Hoccleve, were of fundamental importance in exploring the meaning of the self and man’s relationship with the natural world and the classical past. However, the appearance in 15th-century England of Dante’s 'Commedia', the most popular work of the Middle Ages, served to remind writers and readers of the cost of intellectual enquiry: the loss of faith in a harmonious and beautiful world; the redemptive power of the love of a woman; and the tangible presence of an afterlife.Engagingly written and meticulously researched, this innovative study shines a new perspective on Dante scholarship as well as offering a unique anaylsis of intellectual thought and culture in 15th-century England.

Dante's Divine Comedy in Early Renaissance England compares the intellectual, emotional, and religious world of Dante in 13th-century Florence with that of a group of English intellectuals gathered around Humphrey, Duke of Gloucester, uncle of the King, Henry VI. Here, Jonathan Hughes establishes that there was a Renaissance in 15th-century England, encouraged by the discovery and translations of works of Greek philosophers and developments in science and medicine; and that vernacular writers in Gloucester’s circle, such as John Lydgate and Robert Hoccleve, were of fundamental importance in exploring the meaning of the self and man’s relationship with the natural world and the classical past. However, the appearance in 15th-century England of Dante’s 'Commedia', the most popular work of the Middle Ages, served to remind writers and readers of the cost of intellectual enquiry: the loss of faith in a harmonious and beautiful world; the redemptive power of the love of a woman; and the tangible presence of an afterlife.Engagingly written and meticulously researched, this innovative study shines a new perspective on Dante scholarship as well as offering a unique anaylsis of intellectual thought and culture in 15th-century England.

Using a wide range of sources and a novel interdisciplinary approach, Jonathan Hughes convincingly argues that a renaissance occurred in late 14th-century Florence and London that had less to do with the discovery of classical antiquity than the inspiration of Dante’s vernacular Divine Comedy. Hughes shines a light on how Petrarch, Boccaccio and Chaucer, writers working largely outside the traditional centres of Latin education and cultural authority like the universities, cathedrals and monasteries, realized that the language imparted by mothers to their children held the key to the creation of literature that was imaginative and personal; literature that explored the mysteries of the human personality, demonstrated the power of nature, and reflected the lives and worlds of ordinary people in the city streets and rural fields. A Premature Renaissance reflects on the ways in which this literature challenged the pre-eminence of Latin and questioned ecclesiastical assumptions (even those of Dante) about the nature of reality, the justice of Divine judgment and the existence of an afterlife, giving prominence to the voice of women and their perspective in the process.The book also considers how and why this was a brief and ultimately premature renaissance by examining the retreat of these intellectual pioneers from the bold and disturbing implications of their discoveries. In England there was an inevitable repressive response among the Latin educated patriarchy, whose intellectual and cultural authority had been so comprehensively challenged, while in Italy the heavy weight of classical antiquity stifled creative vernacular expression, preventing it from blossoming further at that time.

The first book to explore the importance of alchemy and its links to the occult in the period between 1320 and 1400.

This is the first book to explore the importance of alchemy and its links to the occult in the period between 1320 and 1400. Alchemists did more than try to transmute base metals into gold: they studied planetary influences on metals and people, refined plants and minerals in the search for medicines and advocated the regeneration of matter and spirit. This book illustrates how this new branch of thought became increasingly popular as the practical and theoretical knowledge of alchemists spread throughout England. Adopted by those in court and the circles of nobility for their own physical and spiritual needs, it was adapted for the diagnosis and therapeutic treatment of the illnesses of the body politic and its head, the king. This is the first work to synthesize all aspects of alchemy and show its contribution to intellectual, social and political life in the fourteenth century. Hughes explores a rich body of manuscripts to reveal the daily routines of the alchemist and his imaginative mindscape, and considers the contribution of alchemy to the vernacular culture and political debate, leading to a reassessment of the intellectual life of the middle ages.

This edited collection demonstrates how discourses and practices associated with marketisation, differentiation and equality are manifested in UK higher education today.