Jonathan Lethem – författare

NOW A MAJOR MOTION PICTURE FROM WARNER BROS. STARRING BRUCE WILLIS, EDWARD NORTON, AND WILLEM DAFOE

From America''s most inventive novelist, Jonathan Lethem, comes this compelling and compulsive riff on the classic detective novel.

Lionel Essrog is Brooklyn''s very own Human Freakshow, an orphan whose Tourettic impulses drive him to bark, count, and rip apart language in startling and original ways. Together with three veterans of the St. Vincent''s Home for Boys, he works for small-time mobster Frank Minna''s limo service cum detective agency. Life without Frank, the charismatic King of Brooklyn, would be unimaginable. When Frank is fatally stabbed, Lionel''s world is suddenly turned upside-down, and this outcast who has trouble even conversing attempts to untangle the threads of the case, while trying to keep the words straight in his head. A compulsively involving a and totally captivating homage to the classic detective tale.

Jonathan Lethem’s first detective novel since Motherless Brooklyn

“One of America’s greatest storytellers.” —Washington Post

Phoebe Siegler first meets Charles Heist in a shabby trailer on the eastern edge of Los Angeles. She’s looking for her friend’s missing daughter, Arabella, and hires Heist to help. A laconic loner who keeps his pet opossum in a desk drawer, Heist intrigues the sarcastic and garrulous Phoebe. Reluctantly, he agrees to help. The unlikely pair navigate the enclaves of desert-dwelling vagabonds and find that Arabella is in serious trouble—caught in the middle of a violent standoff that only Heist, mysteriously, can end. Phoebe’s trip to the desert was always going to be strange, but it was never supposed to be dangerous. . . .

Jonathan Lethem’s first detective novel since Motherless Brooklyn, The Feral Detective is a singular achievement by one of our greatest writers.

From the award-winning author of The Feral Detective and Motherless Brooklyn comes an utterly original post-collapse yarn about two siblings, the man that came between them, and a nuclear-powered super car.

The Arrest isn’t post-apocalypse. It isn’t a dystopia. It isn’t a utopia. It’s just what happens when much of what we take for granted—cars, guns, computers, and airplanes, for starters—quits working. . . . 

Before the Arrest, Sandy Duplessis had a reasonably good life as a screenwriter in L.A.  An old college friend and writing partner, the charismatic and malicious Peter Todbaum, had become one of the most powerful men in Hollywood. That didn’t hurt. 

Now, post-Arrest, nothing is what it was. Sandy, who calls himself Journeyman, has landed in rural Maine. There he assists the butcher and delivers the food grown by his sister, Maddy, at her organic farm. But then Todbaum shows up in an extraordinary vehicle: a retrofitted tunnel-digger powered by a nuclear reactor. Todbaum has spent the Arrest smashing his way across a fragmented and phantasmagorical United States, trailing enmities all the way. Plopping back into the siblings’ life with his usual odious panache, his motives are entirely unclear.  Can it be that Todbaum wants to produce one more extravaganza? Whatever he’s up to, it may fall to Journeyman to stop him. 

Written with unrepentant joy and shot through with just the right amount of contemporary dread, The Arrest is speculative fiction at its absolute finest.

From the bestselling and award-winning author ofThe Fortress of SolitudeandMotherless Brooklyncomes a sweeping story of community, crime, and gentrification, tracing over fifty years of life in one Brooklyn neighborhood.

“A blistering book. Alove story. Social commentary. History. Protest novel. And mystery joins the whole together: is the crime ''time''? Or the almighty dollar? I got a great laugh from it too. Every city deserves a book like this.” —Colum McCann, author ofApeirogonandLet the Great World Spin

On the streets of 1970s Brooklyn, a daily ritual goes down: the dance. Money is exchanged, belongings surrendered, power asserted. The promise of violence lies everywhere, a currency itself. For these children, Black, brown, and white, the street is a stage in shadow. And in the wings hide the other players: parents; cops; renovators; landlords; those who write the headlines, the histories, and laws; those who award this neighborhood its name.

The rules appear obvious at first. But in memory’s prism, criminals and victims may seem to trade places. The voices of the past may seem to rise and gather as if in harmony, then make war with one another. A street may seem to crack open and reveal what lies behind its glimmering facade. None who lived through it are ever permitted to forget.

Written with kaleidoscopic verve and delirious wit, Brooklyn Crime Novel is a breathtaking tour de force by a writer at the top of his powers. Jonathan Lethem, “one of America’s greatest storytellers” (Washington Post), has crafted an epic interrogation of how we fashion stories to contain the uncontainable: our remorse at the world we’ve made.

Bestselling author Jonathan Lethem delivers a hilarious novel about love, art, and what it''s like to be young in Los Angeles.

Lucinda Hoekke''s daytime gig as a telephone operator at the Complaint Line—an art gallery''s high-minded installation piece—is about as exciting as listening to dead air. Her real passion is playing bass in her forever struggling, forever unnamed band. But recently a frequent caller, the Complainer, as Lucinda dubs him, has captivated her with his philosophical musings. When Lucinda''s band begins to incorporate the Complainer''s catchy, existential phrases into their song lyrics, they are suddenly on the cusp of their big break. There is only one problem: the Complainer wants in.BONUS MATERIAL: This edition includes an excerpt from Jonathan Lethem''s Dissident Gardens.