Jonathan Lewis – författare

This innovative study re-evaluates the philosophical significance of aesthetics in the context of contemporary debates on the nature of philosophy. Lewis's main argument is that contemporary conceptions of meaning and truth have been reified, and that aesthetics is able to articulate why this is the case, with important consequences for understanding the horizons and nature of philosophical inquiry. Reification and the Aesthetics of Music challenges the most emphatic and problematic conceptions of meaning and truth in both analytic philosophy and postmodern thought by acknowledging the ontological and logical primacy of our concrete, practice-based experiences with aesthetic phenomena. By engaging with a variety of aesthetic practices, including Beethoven's symphonies and string quartets, Wagner's music dramas, Richard Strauss's Elektra, the twentieth-century avant-garde, Jamaican soundsystem culture, and punk and contemporary noise, this book demonstrates the aesthetic relevance of reification as well as the concept's applicability to contemporary debates within philosophy.

This play, set in 1984, concerns five young soldiers, among them veterans of the troubles in Northern Ireland and the Hyde Park bombing, who are killing nothing but time in a quiet ward of the Queen Elizabeth Military Hospital, with television, games, pornography, bragging one-upmanship and cynical humour as their only means of mental escape. Tensions arise when a young officer is billeted with them, and a bitter, savage war of words, only just disguised as humour, is waged against him. After an hilarious birthday party, into which several cans of beer have been smuggled, the six find themselves facing charges of misconduct - and then the fighting really starts. Fired by the author's anger at the Army's neglect of its wounded heroes, the play is a perceptive and surprisingly tender work.

This innovative study re-evaluates the philosophical significance of aesthetics in the context of contemporary debates on the nature of philosophy. Lewis's main argument is that contemporary conceptions of meaning and truth have been reified, and that aesthetics is able to articulate why this is the case, with important consequences for understanding the horizons and nature of philosophical inquiry. Reification and the Aesthetics of Music challenges the most emphatic and problematic conceptions of meaning and truth in both analytic philosophy and postmodern thought by acknowledging the ontological and logical primacy of our concrete, practice-based experiences with aesthetic phenomena. By engaging with a variety of aesthetic practices, including Beethoven's symphonies and string quartets, Wagner's music dramas, Richard Strauss's Elektra, the twentieth-century avant-garde, Jamaican soundsystem culture, and punk and contemporary noise, this book demonstrates the aesthetic relevance of reification as well as the concept's applicability to contemporary debates within philosophy.

This book is an anthology of effective database management techniques representing the collective wisdom of the OakTable Network. With an emphasis upon performance—but also branching into security, national language, and other issues—the book helps you deliver the most value for your company’s investment in Oracle Database technologies. You’ll learn to effectively plan for and monitor performance, to troubleshoot systematically when things go wrong, and to manage your database rather than letting it manage you.

Oracle Core: Essential Internals for DBAs and Developers by Jonathan Lewis provides just the essential information about Oracle Database internals that every database administrator needs for troubleshooting—no more, no less.

Announcing a new book from Apress and the OakTable Network: Oracle Insights: Tales of the Oak Table presents 11 world-renowned industry specialists proffering their own highly experienced views, input, and insights on Oracle - where it's been, where it's going, how (and how not) to use it successfully, the software and techniques that theyve introduced to help people achieve their goals, and some frightening tales of what can happen when fundamental design principles are ignored. The collaborating authors have solved many of the worst Oracle performance problems in the world, and they've each saved at least one doomed flagship project. Over many years, they've been sharing their unique knowledge with each other at conferences, around the OakTable, and in coffee shops, restaurants, and bars on five continents. Now they want to share their key insights with you. A major focus of this book concerns the ways in which you can avoid common and debilitating mistakes when building Oracle software projects. From these stories, you'll learn the simple steps that will help you avoid real pain on your next (or current) Oracle project.

The question, "Why isn't Oracle using my index?" must be one of the most popular (or perhaps unpopular) questions ever asked on the Oracle help forums. You've picked exactly the right columns, you've got them in the ideal order, you've computed statistics, you've checked for null columns—and the optimizer flatly refuses to use your index unless you hint it. What could possibly be going wrong?If you've suffered the frustration of watching the optimizer do something completely bizarre when the best execution plan is totally obvious, or spent hours or days trying to make the optimizer do what you want it to do, then this is the book you need. You'll come to know how the optimizer thinks, understand why it makes mistakes, and recognize the data patterns that make it go awry. With this information at your fingertips, you will save an enormous amount of time on designing and trouble-shooting your SQL.The cost-based optimizer is simply a piece of code that contains a model of how Oracle databases work. By applying this model to the statistics about your data, the optimizer tries to efficiently convert your query into an executable plan. Unfortunately, the model can't be perfect, your statistics can't be perfect, and the resulting execution plan may be far from perfect.In Cost-Based Oracle Fundamentals, the first book in a series of three, Jonathan Lewis—one of the foremost authorities in this field—describes the most commonly used parts of the model, what the optimizer does with your statistics, and why things go wrong. With this information, you'll be in a position to fix entire problem areas, not just single SQL statements, by adjusting the model or creating more truthful statistics.

This is the first book-length study to analyse and problematize the notion of literary texts as ‘sites of memory’ with regard to the representation of the Algerian War of Independence (1954–62), and memories of it, in the work of French authors of Algerian origin. The book considers a primary corpus spanning over forty literary texts published between 1981 and 2012, analysing the extent to which texts are able to collect diverse and apparently competing memories, and in the process present the heterogeneous nature of memories of the Algerian War. By setting up the notion of literary texts as ‘sites of memory’, where the potentially explosive but also consensual encounter between former colonizer and colonized subject takes place, the book contributes to ongoing debates surrounding the contested place of narratives of empire in French collective memory, and the ambiguous place of immigrants from the former colonies and their children in dominant definitions of French identity.

This volume pays tribute to the work of Professor Kate Marsh (1974-2019), an outstanding scholar whose research covered an extraordinarily wide range of interests and approaches, encompassing the history of empire, literature, politics and cultural production across the Francophone world from the eighteenth to the twenty-first century. Each of the chapters within engages with a different aspect of Marsh’s interest in French colonialism and the entanglements of its complex afterlives — whether it be her interest in the longevity of imperial rivalries; loss and colonial nostalgia; exoticism and the female body; decolonization and the ends of empire; the French colonial imagination; the policing of racialized bodies; or anti-colonial activism and resistance. As well as reflecting the geographical and intellectual breadth of Marsh’s research, the volume demonstrates how her work continues to resonate with emerging scholarship around decoloniality, transcolonial mobilities and anti-colonial resistance in the Francophone world. From French India to Algeria and from the Caribbean to contemporary France, this collection demonstrates the persistent relevance of Marsh’s scholarship to the histories and legacies of empire, while opening up conversations about its implications for decolonial approaches to imperial histories and the future of Francophone Postcolonial Studies.

This volume pays tribute to the work of Professor Kate Marsh (1974-2019), an outstanding scholar whose research covered an extraordinarily wide range of interests and approaches, encompassing the history of empire, literature, politics and cultural production across the Francophone world from the eighteenth to the twenty-first century. Each of the chapters within engages with a different aspect of Marsh’s interest in French colonialism and the entanglements of its complex afterlives — whether it be her interest in the longevity of imperial rivalries; loss and colonial nostalgia; exoticism and the female body; decolonization and the ends of empire; the French colonial imagination; the policing of racialized bodies; or anti-colonial activism and resistance. As well as reflecting the geographical and intellectual breadth of Marsh’s research, the volume demonstrates how her work continues to resonate with emerging scholarship around decoloniality, transcolonial mobilities and anti-colonial resistance in the Francophone world. From French India to Algeria and from the Caribbean to contemporary France, this collection demonstrates the persistent relevance of Marsh’s scholarship to the histories and legacies of empire, while opening up conversations about its implications for decolonial approaches to imperial histories and the future of Francophone Postcolonial Studies.

A biting comedy set in the hidden world of the voice-over artist.Digby is agonising over his Desert Island Discs selection, while Greg can’t take the pressure of being down to the last two for a new regular on EastEnders. Mel is refusing to speak to her ex, while Paddy is pretending to be a banker. They have shared their Soho pad through the highs and lows of their acting careers, but when Digby introduces a charismatic young actor into the group, things start to change. With their livelihoods about to be stolen by computers and a strike on the cards, there's suddenly plenty to shout about.Jonathan Lewis and Miranda Foster's play All Mouth was first staged at the Menier Chocolate Factory, London, in 2007.