Jonathan Locke Hart – författare

Shakespeare and Asia brings together innovative scholars from Asia or with Asian connections to explore these matters of East-West and global contexts then and now. The collection ranges from interpretations of Shakespeare’s plays and his relations with other authors like Marlowe and Dickens through Shakespeare and history and ecology to studies of film, opera or scholarship in Japan, Russia, India, Pakistan, Singapore, Taiwan and mainland China. The adaptations of Kozintsev and Kurosawa; Bollywood adaptations of Shakespeare’s plays; different Shakespearean dramas and how they are interpreted, adapted and represented for the local Pakistani audience; the Peking-opera adaptation of Hamlet ; Féng Xiǎogāng’s The Banquet as an adaptation of Hamlet; the ideology of the film, Shakespeare Wallah. Asian adaptations of Hamlet will be at the heart of this volume. Hamlet is also analyzed in light of Oedipus and the Sphinx. Shakespeare is also considered as a historicist and in terms of what influence he has on Chinese writers and historical television. Lear is Here and Cleopatra and Her Fools, two adapted Shakespearean plays on the contemporary Taiwanese stage, are also discussed. This collection also examines in Shakespeare the patriarchal prerogative and notion of violence; carnival and space in the comedies; the exotic and strange; and ecology. The book is rich, ranging and innovative and will contribute to Shakespeare studies, Shakespeare and media and film, Shakespeare and Asia and global Shakespeare.

Precipitation drives the dynamics of flows and storages in water systems, making its monitoring essential for water management. Conventionally, precipitation is monitored using in-situ and remote sensors. In-situ sensors are arranged in networks, which are usually sparse, providing continuous observations for long periods at fixed points in space, and due to the high costs of such networks, they are often sub-optimal. To increase the efficiency of the monitoring networks, we explore the use of sensors that can relocate as rainfall events develop (dynamic sensors), as well as increasing the number of sensors involving volunteers (citizens). This research focusses on the development of an approach for merging heterogeneous observations in non-stationary precipitation fields, exploring the interactions between different definitions of optimality for the design of sensor networks, as well as development of algorithms for the optimal scheduling of dynamic sensors. This study was carried out in three different case studies, including Bacchiglione River (Italy), Don River (U.K.) and Brue Catchment (U.K.) The results of this study indicate that optimal use of dynamic sensors may be useful for monitoring precipitation to support water management and flow forecasting.

Shakespeare, the Renaissance and Empire presents Shakespeare as both a local and global writer, investigating Shakespeare’s trans-cultural writing through the interrelations and interactions of binaries including theory and practice, past and present, aesthetics and ethics, freedom and tyranny, republic and empire, empires and colonies, poetry and history, rhetoric and poetics, England and America, and England and Asia. The book breaks away from traditional western-centric analysis to present a universal Shakespeare, exposing readers to the relevance and significance of Shakespeare within their local contexts and cultures. This text aims to present a global Shakespeare, utilizing a dual perspective or dialectical presentation, mainly centred on questions of (1) how Shakespeare can be viewed as both an English writer and a world writer; (2) how language operates across genres and kinds of discourse; and (3) how Shakespeare helps to articulate a poetics of both texts (literature) and contexts (cultures). The book’s originality lies in its articulation of the importance and value of Shakespeare in the emerging landscape of global culture.

Shakespeare, the Renaissance and Empire presents Shakespeare as both a local and global writer, investigating Shakespeare’s trans-cultural writing through the interrelations and interactions of binaries including theory and practice, past and present, aesthetics and ethics, freedom and tyranny, republic and empire, empires and colonies, poetry and history, rhetoric and poetics, England and America, and England and Asia. The book breaks away from traditional western-centric analysis to present a universal Shakespeare, exposing readers to the relevance and significance of Shakespeare within their local contexts and cultures. This text aims to present a global Shakespeare, utilizing a dual perspective or dialectical presentation, mainly centred on questions of (1) how Shakespeare can be viewed as both an English writer and a world writer; (2) how language operates across genres and kinds of discourse; and (3) how Shakespeare helps to articulate a poetics of both texts (literature) and contexts (cultures). The book’s originality lies in its articulation of the importance and value of Shakespeare in the emerging landscape of global culture.

Shakespeare and Asia brings together innovative scholars from Asia or with Asian connections to explore these matters of East-West and global contexts then and now. The collection ranges from interpretations of Shakespeare’s plays and his relations with other authors like Marlowe and Dickens through Shakespeare and history and ecology to studies of film, opera or scholarship in Japan, Russia, India, Pakistan, Singapore, Taiwan and mainland China. The adaptations of Kozintsev and Kurosawa; Bollywood adaptations of Shakespeare’s plays; different Shakespearean dramas and how they are interpreted, adapted and represented for the local Pakistani audience; the Peking-opera adaptation of Hamlet ; Féng Xiǎogāng’s The Banquet as an adaptation of Hamlet; the ideology of the film, Shakespeare Wallah. Asian adaptations of Hamlet will be at the heart of this volume. Hamlet is also analyzed in light of Oedipus and the Sphinx. Shakespeare is also considered as a historicist and in terms of what influence he has on Chinese writers and historical television. Lear is Here and Cleopatra and Her Fools, two adapted Shakespearean plays on the contemporary Taiwanese stage, are also discussed. This collection also examines in Shakespeare the patriarchal prerogative and notion of violence; carnival and space in the comedies; the exotic and strange; and ecology. The book is rich, ranging and innovative and will contribute to Shakespeare studies, Shakespeare and media and film, Shakespeare and Asia and global Shakespeare.

Making and Seeing Modern Texts explores the poetics of texts through a close reading and analysis across the genres of poetry, drama, fiction, non-fiction travel literature and theory. This volume demonstrates that prose, as much as poetry, share the making and seeing of language, literary practice, and theory. Genre, then, is presented as a guide that crosses multiple boundaries. This volume selects different ways to examine texts, discussing Michael Ondaatje’s early poetry and examining narrative in Philip Roth’s The Human Stain. The book examines images in poetry, narrative in fiction, prefaces in non-fiction, metatheatre in drama, and attempts to see the modern and postmodern in theory, all of which show us the complexities of modernity or later modernity. One of the innovations is that the author, a literary critic/theorist, poet and historian, takes his training in practice and theory and shows, through examples of each, how language operates across genres.

Shakespeare, the Renaissance and Empire: Poetry, Philosophy and Politics is the second volume of this study and builds on the first, which concentrated on related matters, including geography and language. In both volumes, a key focus is close analysis of the text and an attention to Shakespeare’s use of signs, verbal and visual, to represent the world in poetry and prose, in dramatic and non-dramatic work as well as some of the contexts before, during and after the Renaissance. Shakespeare’s representation of character and action in poetry and theatre, his interpretation and subsequent interpretations of him are central to the book as seen through these topics: German Shakespeare, a life and no life, aesthetics and ethics, liberty and tyranny, philosophy and poetry, theory and practice, image and text. The book also explores the typology of then and now, local and global.

Shakespeare, the Renaissance and Empire: Poetry, Philosophy and Politics is the second volume of this study and builds on the first, which concentrated on related matters, including geography and language. In both volumes, a key focus is close analysis of the text and an attention to Shakespeare’s use of signs, verbal and visual, to represent the world in poetry and prose, in dramatic and non-dramatic work as well as some of the contexts before, during and after the Renaissance. Shakespeare’s representation of character and action in poetry and theatre, his interpretation and subsequent interpretations of him are central to the book as seen through these topics: German Shakespeare, a life and no life, aesthetics and ethics, liberty and tyranny, philosophy and poetry, theory and practice, image and text. The book also explores the typology of then and now, local and global.

Making and Seeing Modern Texts explores the poetics of texts through a close reading and analysis across the genres of poetry, drama, fiction, non-fiction travel literature and theory. This volume demonstrates that prose, as much as poetry, share the making and seeing of language, literary practice, and theory. Genre, then, is presented as a guide that crosses multiple boundaries. This volume selects different ways to examine texts, discussing Michael Ondaatje’s early poetry and examining narrative in Philip Roth’s The Human Stain. The book examines images in poetry, narrative in fiction, prefaces in non-fiction, metatheatre in drama, and attempts to see the modern and postmodern in theory, all of which show us the complexities of modernity or later modernity. One of the innovations is that the author, a literary critic/theorist, poet and historian, takes his training in practice and theory and shows, through examples of each, how language operates across genres.

The Words of Winston Churchill, a study that ranges over the course of a rich, controversial and remarkable career, is about the power and art of his language as a writer and speaker. Churchill used words as the greatest of poets and orators do, and did so in Parliament and for the people, Britain and the empire, in war and peace, facing the changes in the world, and resisting Hitler and the Nazis. Drawing on the traditions of poetics, rhetoric and textual commentary, the study concentrates on Churchill’s writing and is sensitive to texts and contexts and to the archive. A central matter is Churchill speaking in Parliament and the reception of his speeches there for over six decades, although his work as a writer and a speaker outside the House of Commons is also important. Churchill speaks to the House, the people, Britain, the Empire, the Commonwealth and the world and, in crisis, defends freedom and democracy.

This book focuses on a close analysis of selected speeches of Winston Churchill in the House of Commons and some of the responses from fellow MPs from 1933-1940 in peace and war, during the rise of Hitler, and concentrates on foreign affairs. The study will appeal to those interested in Churchill, freedom, tyranny, diplomacy, war and conflict, democracy, politics, the 1930s, the Second World War, Britain, the English-speaking world, Canada, the United States, the British Empire and Commonwealth, Europe, France, Asia, Germany, totalitarianism, Parliament and legislative assemblies, rhetoric, language, style, speech-writing, oral and written communication, literature, history and other areas. The debate between autocracy and the tyrannical totalitarian on the one hand and democracy on the other is the debate of those times and ours. The reader will find many parallels, some chilling, with our own times. Churchill and his contemporaries have much to teach us.Churchill was key to our world history and is a key to understanding what is at stake in the world now.

This book focuses on a close analysis of selected speeches of Winston Churchill in the House of Commons and some of the responses from fellow MPs from 1933-1940 in peace and war, during the rise of Hitler, and concentrates on foreign affairs. The study will appeal to those interested in Churchill, freedom, tyranny, diplomacy, war and conflict, democracy, politics, the 1930s, the Second World War, Britain, the English-speaking world, Canada, the United States, the British Empire and Commonwealth, Europe, France, Asia, Germany, totalitarianism, Parliament and legislative assemblies, rhetoric, language, style, speech-writing, oral and written communication, literature, history and other areas. The debate between autocracy and the tyrannical totalitarian on the one hand and democracy on the other is the debate of those times and ours. The reader will find many parallels, some chilling, with our own times. Churchill and his contemporaries have much to teach us.Churchill was key to our world history and is a key to understanding what is at stake in the world now.

The Words of Winston Churchill, a study that ranges over the course of a rich, controversial and remarkable career, is about the power and art of his language as a writer and speaker. Churchill used words as the greatest of poets and orators do, and did so in Parliament and for the people, Britain and the empire, in war and peace, facing the changes in the world, and resisting Hitler and the Nazis. Drawing on the traditions of poetics, rhetoric and textual commentary, the study concentrates on Churchill’s writing and is sensitive to texts and contexts and to the archive. A central matter is Churchill speaking in Parliament and the reception of his speeches there for over six decades, although his work as a writer and a speaker outside the House of Commons is also important. Churchill speaks to the House, the people, Britain, the Empire, the Commonwealth and the world and, in crisis, defends freedom and democracy.

This book focuses on a close analysis of selected speeches of Winston Churchill in the House of Commons and some of the responses from fellow MPs from the middle of 1940 to the death of Churchill in 1965, speeches in war and peace, and concentrates on foreign affairs. The book will appeal to those interested in Churchill, freedom, tyranny, diplomacy, war and conflict, democracy, politics, the Second World War, the Cold War, Britain, Canada, the United States, the British Empire and Commonwealth, Europe, France, Asia, Germany, Japan, totalitarianism, Parliament, legislative assemblies, rhetoric, language, style, speech-writing, oral and written communication, literature, history and other areas. The debate between autocracy (tyranny, totalitarianism) and democracy is in those times and ours, with many parallels, chilling. Churchill was key to our world history and is a key to understanding what is at stake in the world now.

This book focuses on a close analysis of selected speeches of Winston Churchill in the House of Commons and some of the responses from fellow MPs from the middle of 1940 to the death of Churchill in 1965, speeches in war and peace, and concentrates on foreign affairs. The book will appeal to those interested in Churchill, freedom, tyranny, diplomacy, war and conflict, democracy, politics, the Second World War, the Cold War, Britain, Canada, the United States, the British Empire and Commonwealth, Europe, France, Asia, Germany, Japan, totalitarianism, Parliament, legislative assemblies, rhetoric, language, style, speech-writing, oral and written communication, literature, history and other areas. The debate between autocracy (tyranny, totalitarianism) and democracy is in those times and ours, with many parallels, chilling. Churchill was key to our world history and is a key to understanding what is at stake in the world now.

This is the first book to discuss the full sweep of the work of J. Hillis Miller, from his earliest writing in the 1950s to those near the time of his death in February 2021, across the genres of his criticism and theory—poetry, fiction, drama, fiction, non-fiction. The book examines Miller’s preference for close and careful reading of individual literary and critical works over abstract theory. The study will discuss the last member of the so-called Yale School of deconstruction to die but will see him as a reader and lover of literature, someone interested in Georges Poulet and phenomenology and in Jacques Derrida and deconstruction. Miller was concerned about many aspects of literature and life, including the pleasure of reading and writing and in climate change, which he saw as the crisis of our time. Miller was well known in humanities and literature worldwide as one of the greatest of modern critics and theorists.

This is the first book to discuss the full sweep of the work of J. Hillis Miller, from his earliest writing in the 1950s to those near the time of his death in February 2021, across the genres of his criticism and theory—poetry, fiction, drama, fiction, non-fiction. The book examines Miller’s preference for close and careful reading of individual literary and critical works over abstract theory. The study will discuss the last member of the so-called Yale School of deconstruction to die but will see him as a reader and lover of literature, someone interested in Georges Poulet and phenomenology and in Jacques Derrida and deconstruction. Miller was concerned about many aspects of literature and life, including the pleasure of reading and writing and in climate change, which he saw as the crisis of our time. Miller was well known in humanities and literature worldwide as one of the greatest of modern critics and theorists.

Language in Literature examines the overlap and blurring boundaries of English, comparative and world poetry and literature. Questions of language, literature, translation and creative writing are addressed as befitting an author who is a poet, literary scholar and historian. The book begins with metaphor, which Aristotle thought, in Poetics, was the key gift of the poet, and discusses it in theory and practice; it moves from the identity of metaphor to identity in translation and culture; it examines poetry in a comparative and world context; it looks at image and text; it explores literature and culture in the Cold War; it explores the role of the poet and scholar in translating poetry East and West; it places creative writing in theory and practice in context East and West; it concludes by summing up and suggesting implications of creation in language, translating and interpreting, and its expression in literature, especially in poetry.

Language in Literature examines the overlap and blurring boundaries of English, comparative and world poetry and literature. Questions of language, literature, translation and creative writing are addressed as befitting an author who is a poet, literary scholar and historian. The book begins with metaphor, which Aristotle thought, in Poetics, was the key gift of the poet, and discusses it in theory and practice; it moves from the identity of metaphor to identity in translation and culture; it examines poetry in a comparative and world context; it looks at image and text; it explores literature and culture in the Cold War; it explores the role of the poet and scholar in translating poetry East and West; it places creative writing in theory and practice in context East and West; it concludes by summing up and suggesting implications of creation in language, translating and interpreting, and its expression in literature, especially in poetry.

Language is the central concern of this book. Colonization, poetry and Shakespeare – and the Renaissance itself – provide the examples. I concentrate on text in context, close reading, interpretation, interpoetics and translation with particular instances and works, examining matters of interpoetics in Renaissance poetry and prose, including epic, and the Hugo translation of Shakespeare in France and trying to bring together analysis that shows how important language is in the age of European expansion and in the Renaissance. I provide close analysis of aspects of colonization, front matter (paratext) in poetry and prose, and Shakespeare that deserve more attention. The main themes and objectives of this book are an exploration of language in European colonial texts of the “New World,” paratexts or front matter, Renaissance poetry and Shakespeare through close reading, including interpoetics (liminality), translation and key words.

Language is the central concern of this book. Colonization, poetry and Shakespeare – and the Renaissance itself – provide the examples. I concentrate on text in context, close reading, interpretation, interpoetics and translation with particular instances and works, examining matters of interpoetics in Renaissance poetry and prose, including epic, and the Hugo translation of Shakespeare in France and trying to bring together analysis that shows how important language is in the age of European expansion and in the Renaissance. I provide close analysis of aspects of colonization, front matter (paratext) in poetry and prose, and Shakespeare that deserve more attention. The main themes and objectives of this book are an exploration of language in European colonial texts of the “New World,” paratexts or front matter, Renaissance poetry and Shakespeare through close reading, including interpoetics (liminality), translation and key words.

This book is about poetry and the poetic in the cultures and literatures of Britain, Canada and the United States. Close reading is the primary method. The figures discussed in the book were born from 1911 to the post-war years after 1945. The volume proceeds from Marshall McLuhan as a poet through Douglas LePan, Ted Hughes, Leonard Cohen, Margaret Atwood, Thomas King and Forrest Gander to Hannah Lowe, Russell Leong, Marilyn Chin, Fred Wah (interpoetics, poetry and culture in Chinese diasporic poetry), Louis Riel, Pauline Johnson, Naomi McIlwraith (Indigenous and Métis poetry), Gaspar Pérez de Villagrá, Anne Bradstreet, Phillis Wheatley, Langston Hughes, Joan Kane, Russell Leong, Marilyn Chin and Forrest Gander (the multiple makings of poetry of North America). Here is a poetry of the North Atlantic world, a transatlantic poetics then and now. The book reads poetry and the poetic in terms of media, aesthetics, drama, criticism, music, interpoetics, diaspora, culture, diversity, and African, Asian and Indigenous poets.

Nature, Literature and Culture: Affinities, Influences, Lives and Ideas explores the profound connections between scientific inquiry and literary expression across generations of thinkers and writers.In poetry, Erasmus Darwin attempts to decode the mysteries of botany and geology, while through autobiography and biography, Charles Darwin makes sense of both himself and his grandfather’s shared fascination with biology. Jane Gray concentrates on the life of Asa Gray, a champion of Darwin at Harvard. Both Charles Darwin and Jane Gray humanize their subjects while simultaneously revealing their own perspectives and passions. The Thaxters demonstrate how artistic and interests flow from one generation to the next. Writing humanizes mathematics, physics, chemistry and biology through the works of Marie Curie reflecting on Pierre Curie and herself, Bertrand Russell examining his own life and contributions, and Sara Turing chronicling the remarkable life of her son, Alan Turing. Denis Kelly offers a unique dual perspective as he represents both himself and Winston Churchill, focusing on the intersection of historical life, scholarship and leadership.This volume concludes with contemporary ecological writing, reflecting our generation’s urgent focus on climate and environmental concerns, bringing the conversation full circle from scientific wonder to responsibility.

Private Charles Smith had been dead for close to a century when Jonathan Hart discovered the soldier's small diary in the Baldwin Collection at the Toronto Public Library. The diary's first entry was marked 28 June 1915. After some research, Hart discovered that Charles Smith was an Anglo-Canadian, born in Kent, and that this diary was almost all that remained of this forgotten man, who like so many soldiers from ordinary families had lost his life in the First World War. In reading the diary, Hart discovered a voice full of life, and the presence of a rhythm, a cadence that urged him to bring forth the poetry in Smith's words. Unforgetting Private Charles Smith is the poetic setting of the words in Smith's diary, work undertaken by Hart with the intention of remembering Smith's life rather than commemorating his death.

Musing is a book of sonnets. Working within the frameworkof a classic poetic form, Jonathan Locke Hart embarks on an extendedmeditation on our rootedness in landscape and in the past. As sonnets,some of the poems are traditional, some innovative. Throughout, Hartdeftly imparts a European poetic flavour to a fundamentally NorthAmerican experience.The collection opens with a foreword by noted literary scholarGordon Teskey, who reflects on the themes that have marked theevolution of Hart's poetry. Of Musings, Teskey writes:"These deeply thoughtful poems bring layered historicalconsciousness into the sonnet. They also touch and stir the heartthrough all its levels."