Jonathan Stone – författare

Forty years’ accumulation of art, antiques, and family photographs are more than just objects for Stanley Peke—they are proof of a life fully lived. A life he could have easily lost long ago.

When a con man steals his houseful of possessions in a sophisticated moving-day scam, Peke wanders helplessly through his empty New England home, inevitably reminded of another helpless time: decades in Peke’s past, a cold and threadbare Stanislaw Shmuel Pecoskowitz eked out a desperate existence in the war-torn Polish countryside, subsisting on scraps and dodging Nazi soldiers. Now, the seventy-two-year-old Peke—who survived, came to America, and succeeded—must summon his original grit and determination to track down the thieves, retrieve his things, and restore the life he made for himself.

Peke and his wife, Rose, trace the path of the thieves’ truck across America, to the wilds of Montana, and to an ultimate, chilling confrontation with not only the thieves but also with Peke’s brutal, unresolved past.

Twenty-three-year-old Elaine Kelly doesn’t earn much as a bank teller, and most of her salary goes toward caring for her terminally ill mother. When a lonely old man who deposits money at her bank every week gets hit and killed by a delivery truck, Elaine—a good Irish girl from Queens—thinks she’s found the answer to her problems. She’ll just transfer $1 million from the dead man’s account into hers.

Except that the lonely old man may not have been who he seemed. And when you take $1 million that isn’t yours, it can cost you…way more.

Acclaimed author Jonathan Stone’s pulse-pounding thriller takes readers from the darkest corners of New York’s financial empire into a shadowy hierarchy of wealth and power. The Teller follows the money—and takes readers along for the wild ride.

Revised edition: This edition of The Teller includes editorial revisions.

Chas is a detective who doesn’t stake out cheating husbands, track down missing persons, or match wits with femmes fatales. Instead of pounding the pavement, he taps a computer keyboard. He can get the goods on anyone, and it’s all to make sure superstar Las Vegas mind reader Wallace the Amazing stays amazing. Thanks to Chas’s steady stream of stealthy intel, Wallace’s mental “magic” packs houses every night.

But when someone threatens to call the psychic showman’s bluff, the sweet gig takes a sour—and sinister—turn. Who’s the clean-cut couple gunning for Wallace with an arsenal of dirty tricks? Why does Wallace keep upping the ante instead of backing down? And just how much does Chas really know about his mysterious boss’s life…or his own? The tangled truth—of blackmail, kidnapping, and false identities—quickly becomes the biggest case of his strange, secret career.

When retired police detective Joe Heller is called in to investigate what might be Antarctica’s first murder, he quickly discovers that winter at McMurdo Station comes with a unique set of challenges: darkness, isolation, and the eccentric behavior of the research facility’s 157 inhabitants. But a difficult investigation turns much tougher when all communication with the outside world is suddenly cut off.

While Heller works diligently to reconstruct the scene of the crime, evidence mounts that a pathogenic event could be ravaging the rest of the planet. As night descends, fear mounts, and confusion reigns, the killer strikes again. If this is a global cataclysm, is someone now picking off the human race’s few remaining survivors? Is this the end of the world—or just the end of Joe Heller’s?

Decadence and Modernism in European and Russian Literature and Culture: Aesthetics and Anxiety in the 1890s rewrites the story of early modernist literature and culture by drawing out the tensions underlying its simultaneous engagement with Decadence and Symbolism, the unsustainable combination of this world and the other. With a broadly framed literary and cultural approach, Jonathan Stone examines a shift in perspective that explodes the notion of reality and showcases the uneasy relationship between the tangible and intangible aspects of the surrounding world. Modernism quenches a growing fascination with the ephemeral and that which cannot be seen while also doubling down on the significance of the material world and finding profound meaning in the physical and the corporeal. Decadence and Symbolism complement the broader historical trajectory of the fin de siècle by affirming the novelty of a modernist mindset and offering an alternative to the empirical and positivistic atmosphere of the nineteenth century. Stone seeks to recreate a significant historical and cultural moment in the development of modernity, a moment that embraces the concept of Decadence while repurposing its aesthetic and social import to help navigate the fundamental changes that accompanied the dawn of the twentieth century.