JosA(c) Luis BermAºdez – författare

Philosophical work on the nature of thought has, until recently, focused primarily on what it is for an individual to think, leaving aside important questions about the intersubjective dimension of thought. For example: In what sense, if any, can thoughts really be shared? Is there a shareability requirement on successful communication, disagreement, or the transmission of knowledge? Do particular types of thought such as those based on perception or self-location raise distinctive challenges to their shareability? More generally, how should we understand the communication and coordination of our thoughts in exchanges with others? Are there distinctive rationality constraints governing the intersubjective aspects of thought? Sharing Thoughts brings together original work by established and emerging philosophers to address these and related foundational issues, while also paying attention to more specific questions such as the interplay between the intersubjectivity of thought and the internalism/externalism debate, the elucidation of first-person or egocentric thought, our capacity for joint thinking, the conditions for knowledge transmission and collective inquiry, the expression of thought in music, and more.

Philosophical work on the nature of thought has, until recently, focused primarily on what it is for an individual to think, leaving aside important questions about the intersubjective dimension of thought. For example: In what sense, if any, can thoughts really be shared? Is there a shareability requirement on successful communication, disagreement, or the transmission of knowledge? Do particular types of thought such as those based on perception or self-location raise distinctive challenges to their shareability? More generally, how should we understand the communication and coordination of our thoughts in exchanges with others? Are there distinctive rationality constraints governing the intersubjective aspects of thought? Sharing Thoughts brings together original work by established and emerging philosophers to address these and related foundational issues, while also paying attention to more specific questions such as the interplay between the intersubjectivity of thought and the internalism/externalism debate, the elucidation of first-person or egocentric thought, our capacity for joint thinking, the conditions for knowledge transmission and collective inquiry, the expression of thought in music, and more.

Aristotle's De Anima is an extraordinarily influential text in the history of philosophy; it is also one of the earliest works in what we now call psychology. Aristotle explores the psuchA , a distinctively Greek concept that overlaps in certain respects with our modern notions of the mind and the soul, but also applies to plants and non-human animals. The De Anima develops an innovative and challenging account of the relation between the psuchA and the body, and offers thought-provoking analyses of the different capacities of the psuchA , starting with nutrition and reproduction. A general discussion of perception is followed by detailed accounts of the five individual sense modalities, as well as perceptual imagination. After subtly exploring the intellectual capacities that he considers distinctive to human beings (where we find his famous discussion of the "e;agent intellect"e;) Aristotle gives a sophisticated account of how desire leads to action.In this lively and accessible Oxford Guide, which presupposes no knowledge of Greek, JosA(c) Luis BermA dez situates the De Anima in the context of ancient Greek philosophy, and places it within Aristotle's corpus as a whole. Each chapter is organized around focus readings from the De Anima and elsewhere in Aristotle's writings (as well as from Plato's Phaedo and Theaetetus). BermA dez develops a historically-informed account of Aristotle's arguments in the De Anima that draws connections with contemporary philosophy of mind as appropriate. The reader is introduced to some of the key topics and controversies in modern Aristotle scholarship, as well as to the insights of the ancient and medieval commentators.

Aristotle's De Anima is an extraordinarily influential text in the history of philosophy; it is also one of the earliest works in what we now call psychology. Aristotle explores the psuchA , a distinctively Greek concept that overlaps in certain respects with our modern notions of the mind and the soul, but also applies to plants and non-human animals. The De Anima develops an innovative and challenging account of the relation between the psuchA and the body, and offers thought-provoking analyses of the different capacities of the psuchA , starting with nutrition and reproduction. A general discussion of perception is followed by detailed accounts of the five individual sense modalities, as well as perceptual imagination. After subtly exploring the intellectual capacities that he considers distinctive to human beings (where we find his famous discussion of the "e;agent intellect"e;) Aristotle gives a sophisticated account of how desire leads to action.In this lively and accessible Oxford Guide, which presupposes no knowledge of Greek, JosA(c) Luis BermA dez situates the De Anima in the context of ancient Greek philosophy, and places it within Aristotle's corpus as a whole. Each chapter is organized around focus readings from the De Anima and elsewhere in Aristotle's writings (as well as from Plato's Phaedo and Theaetetus). BermA dez develops a historically-informed account of Aristotle's arguments in the De Anima that draws connections with contemporary philosophy of mind as appropriate. The reader is introduced to some of the key topics and controversies in modern Aristotle scholarship, as well as to the insights of the ancient and medieval commentators.

Featuring contributions from Matthew Kieran, Aaron Ridley, Roger Scruton and Mary Mothersill to name but a few, this collection of groundbreaking new papers on aesthetics and ethics, highlights the link between the two subjects. These leading figures tackle the important questions that arise when one thinks about the moral dimensions of art and the aesthetic dimension of moral life.

The volume is a significant contribution to philosophical literature, opening up unexplored questions and shedding new light on more traditional debates in aesthetics. The topics explored include:

the relation of aesthetic to ethical judgment

the relation of artistic experience to moral consciousness

the moral status of fiction

the concepts of sentimentality and decadence

the moral dimension of critical practice, pictorial art and music

the moral significance of tragedy

the connections between artistic and moral issues elaborated in the writings of central figures in modern philosophy, such as Kant, Schopenhauer and Nietzsche.

The contributors share the view that progress in aesthetics requires detailed study of the practice of criticism. This volume will appeal to both the philosophical community and to researchers in areas such as literary theory, musicology and the theory of art.