Joscelyn Godwin – författare

A magnificent edition of Splendor Solis for all those interested in alchemy, magic and mysterious manuscripts. Popularly attributed to the legendary figure Salomon Trismosin, Splendor Solis ('Splendour of the Sun') is the most beautiful alchemical manuscript ever made, with 22 fabulous illustrations rich in allegorical and mystical symbolism. The paintings are given a fitting showcase in this new Watkins edition, which accompanies them with Joscelyn Godwin's excellent contemporary translation of the original 16th-century German text, as well as interpretation from alchemical experts Stephen Skinner and Georgiana Hedesan, and from Rafa? T. Prinke, an authority in central and Eastern European esoteric manuscripts. Stephen Skinner explains the symbolism of both the text and the illustrations, suggesting that together they describe the physical process of the alchemical transmutation of base metal into gold. Rafal T. Prinke explains the theories about the authorship of both text and illustrations, discussing Splendor Solis as the turning point in alchemical iconography passing from the medieval tradition to that of the Baroque and the reasons for the misattribution of Splendor Solis to Poysel and Trismosin. Georgiana Hedesan looks at the legendary figure of Salomon Trismosin and his creation by followers of Theophrastus Paracelsus as part of an attempt to integrate their master in a lineage of ancient alchemical philosophers. The images are taken from the British Library manuscript Harley 3469, the finest example of the Splendor Solis to survive.

This is an intellectual history of occult and esoteric currents in the English-speaking world from the early Romantic period to the early twentieth century. The Theosophical Society, founded in 1875 by Helena P. Blavatsky, holds a crucial position as the place where all these currents temporarily united, before again diverging. The book's ambiguous title points to the author's thesis that Theosophy owed as much to the skeptical Enlightenment of the eighteenth century as it did to the concept of spiritual enlightenment with which it is more readily associated.The author respects his sources sufficiently to allow that their world, so different from that of academic reductionism, has a right to be exhibited on its own terms. At the same time he does not conceal the fact that he considers many of them deluded and deluding.In the context of theosophical history, this book is neither on the side of the blind votaries of Madame Blavatsky, nor on that of her enemies. It may, therefore, be expected to mildly annoy both sides.

Godwin traces the history of the idea, held since ancient times, that the whole cosmos, with its circling planets and stars, is in some way a musical or harmonious entity. The author shows how this concept has continued to inspire philosophers, astronomers, and mystics from antiquity to the present day.

Joscelyn Godwin explores music's effects on matter, living things, and human behavior. Turning to metaphysical accounts of the higher worlds and theories of celestial harmony, the author follows the path of musical inspiration on its descent to Earth, illuminating the archetypal currents that lie beneath Western musical history.

A guide to the phenomenal crop of prophets, cults, and utopian communities that arose in Upstate New York from 1776 to 1914.Bronze Medalist, 2016 Independent Publisher Book Awards in the US Northeast -Best Regional Non-Fiction CategoryHonorable Mention, 2015 Foreword Reviews INDIEFAB Book of the Year Awards in the Religion Category From 1776 to 1914, an amazing collection of prophets, mediums, sects, cults, utopian communities, and spiritual leaders arose in Upstate New York. Along with the best known of these, such as the Shakers, Mormons, and Spiritualists, this book explores more than forty other spiritual leaders or groups, some of them virtually unknown, but all of them fascinating. The author uncovers common threads that characterize these homegrown spiritualities, including roots in Western esoteric traditions, liberation from the psychological pressures of dogmatic Christianity, a preoccupation with sex, and involvement in the radical reform movements of the day. In addition to maps and photographs of surviving buildings and monuments, the book also features a gazetteer of sites listing 150 locations connected to these groups, which may be used as a helpful travel guide to the region.

Atlantis has held a perennial place in the collective imagination of humanity from ancient Greece onward. Many of the great minds of the occult and esoteric world wrote at length on their theories of Atlantis--about its high culture, its possible location, its ultimate demise, and their predictions of a return to Atlantean enlightenment or the downfall of modern society. Beginning with a review of the rationalist writings on Atlantis--those that use geographic and geologic data to validate their theories--renowned scholar Joscelyn Godwin then analyzes and compares writings on Atlantis from many of the great occultists and esotericists of the 19th and 20th centuries, including Fabre d’Olivet, G. I. Gurdjieff, Guido von List, Julius Evola, Edgar Cayce, Dion Fortune, and René Guénon, whose writings often stem from deeper, metaphysical sources, such as sacred texts, prophecy, or paranormal communication. Seeking to unravel and explain the histories and interpretations of Atlantis and its kindred myths of Lemuria and Mu, the author shows how these different views go hand-in-hand with the concept of cyclical history, such as the Vedic system of the four Yugas, the Mayan calendar with its 2012 end-date, the theosophical system of root races, and the precession of the equinoxes. Venturing broader and deeper than any other book on Atlantis, this study also covers reincarnation, human evolution or devolution, the origins of race, and catastrophe theory.

A comprehensive study of the major occult writings on Atlantis • Fully examines the many occult teachings on Atlantis, including those from G. I. Gurdjieff, Madame Blavatsky, Julius Evola, Edgar Cayce, Fabre d’Olivet, and Dion Fortune • Shows how these writings correlate with the concept of cyclical history, such as the Mayan calendar and 2012, the Age of Aquarius, and the four Yugas • By a renowned scholar, author, editor, and translator of more than 30 books Atlantis has held a perennial place in the collective imagination of humanity from ancient Greece onward. Many of the great minds of the occult and esoteric world wrote at length on their theories of Atlantis--about its high culture, its possible location, its ultimate demise, and their predictions of a return to Atlantean enlightenment or the downfall of modern society. Beginning with a review of the rationalist writings on Atlantis--those that use geographic and geologic data to validate their theories--renowned scholar Joscelyn Godwin then analyzes and compares writings on Atlantis from many of the great occultists and esotericists of the 19th and 20th centuries, including Fabre d’Olivet, G. I. Gurdjieff, Guido von List, Julius Evola, Edgar Cayce, Dion Fortune, and René Guénon, whose writings often stem from deeper, metaphysical sources, such as sacred texts, prophecy, or paranormal communication. Seeking to unravel and explain the histories and interpretations of Atlantis and its kindred myths of Lemuria and Mu, the author shows how these different views go hand-in-hand with the concept of cyclical history, such as the Vedic system of the four Yugas, the Mayan calendar with its 2012 end-date, the theosophical system of root races, and the precession of the equinoxes. Venturing broader and deeper than any other book on Atlantis, this study also covers reincarnation, human evolution or devolution, the origins of race, and catastrophe theory.

The idea that the universe is created out of sound or music (and therefore is music) is a very ancient one. In this book, Joscelyn Godwin brings together three contemporary German thinkers who exemplify this tradition in its modern variants: Marius Schneider, Rudolf Haase, and Hans Erhard Lauer. The selections draw on ancient Indian sources and mythology; Kepler''s Platonic vision of a musical, geometric universe; and the evolution of the tone systems of music. While every music lover senses the power and truth that reside in music, very few actually approach music as a path to cosmic knowledge. Godwin takes literally Beethoven''s assertion that "Music is a higher revelation than all wisdom or philosophy." Godwin writes, ". . .to penetrate the mysteries of music is to prepare for initiation into those fathomless mysteries of man and cosmos."

Professor of Music at Colgate University and a widely respected musicologist, Godwin traces the history of the idea, held since ancient times, that the whole cosmos, with its circling planets and stars, is in some way a musical or harmonious entity. The author shows how this concept has continued to inspire philosophers, astronomers, and mystics from antiquity to the present day.

An illustrated reference book on a seminal figure of occult philosophy and Renaissance thought• Explains Fludd’s thoughts on cosmic harmonies, divination, the kabbalah, astrology, geomancy, alchemy, the Rosicrucians, and multiple levels of existence• Includes more than 200 of Fludd’s illustrations, representing the whole corpus of Fludd’s iconography, each one accompanied by Godwin’s expert commentary• Explores Fludd’s medical work as an esoteric Paracelsian physician and his theories on the macrocosm of elements, planets, stars, and subtle and divine beings and the microcosm of the human being and its creative activities, including material never before translatedOne of the last Renaissance men, Robert Fludd (1574-1637) was one of the great minds of the early modern period. A physician by profession, he was also a Christian Hermetist, a Rosicrucian, an alchemist, astrologer, musician, and inventor. His drive to encompass the whole of human knowledge--from music to alchemy, from palmistry to fortification--resulted in a series of books remarkable for their hundreds of engravings, a body of work recognized as the first example of a fully-illustrated encyclopedia.In this in-depth, highly illustrated reference, scholar and linguist Joscelyn Godwin explains Fludd’s theories on the correspondence between the macrocosm of elements, planets, stars, and subtle and divine beings and the microcosm of the human being and its creative activities. He shows how Fludd’s two worlds--the macrocosm and the microcosm--along with Paracelsus’s medical principles and the works of Hermes Trismegistus provided the foundation for his search for the cause and cure of all diseases. The more than 200 illustrations in the book represent the whole corpus of Fludd’s iconography, each one accompanied by Godwin’s expert commentary and explanation. Sharing many passages translated for the first time from Fludd’s Latin, allowing him to speak for himself, Godwin explores Fludd’s thoughts on cosmic harmonies, divination, the kabbalah, astrology, geomancy, and the rapport between the multiple levels of existence. He also analyzes Fludd’s writings in defense of alchemy and the Rosicrucians.An essential reference for scholars of Renaissance thinkers, traditional cosmology, metaphysics, and the Western esoteric tradition, this book offers intimate access to Fludd’s worlds and gives one a feel for an epoch in which magic, science, philosophy, spirituality, and imagination could still cohabit and harmonize within a single mind.

An illustrated reference book on a seminal figure of occult philosophy and Renaissance thought • Explains Fludd’s thoughts on cosmic harmonies, divination, the kabbalah, astrology, geomancy, alchemy, the Rosicrucians, and multiple levels of existence • Includes more than 200 of Fludd’s illustrations, representing the whole corpus of Fludd’s iconography, each one accompanied by Godwin’s expert commentary • Explores Fludd’s medical work as an esoteric Paracelsian physician and his theories on the macrocosm of elements, planets, stars, and subtle and divine beings and the microcosm of the human being and its creative activities, including material never before translated One of the last Renaissance men, Robert Fludd (1574-1637) was one of the great minds of the early modern period. A physician by profession, he was also a Christian Hermetist, a Rosicrucian, an alchemist, astrologer, musician, and inventor. His drive to encompass the whole of human knowledge--from music to alchemy, from palmistry to fortification--resulted in a series of books remarkable for their hundreds of engravings, a body of work recognized as the first example of a fully-illustrated encyclopedia. In this in-depth, highly illustrated reference, scholar and linguist Joscelyn Godwin explains Fludd’s theories on the correspondence between the macrocosm of elements, planets, stars, and subtle and divine beings and the microcosm of the human being and its creative activities. He shows how Fludd’s two worlds--the macrocosm and the microcosm--along with Paracelsus’s medical principles and the works of Hermes Trismegistus provided the foundation for his search for the cause and cure of all diseases. The more than 200 illustrations in the book represent the whole corpus of Fludd’s iconography, each one accompanied by Godwin’s expert commentary and explanation. Sharing many passages translated for the first time from Fludd’s Latin, allowing him to speak for himself, Godwin explores Fludd’s thoughts on cosmic harmonies, divination, the kabbalah, astrology, geomancy, and the rapport between the multiple levels of existence. He also analyzes Fludd’s writings in defense of alchemy and the Rosicrucians. An essential reference for scholars of Renaissance thinkers, traditional cosmology, metaphysics, and the Western esoteric tradition, this book offers intimate access to Fludd’s worlds and gives one a feel for an epoch in which magic, science, philosophy, spirituality, and imagination could still cohabit and harmonize within a single mind.

A bold thriller filled with esoteric secrets, psychedelic rituals, blackmail, and murder • Follows American archaeologist Monica Bettlheim, her benefactor Maltese billionaire Sebastian Pinto, and Pinto’s son Rafael as they make startling discoveries about the ancient world, hallucinogenic sacraments, and modern-day crime syndicates • Reveals a secret ritual at the heart of Christianity, knowledge of which was passed on underground by Gnostics and alchemists for centuries • Explore the use of the Kykeon, the psychedelic brew of the Eleusinian mysteries, which offers those who drink it a direct experience of God Amid the European refugee crisis, with the background of Southern Europe having become the point of arrival for hundreds of thousands of desperate migrants, Monica Bettlheim, an American archaeologist, is trying to recapture her former fame. She has a mission to uncover prehistoric cultures that conventional archaeology and history both fear and deny. Her search is sponsored by an eccentric aristocrat, the larger-than-life Maltese billionaire Sebastian Pinto. On an underwater expedition off the coast of Malta, Monica finds a mysterious golden pomegranate that dates back to prehistoric times. Within it, she discovers ancient remnants of the Kykeon, the hallucinogenic sacrament of the Eleusinian mysteries, which offers those who drink it a direct experience of God. As the discovery leads to blackmail and murder, Monica uncovers a secret ritual right at the heart of Christianity, knowledge of which was passed on underground by Gnostics and alchemists for centuries. Reluctantly, Monica teams up with the elusive and troubled Rafael, Pinto’s son, who for some years has been deeply immersed in esoteric studies. Driven by the need to avenge a murder and uncover the activities of an international crime syndicate, they risk their lives by reviving the sacred ritual--and are confronted by the most terrifying revelation of all.