José Enrique Rodó – författare

"Irritating, insufferable, admirable, stimulating, disappointing RodÓ: . . . you are part of our family quarrels, and must bear with your disrespectful, equally disappointed, intuitive, incomplete nephews, living in a world that you helped define for us, and offered unto our revolt." -from the Prologue by Carlos FuentesFirst published in 1900 Uruguay, Ariel is Latin America's most famous essay on esthetic and philosophical sensibility, as well as its most discussed treatise on hemispheric relations. Though RodÓ protested the interpretation, his allegorical conflict between Ariel, the lover of beauty and truth, and Caliban, the evil spirit of materialism and positivism, has come to be regarded as a metaphor for the conflicts and cultural differences between Latin America and the United States. Generations of statesmen, intellectuals, and literary figures have been formed by this book, either in championing its teachings or in reacting against them. This edition of Ariel, prepared especially with teachers and students in mind, contains a reader's guide to names, places, and important movements, as well as notes and a comprehensive annotated English/Spanish bibliography.

Ariel (1922) is an essay by José Enrique Rodó. Originally published in Spanish in 1900, Ariel was translated into English just five years after the author’s death by F. J. Stimson, the former U. S. Ambassador to Argentina. The essay was immediately influential in Uruguay and across Latin America as an essential document of modernismo, a literary movement which sought to unite classical values and contemporary culture through a devotion to beauty and form. “The gifts of the youthful spirit—enthusiasm and hope—correspond in the harmonies of history and natural history to movement and to light. Wherever you shall turn your eyes you will find these, the natural atmosphere in which move all things that are strong and beautiful.” Captivated by a bronze statue of Ariel from Shakespeare’s The Tempest, a teacher known as Prospero speaks passionately to his young students on the eve of summer vacation. Taking a historical view of human civilization, José Enrique Rodó applies the teachings of the Enlightenment to the political reality facing Latin America in the early twentieth century. Promoting morality and idealism over the encroaching utilitarianism of North America, Rodó crafted what one critic called “the ethical gospel of the Spanish-speaking new world.” This edition of José Enrique Rodó’s Ariel is a classic of Uruguayan literature reimagined for modern readers.

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