Jose Hernandez – författare

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'Some verses flow on out of menlike headstreams course through a canal.The same holds true for mine, old pal-though I can't say they're worth a lick,they still pour out of me real quick,like sheep escapin' a corral.'José Hernández's long narrative poems The Gaucho Martín Fierro (1872) and Martín Fierro's Return (1879) relate the often harrowing story of a gaucho's misfortunes against the backdrop of Argentina's nation-building a few decades after its independence from Spain. The first poem relates Martín Fierro's forced conscription, the hardships of irregular military service, and his desertion, followed by the discovery of his home and family gone upon his return, murder, and life as a fugitive from the law among the same tribe he was earlier drafted to exterminate. The second continues the narrative, taking in an epic singing contest against an itinerant musician, and culminating in Fierro and his sons going their separate ways in an attempt to live out lives of peace under assumed names.G. J. Racz provides the first metrical, rhyming translation into English in almost a century. Considered classics of Latin American literature, the works embrace the psychology of their oppressed 'common man' protagonist while depicting the larger sociopolitical forces slowly marginalizing his once vibrant cohort of skilled horsemen, itinerant cowhands, and modest livestock ranchers.

This is a poem of protest drawn from the life of the gaucho, who was forced to yield his freedom and individuality to the social and material changes that invaded his beloved pampas—a protest which arose from years of abuse and neglect suffered from landowners, militarists, and the Argentine political establishment.This poem, composed and first published more than a century ago, could have been written today by spokesmen for other oppressed groups in other parts of the world. For this reason, perhaps, the poem has such universal appeal that it has been translated into nineteen languages, making it available to more than half of the world's people.Hernandez's poem was an attempt to alert the government, and particularly the city dwellers, to the problems faced by the gaucho minority in adjusting to the new, unfamiliar culture imposed on them by the Central Government soon after the fall of the dictator Juan Manuel de Rosas in 1852, under the slogan "Politics of Progress." Moreover, the poem supplied a historical link to the gauchos' contribution to the national development of Argentina, for the gaucho had performed a major role in the country's independence from Spain. They had also fought in the civil wars of Argentina and had cleared the pampas of marauding Indian bands that plagued the pastoral development of the region. According to Hernandes they had been by turns abused, neglected, and finally dispersed, ultimately losing their identity as a social group.Those interested in the Martín Fierro as literature, as social protest, as anthropology, or as an example of the annihilation of a minority group—and its very identity—have joined in making it the most widely read, analyzed, and discussed literary work produced in Argentina. Now, after several hundred editions in Spanish and other languages, Martín Fierro is recognized as a masterpiece of world literature.The aim of this English version has been to achieve a line-by-line rendition faithful to the original in substance and tone, but without attempting to recreate Hernandez's meter or rhyme. The translators present it here as a catalyst for enjoyment, provocation, and insight.

Martín Fierro: An Epic of the Argentine (1923) is an epic poem and accompanying scholarship by José Hernández and Henry A. Holmes. Originally published in two parts, the poem has been praised as a defining work of Argentine literature for its depiction of national identity in relation to the gaucho culture, which was used to consolidate the historical and political image of the country against European influence. Unlike many of his contemporaries, Hernández was a writer who grew up in a ranching family, who knew firsthand the prowess of a people who helped Argentina free itself from Spanish control.Martín Fierro is a masterpiece of Spanish-language literature that continues to define and inform Argentine culture today. In this text, scholar Henry A. Holmes translates parts of the poem while contextualizing it alongside works of Hernández’s predecessors. In addition, Holmes provides invaluable information on the poet’s life, discusses the significance of the gaucho in Argentine literature, and investigates the portrayal of the indigenous peoples of Argentina in the poem. With a beautifully designed cover and professionally typeset manuscript, this edition of José Hernández and Henry A. Holmes’ Martín Fierro: An Epic of the Argentine is a classic of Argentine literature reimagined for modern readers.

Martín Fierro: An Epic of the Argentine (1923) is an epic poem and accompanying scholarship by José Hernández and Henry A. Holmes. Originally published in two parts, the poem has been praised as a defining work of Argentine literature for its depiction of national identity in relation to the gaucho culture, which was used to consolidate the historical and political image of the country against European influence. Unlike many of his contemporaries, Hernández was a writer who grew up in a ranching family, who knew firsthand the prowess of a people who helped Argentina free itself from Spanish control. Martín Fierro is a masterpiece of Spanish-language literature that continues to define and inform Argentine culture today. In this text, scholar Henry A. Holmes translates parts of the poem while contextualizing it alongside works of Hernández’s predecessors. In addition, Holmes provides invaluable information on the poet’s life, discusses the significance of the gaucho in Argentine literature, and investigates the portrayal of the indigenous peoples of Argentina in the poem. This edition of José Hernández and Henry A. Holmes’ Martín Fierro: An Epic of the Argentine is a classic of Argentine literature reimagined for modern readers.

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The Black Codex of José Hernández(Medieval historical fiction novel set in the 11th century A.D.)Adventure, intrigue, action and excitement in a medieval story.The Black CodexThe Black Codex is a story of passion, intrigue, and power in a time no longer remembered. It is revealed through the investigations of Raquel, a young engineer who is shocked by a detail in a Romanesque church in the Lleida Pyrenees. Throughout the development of the story, she is accompanied by Xavier Rivas, professor of medieval history at the University of Girona, with whom she begins a very close relationship.At a time when legend and reality intertwine in the night of time, in 1035, a year of convulsions in general, Wilfred of Berga, his wife and Leodovico, a minstrel who has recently arrived in the region and who brings with him legends from distant lands, will begin a search for the impossible that will defy both reason and faith and will unleash the wrath of the darkest powers.A powerful portrait of the Middle Ages with main characters such as Oliba, Guillermos de Besalú, the King of Navarre, the Bishop of Urgel... A combination of characters who go to the place where it all began, the Lleida Pyrenees, where it will have a dramatic end as a result of internal struggles between feudal lords, whose entire conflict is recorded in a cursed book: The Black Codex.