Joseph Dewey – författare

In the closing decade of the twentieth century, Don DeLillo emerged from the privileged status of a writer's writer to become by any measure - productivity, influence, scope, gravitas - the dominant novelist of fin-de-millennium America. Beginning in 1982 with ""The Names and continuing with White Noise and Underworld"", DeLillo defined himself as a provocative, articulate anatomist of American culture. Dewey offers an astute assessment of this daunting yet important writer's four-decade cultural critique. Dewey finds DeLillo's concerns to be organized around three rubrics that mark the writer's own creative evolution: the love of the street, the embrace of the word, and the celebration of the soul. Dewey takes the reader through the novelist's hip avant-garde satires of the mid-1960s, his dense interrogations of the power of language and the spell of narrative in the 1980s and 1990s, and his recent efforts to transcend the immediate. Dewey explores DeLillo's fascination with Eastern philosophies, interest in Native American traditions, passion for jazz, and deep roots in Catholicism.

This is a critical survey of works by a writer torn between Emersonian engagement and Dickinsonesque withdrawal.""Understanding Richard Powers"" presents an introduction to one of the most important and admired writers to emerge in the post-Pynchon era of American literature. Joseph Dewey contends that while Powers' novels investigate the most pressing issues of the new millennium, the novelist is most deeply interested in the same thematic argument that consumed Ralph Waldo Emerson and Emily Dickinson - the problem of the self, the deep and unshakable loneliness that has always been at the heart of the American literary imagination.Through an overview of Powers' career and close readings of his novels, which include ""Galatea 2.2"", ""Prisoner's Dilemma"", ""The Gold Bug Variations"", ""Operation Wandering Soul"", ""Gain"", and ""Plowing the Dark"", Dewey places Powers in context as a major voice in the first generation born entirely within the era of television and the computer and shows us how Powers reminds his readers that we have never been so connected and yet never quite so alone.

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