Joseph Heller – författare

Explosive, subversive, wild and funny, 50 years on the novel's strength is undiminished. Reading Joseph Heller's classic satire is nothing less than a rite of passage.Set in the closing months of World War II, this is the story of a bombardier named Yossarian who is frantic and furious because thousands of people he has never met are trying to kill him. His real problem is not the enemy - it is his own army which keeps increasing the number of missions the men must fly to complete their service. If Yossarian makes any attempts to excuse himself from the perilous missions then he is caught in Catch-22: if he flies he is crazy, and doesn't have to; but if he doesn't want to he must be sane and has to. That's some catch...

**AS SEEN ON BBC TWO'S BETWEEN THE COVERS**Discover Joseph Heller's hilarious and tragic satire on military madness, and the tale of one man's efforts to survive it.It's the closing months of World War II and Yossarian has never been closer to death. Stationed in an American bomber squadron off the coast of Italy, each flight mission introduces him to thousands of people determined to kill him.But the enemy above is not Yossarian's problem - it is his own army intent on keeping him airborne, and the maddening 'Catch-22' that allows for no possibility of escape.'The greatest satirical work in the English language' Observer

A beautiful hardback edition of one of the most subversive anti-war novels ever written - reading Catch-22 is a rite of passage.Set in the closing months of World War II, this is the story of a bombardier named Yossarian who is frantic and furious because thousands of people he has never met are trying to kill him. His real problem is not the enemy - it is his own army which keeps increasing the number of missions the men must fly to complete their service. If Yossarian makes any attempts to excuse himself from the perilous missions then he is caught in Catch-22: if he flies he is crazy, and doesn't have to; but if he doesn't want to he must be sane and has to. That's some catch...'The greatest satirical work in the English language' Observer'Wildly original, brutally gruesome, a dazzling performance...it will not be forgotten' New York TimesVINTAGE QUARTERBOUND CLASSICS: Bound to be beautiful

Discover Joseph Heller's hilarious and tragic satire on military madness, and the tale of one man's efforts to survive it.It's the closing months of World War II and Yossarian has never been closer to death. Stationed in an American bomber squadron off the coast of Italy, each flight mission introduces him to thousands of people determined to kill him.But the enemy above is not Yossarian's problem - it is his own army intent on keeping him airborne, and the maddening 'Catch-22' that allows for no possibility of escape.'The greatest satirical work in the English language' Observer'The most devastating satire ever written about the lunacy of war and military bureaucracy' Antony BeevorINTRODUCED BY HOWARD JACOBSON

WITH AN INTRODUCTION BY HOWARD JACOBSONExplosive, subversive, wild and funny, 50 years on the novel's strength is undiminished. Reading Joseph Heller's classic satire is nothing less than a rite of passage.Set in the closing months of World War II in an American bomber squadron off the coast of Italy, Catch-22 is the story of a bombardier named Yossarian who is frantic and furious because thousands of people he has never even met keep trying to kill him. Joseph Heller's bestselling novel is a hilarious and tragic satire on military madness, and the tale of one man's efforts to survive it.

On paper, Bruce Gold seems to have carved a comfortable niche for himself. But in the flesh, he's not so impressive. His ancient father thinks he's a fool, his children fail to notice him and even his wife doesn't realise he's no longer living with her. Gold's been promised a prestigious government post in Washington - only he's never been told what the position actually is. Hugely funny and sweetly sad, Good as Gold is the story of children grown up, parents grown old, anad lovers grown apart.

The demented Army Air Force of Catch-22, the lethal business world of Something Happened, the dysfunctional family of Good as Gold-all these, we have assumed, had their roots in Joseph Heller''s own past. Now, more than thirty-five years after the explosion of Catch-22 into the world''s consciousness, Heller gives us his life. Here is his Coney Island childhood, down the block from the world''s most famous amusement park. It was the height of the Depression, it was a fatherless family, yet little Joey Heller had a terrific time--on the boardwalk, in the ocean (dangerously out of his depth), playing follow-the-leader in and out of local bars, even in school. Then a series of jobs, from delivering telegrams (on his first bike) to working in a navy yard-until Pearl Harbor, the air force, Italy. And after the war, college (undreamed-of before the G.I. Bill), teaching, Madison Avenue, marriage, and-always-writing. And finally the spectacular success of Catch-22, launching one of the great literary careers.The strengths of Now and Then lie in the energy, humor, and mischief that have characterized all of Heller''s work, along with the dark undertones that lie beneath them. He brings back a Coney Island that is not only a symbol of fun and fantasy around the world but a vision of what seems today to have been a golden age of carefree innocence. For the first time, he writes about the people and the events, both tragic and hilarious, he was eventually to translate, in Catch-22, into such memorable characters as Hungry Joe, Orr, Major--de Coverley, Natel''s whore, and (of course) Yossarian, and such moving and frightening scenes as the death of Snowden. Now and Then is both an account of a remarkable life and a glimpse into the creative process of a major American writer.From the Hardcover edition.

This study of "The Stern Gang" attempts to demythologize the image of this extremist, Zionist underground group. The book analyzes the party's split from the Irgun Zvai Leumi (National Military Organization) and its attempts to synthesize the politics and ideals of the right and left.

A collection of short stories and other miscellaneous writings by Joseph Heller, one of America’s most influential and idiosyncratic writers.Years before the publication of Catch-22—which was called “a monumental artifact of contemporary literature” by The New York Times, “an apocalyptic masterpiece” by the Chicago Sun-Times, and “one of the most bitterly funny works in the language” by The New Republic—Joseph Heller began sharpening his skills as a writer, searching for the voice that would best express his own peculiarly wry view of the world. In Catch As Catch Can, editors Matthew J. Bruccoli and Park Bucker have for the first time collected the short stories Heller published prior to that first novel, along with all the other short pieces of fiction and nonfiction that were published during his lifetime. Also included are five previously unpublished short stories, most reflecting the influence on Heller of urban naturalist writers such as Irwin Shaw and Nelson Algren. The result is an important and significant addition to our understanding and appreciation of Joseph Heller, showing his evolution as a writer and artist. For those unfamiliar with his work, it will serve as an excellent introduction; for everyone else, Catch As Catch Can is a chance to explore a new aspect of Heller''s remarkable career.

An uproarious and frank memoir of illness and recovery, No Laughing Matter is a story of friendship and recuperation from the author of the classic Catch-22.It all began one typical day in the life of Joe Heller. He was jogging four miles at a clip these days, working on his novel God Knows, coping with the complications of an unpleasant divorce, and pigging out once or twice a week on Chinese food with cronies like Mel Brooks, Mario Puzo, and his buddy of more than twenty years, Speed Vogel. He was feeling perfectly fine that day—but within twenty-four hours he would be in intensive care at Manhattan''s Mount Sinai Hospital. He would remain hospitalized for nearly six months and leave in a wheelchair. Joseph Heller had Guillain-Barré syndrome, a debilitating, sometimes fatal condition that can leave its victims paralyzed from head to toe. The clan gathered immediately. Speed—sometime artist, sometime businessman, sometime herring taster, and now a coauthor—moved into Joe''s apartment as messenger, servant, and shaman. Mel Brooks, arch-hypochondriac of the Western world, knew as much about Heller''s condition as the doctors. Mario Puzo, author of the preeminent gangster novel of our time, proved to be the most reluctant man ever to be dragged along on a hospital visit. These and lots of others rallied around the sickbed in a show of loyalty and friendship that not only built a wild and spirited camaraderie but helped bring Joe Heller, writer and buddy extraordinaire, through his greatest crisis. This book is an inspiring, hilarious memoir of a calamitous illness and the rocky road to recuperation—as only the author of Catch-22 and the friend who helped him back to health could tell it. No Laughing Matter is as wacky, terrifying, and greathearted as any fiction Joseph Heller ever wrote.

A darkly comic and ambitious sequel to the American classic Catch-22.Joseph Heller revisits the unforgettable characters of Catch-22, now facing the twilight of their lives and the end of the century. The generation that fought in World War IIYossarian, Milo Minderbinder, the chaplain, along with newcomers little Sammy Singer and giant Leware bound together in uneasy peace and old age, fighting not the Germans this time, but the inevitability of The End. Closing Time deftly satirizes the realities and the myths of postwar America with the same ferocious humor as his masterpiece, Catch-22, exploring the absurdity of our politics, the decline of our society and great cities, and the greed and hypocrisy at the heart of our business and culture. Outrageously funny yet deadly serious, and as brilliant as Catch-22 itself, Closing Time is a fun-house mirror reflecting, at once grotesquely and accurately, who we truly are.